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What are the endings of the characters in Shan Hai Qing?
First of all, our men are blessed. He always wants to get rich with the villagers. With the help of the government's poverty alleviation policies, Diaozhuang gradually developed, and more and more villagers moved voluntarily. Diaozhuang has also changed from a sandy "dry beach" to a land-intensive town in Ning Min.
Ma defu is a man who can make sacrifices. He dares to offend people and disappoint others. After Li appeared again, Ma Defu also wavered, but Ma Defu didn't consider other things and finally didn't get married.
2. Li
The hostess, Hua Shui, was originally a very clever girl, but her family was patriarchal and poor, so she was forced to marry someone else. After Li married in the village next door, her husband became disabled in order to dig a water cellar, and Li could only support the whole family by himself.
Finally, with the help of others, Li planted Agaricus bisporus in his yard, and his life was very easy.
At the moment Li decided to get married, she had put the past behind her. She is an infatuated person, but she is also a heartless person. Although Li was not very happy after marriage, she was able to bear hardships and stand hard work, and later managed her small family well. Her husband later learned that she was distressed by Li and would not be jealous for no reason. Li's children have grown up, and they are all very filial to Li.
3. slip
Everyone should be curious about the fate of the missing Gava. Gawa finally met Ma Debao. Although Gawa was not a big boss in the end, he also had a decent job, and the final outcome was quite good.
In addition, he is honored to return to his hometown, and it is a happy ending to come back with his wife and children.
4. Water flourishing
Among his four children, Wang Shui is a steady person. He has many ideas and will put them into action. Wang Shui has a great chance. Later, he also went to Fujian, and with his own ability, he attracted the attention of the leaders.
In the stills, Wang Shui finally became a businessman in a suit and tie, and finally returned to his hometown to create more employment opportunities for his hometown.
5. Debao
As for Debao, his ending is more perfect. He went back to his hometown to help his brother grow mushrooms. Later, she married Mai Miao and gave birth to a lovely son.
Extended data
Drama evaluation
Ningmin Town has completely restored the poverty alleviation work in China in the 1990s, and the details are very comprehensive. The play depicts the vivid images of several poverty alleviation cadres. The protagonist Ma Defu is a local village cadre in Ningxia. In order to get rid of poverty, he has to go out and be practical enough. Fujian poverty alleviation cadres, represented by Chen Jinshan, actively overcome difficulties and serve the cause of poverty alleviation wholeheartedly.
As a southerner, when Chen Jinshan first arrived in the northwest, he had to overcome the problems of language communication and adaptation to the environment. In the play, he only slept in Xihaigu for one night and got up the next day with a nosebleed.
When this group of poverty alleviation cadres gradually adapted to the local environment, they began to bring new ideas and policies to the village. For example, in order to solve the problem of idle labor, they arranged for idle young people in the village to work in Fujian; In order to help the village develop the primary industry, they invited experts to innovate agricultural technology and cultivate crops adapted to the local climate (Yangcheng Evening News commentary).
Ningmin Town's creative idea is to show the "Min-Ning model" under the cooperation of East and West to help the poor. "Min-Ning Model" is a microcosm of China's miracle and a creative proposition with practical significance. The story of poverty alleviation shown in the play is not only the material development and spiritual development of a region, but also the story of "people".
In the play, major propositions are constructed by the stories of ordinary people, and the major construction is closely related to personal destiny. Taking the micro-world of individuals as the narrative basis, the changes of the times as the narrative context, and expressing national ambitions through the description of group images have always been the creative mode that Noon Sunshine Team is good at.
In the process of script writing, the drama adopted the creative technique of "going deep into life and being close to the people", and the producer's efforts to restore the temperament of the times added real strength to the dramatic increase and aroused the audience's emotions (comments by Jinling Evening News).
Ningmin Town recorded the truth of getting rid of poverty through advanced film and television language, and got rid of the bitter background of being forced to feel bad after selling. The whole work is filled with high emotions and joy in the realistic tone. In the first episode, the dolls who "ate enough potatoes" ran away from home together, which was quite poetic in image expression, showing the younger generation's yearning for a better life and pointing out the theme of the whole play.
Many poverty alleviation dramas have common problems, such as characterization, symbolization of poverty alleviation bridges and empty expression. "Ning Min Town" broke the bottleneck of this kind of theme in artistic expression. He narrates with a high-energy plot and exciting rhythm, and the charm of his works comes more from the vivid and true image of the times (Beijing Daily Review).
At the beginning of Ningmin Town, the audience can really feel it through the lens. In the picture, the true sense of the times in the northwest countryside, the regional customs of the Loess Plateau, the tenacious and fiery local folk customs, and the hardships of people's livelihood struggling to survive make people immersive.
The pain of poverty and the difficulty of getting rid of poverty are written on the faces of every villager. The clothes on the actor's body are just like washed with sand, and a puff of smoke rises with a pat. The story of Xi Haigu's head injured by a sandstorm on the way to immigration restored the true meaning of "dry beach" (Beijing Evening News commentary).
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