Characteristics of Xinjiang Quzi Opera

The Xinjiang Quzi operas performed by Hami Zile Class are all passbook operas, with short and pithy repertoires and few roles. You can perform on the stage, or walk and sing in the countryside or even on the kang of farmers. Quzi Opera, which uses Shaanxi dialect and dialect, is humorous, friendly and easy to understand, and is welcomed by local Han, Hui and immigrants from northwest provinces. Hami's Quzi Opera also attracted many Uighur audiences, and even Uighur actors staged Quzi Opera. In addition to the above-mentioned Uyghur actor whose stage name is Raul, there is also a Uyghur woman who can also sing Chinese Quzi Opera, which is quite famous in the local area.

The tune of Xinjiang Quzi Opera is beautiful because it is good at learning from others. It is not only based on Hu Mei in Shaanxi, Guzi in Lanzhou and Ganxian in Qinghai, but also absorbs the folk songs of Xining, Hezhou minor, Jasmine in northern Jiangsu, Yangko duet in Northeast China, Salad music of Huihuaer and Sila nationality, Quzi opera music of Xibe Song Taiping, Uygur and Kazak folk tunes, and so on.

The integration of various ethnic music elements has made Xinjiang Quzi Opera loud and clear, melodious, unique in accompaniment melody and vivid and unique in mode, forming its own unique artistic style, which embodies the regional characteristics of Xinjiang with a wide source of Han nationality and numerous ethnic minorities. Therefore, Xinjiang Quzi Opera, which was developed by Hami, soon spread all over the vast areas in the north and south of Tianshan Mountain and became a wonderful flower in Xinjiang Han culture.