Who has information about Agrich?

Agrich Agrich: Argentine female pianist Agrich (194 1-) won the gold medal in the 7th International Chopin Piano Competition (1965), and previously won prizes in international piano competitions in busoni and Geneva (1957'). In recent years, she studied under the pianist Michelangelo. She recorded many records, and Agrich cancelled her concert in recent years, which made her name more legendary and made the audience who loved her look forward to it! Recently, she is more interested in playing piano chamber music. Her concert is nothing more than chamber music, double pianos and bands.

Is one of Agrich's most outstanding pianists today. Her performances seem to be all hands-on! Listening to her play prokofiev's Piano Concerto No.3 is technically excellent. She makes music so simple! This is really her forte. In recent years, apart from the above-mentioned chamber music and two pianos, her new solo repertoire is rare.

1957, Marta Agrich, a beautiful young female pianist, won the international piano competitions in Italy and Switzerland twice in a few weeks, which caused a sensation. Agrich was only 16 years old. Since then, Agridge has gradually become a world-renowned pianist with her exquisite performance, and Agridge's unique piano learning experience and slightly eccentric personality have made her a legend.

There are many theories about why Agrich started practicing piano in the first place. One of the most popular ones is that when she was in kindergarten, a little girl who could play the piano always proudly said to Agrich, "You can't do this or that." This made Agrich very angry and decided to learn to play the piano. However, according to Agridge's own account, when she was only about two years and eight months old, one day she unconsciously pressed a few notes on the piano, which surprised the teachers in the nearby kindergarten because Agridge's musical talent was discovered.

Agrich began to learn piano at the age of three and made rapid progress. But at that time, she was still a child, and the boredom of practicing piano sometimes made her hate the piano very much. By the time Agrich was eight years old, her playing skills had reached the level of solo. 1June, 949, Agrich collaborated with Buenos Aires Orchestra in Mozart's Piano Concerto No.20, which was a blockbuster and even shocked the then President of Argentina. It is said that in order to give this prodigy a better music education, the President specially sent Agrich's father to Vienna, where Agrich was able to continue his studies with pianist Gu Erda.

Agridge showed his extraordinary musical talent from an early age. At that time, famous piano master, such as Alau and Rubinstein, all heard Agrich's performance during their visit to Argentina and spoke highly of it. After listening to Agriqi's performance, pianist Giesking especially told her parents not to be too strict with Agriqi, but to give her more freedom, otherwise it would probably ruin a talented musician. Under the care of many people, Agridge's playing skills are becoming more and more mature, and at the same time he has more understanding of music.

1957, Agrich participated in the busoni International Piano Competition. After the first round of elimination, Agrich asked several judges: Goodbye or farewell? The judge replied that it was goodbye. Agrich didn't prepare for the second round because he didn't think he could pass the first round. After hearing the judges' answers, she began to practice her new work. In the end, Agrich won the championship in this competition. After winning the first game, Agrich's confidence increased greatly. A few weeks later, she signed up for the piano competition in Geneva, Switzerland. As a result, she lived up to expectations and won the first prize again.

When she was a child, Agrich wanted to be a doctor, and when she grew up, she wanted to be a secretary. She can amuse herself by playing the piano in her spare time. She doesn't want to be a professional actress. /kloc-her experience after becoming famous at the age of 0/6 strengthened her mind. She doesn't like running around and performing everywhere. 1960, Agrich quit the stage, got married and had children. 1965 before Chopin's international piano competition, she had never practiced piano for three years. Later, with the persuasion and help of Stephen, the wife of the famous pianist Askin Nachi, Agriqi regained her passion for piano and won the international competition again.

For many years, Agrich has become a world-renowned pianist with his extraordinary musical talent and superb playing skills, and his independent personality has also attracted people's attention. It is said that Agrich has a habit, that is, before going on stage, he must use the tweezers he carries with him to pull out more hair on his forehead to find the feeling. Once, the performance was about to begin, but Agrich couldn't find tweezers anywhere. As a result, she cancelled the upcoming concert in a rage.

Agridge is famous for temporarily canceling the performance. She canceled the performance for various reasons, either because she couldn't find tweezers, or because she wanted to see the consequences of canceling the performance, or because she had stage fright. In another case, she will cancel the performance, but she can't find inspiration. In Agrich's mind, she wants every performance to be perfect. Even if it is a song that has been played many times, she doesn't want to repeat it, but to deduce new connotations.

Agrich was born in Argentina and went to Europe to receive orthodox music education at the age of 14. Her performance has unique charm and traditional style. It is said that Agrich is descended from European immigrants. She also said that her hometown was probably in Croatia, and her ancestors were probably Teutonic. Perhaps it is for this reason that Agrich can express his emotions incisively and vividly when playing the passionate works of German and Austrian writers, without any gap.

Agrich's playing skills are superb, and her best move is "fast". Agrich not only reads music very fast, but also plays it with his fingers very fast. For example, when Agrich played Liszt's sonata, she played eight octaves of her left hand in less than a second. It is said that Agridge is faster than the old piano auto, Holovitz. Although Agridge's piano solo is very popular, after the 1980s, Agridge rarely held solo concerts, but turned his focus to ensemble music.

During Agrich's playing career, many predecessors, piano master, have given her guidance and help. In recent years, Agridge has also tried to help young musicians by setting up the Agridge Piano Award. Someone once asked Agrich what is the most important thing to be a successful pianist. Agrich replied, first of all, you should love music and feel happy when you are with it. Secondly, you should have considerable skills, because sound is the most essential thing in music, and some sounds need skills to be produced. At the same time, to succeed, you must be different.

Many pianists are always passionate when they are young, but as they grow older and have more experience, they will become more and more introspective, but Agrich is not like this. From the works of Chopin and Pyotr Il'yich Tchaikovsky recorded by her in recent years, people have heard more wild and magnificent sound effects than before. Although she is over 60 years old, Agrich's warm personality never seems to change, and her piano music, like others, continues to maintain a transparent and sincere charm. Liszt's first piano concerto Liszt has two piano concertos. The first song, in E-flat major, 1839, 1852 was made at Weimar Palace Concert,1February 7. Liszt plays the piano and Berlioz conducts the premiere.

***4 sports:

The first movement: Allegro Solo in E flat major, free sonata form. The cadenza of the band played the first theme powerfully from the beginning, and there were rich phrases behind the piano. Because the vibrato rose rapidly in the form of scales, the cadenza ended, the violin reappeared the first theme, and the piano took over. The beautiful melody of clarinet leads to the second theme, followed by the dialogue between piano and violin. In the development department, the band strongly played the first theme, and the piano made a gorgeous and effective semitone decline with this theme motivation. The theme is that after the wind instrument has a cadenza, the string has a cadenza. In the reproduction part, the piano is entangled with arpeggios, and the second theme is not reproduced, which ends directly with the piano semitone rising.

The second movement: slightly like adagio, in B major, the bass string is accompanied by a weak voice to express the main melody fragment of this movement with expressions, and the first violin with a weak voice repeats. The piano developed into a nocturne, a cadenza, and then the strings were replaced by cello, and the piano and cello echoed each other. Then the piano is colorful, and the flute plays beautiful sub-themes, which are transmitted by clarinet, oboe, cello and clarinet.

The third movement: Allegro vivacious, in E flat major, equivalent to scherzo movement. This movement skillfully uses the triangle clock, so it has the reputation of "triangle clock concerto" First, the triangle bell responds to the strings, the piano adds ridiculous whimsy, and the flute entangles the vibrato motivation. Then the piano became colorful and became a lively allegro.

The fourth movement: Allegro in E-flat major, with woodwind instruments as the main body, played the theme of this movement with great momentum, brass instruments powerfully played the cello motivation of the second movement, and the piano gave a gorgeous response. The oboe plays the theme of flute in the second movement of piano dynamics. Woodwind instruments re-developed the theme of this movement, and the piano joined in a ridiculous way, increasing the speed, entering faster, and then entering the emergency board.