Xingguo folk song's Inheritance Model

Xingguo folk song has two ways of inheritance. One is word of mouth among the people. In the process of chopping wood and carrying loads, the working people sing folk songs to communicate with others. Xingguo folk song's first phrase (catchphrase), "Oh, my God ……" was a sigh of the lumberjack stretching himself during his work. When logging begins, the mountains will sing and the valleys will respond. It caused the woodcutter who went up the mountain, the released workers and the hard-working farmers to sing, so singing with each other became a way for working people to express their thoughts and feelings. It has been passed down from generation to generation. Because most of the contents of folk songs belong to love songs, as long as there is love between men and women in past dynasties, this natural way of communication will not disappear. Another way of xingguo folk song's inheritance is jumping; At the turn of the Yuan and Ming Dynasties, the war of changing the dynasty caused a serious military disaster to rejuvenating the country with a vast territory and a sparse population. A large number of immigrants came from Fujian and Guangdong, followed by the custom of "jumping". Article 1 comes from Fuzhou, Fujian Province, and is based on three wet nurses. Choose one to pass a ceremony of "Tibetan prohibition" to exorcise evil spirits and seek happiness for people. This is a superstitious profession with a strong matriarchal clan color. After it was introduced into Xingguo, it quickly merged with xingguo folk song. Dancers used folk songs loved by Xingguo people, accompanied by gongs, horns and other musical instruments, singing and dancing all night, which intoxicated the audience. Folk songs that working people like to sing; It was often banned by feudal dignitaries, who thought it was "a snake changing its tune and destroying the family style." However, in order to protect the peace and happiness of his family or village, he had to rely on the magic of the fairy mother. Therefore, xingguo folk song has found a "legal" communication carrier, which can walk into the yard of a large house from Shan Ye and also sing in a lively market. Jumping is generally composed of a man and a woman, called a man and a woman. In the process of jumping, people who can talk and sing under the stage are invited to participate in the performance, commonly known as "strike while the iron is hot" (helping others). Therefore, villagers have the opportunity to sing folk songs with dancers in public to express their feelings or dissatisfaction! But husband and wife are professionals, and they have to go through a long process of learning from teachers, ranging from three to five years to ten or twenty years. After they finish, the host will also invite couples from all over the country to hold ceremonies to witness their official departure. Every time in the process of jumping, the teacher should sing his own history clearly and describe his whole mentoring relationship from the nanny of grandparents. This lyric is often the ins and outs of the mentoring relationship between dozens of generations, similar to the hanging line in the genealogy. Otherwise, other teachers may interfere with him because of his "wild way". The process of rejuvenating the country and adjusting teachers' learning skills is also a formal way of inheritance in xingguo folk song. Due to the need of professional performance, teachers need to learn to sing a large number of narrative folk songs, such as playing songs, locking songs and explaining songs. This kind of folk songs is an area that amateur singers don't set foot in, because it takes a lot of time and energy to learn these folk songs. It can be said that "Tiao" provides a formal way of inheritance for xingguo folk song.