Seeking articles between mountains and rivers

Looking back on ancient times, what a warm and romantic time it was. Man and nature live in harmony, and many literati roam between mountains and rivers all their lives. They kept walking and singing, enriching and developing China culture. Or go for an outing in spring. "People in the late spring have taken spring clothes, won the top five or six places, and danced in the bath with a sigh." (Advanced Analects of Confucius) How carefree it is to wander in the bright spring and listen to the master's teachings; Or winding water, sitting on the edge of the gurgling waves, floating down the river on the glass, floating in front of whom every time, who picks up the glass and drinks it off, writing poetry with a little buzz, how happy it is; Or look at the top of the mountain and lament the past. With the elevation, people's ideological realm suddenly becomes clear and they can't help but feel homesick and nostalgic. Or put wine in the breeze to express your feelings for the moon. The world is long and the feelings are long.

When it comes to the history of China, dynasties change and things change. Only green mountains and green waters are always new. Mountains and rivers depend on each other, and the soup is vast for thousands of years. Therefore, there are some open-minded people who are noble-minded and long for a better life. After several ups and downs in their career, they finally found a way to eternal aesthetics-walking between mountains and rivers, with beautiful scenery. They enjoy the natural beauty, express their thoughts and feelings and redeem their souls.

China's ancient landscape poems have a long history and different poetic styles. They are the ancestors of mountains and the poets Xie Lingyun in Jin and Song Dynasties. Xie Lingyun was often angry because of his ups and downs in politics, so he sent his feelings to the mountains and rivers, created a large number of poems with the theme of praising mountains and rivers, and created a school of landscape poetry. Landscape poems describe the scenery in detail, with delicate tone and elegant style, which brought a fresh breath to the poetry circle at that time. Landscape poetry not only created a new style of poetry, but also greatly expanded the field of expression of ancient poetry, making natural scenery gradually enter the field of vision of ancient literati, with independent aesthetic value, and then making poetry art gradually reach the aesthetic realm of "harmony between man and nature".

From Xie Lingyun's spontaneous love for mountains and rivers, to Wang Wei's conscious love for mountains and rivers, and then to Lu You's free access to mountains and rivers in the Song Dynasty, poets in past dynasties paid more attention to nature. They walked between mountains and rivers, enjoyed the natural beauty, reflected on social life, and wrote many famous works, which were passed down through the ages. The prosperous Tang Dynasty was also the peak of the development of landscape poetry, and a large number of outstanding landscape poets emerged, represented by Wang Wei and Meng Haoran. They are indifferent, sober and detached, with Confucian mind, Buddhist interest and Taoist character. They either indulge their individuality, leave their feelings to the scenery and experience the freedom and boldness of life. Or trapped by fate, wandering from place to place, wandering around, looking for spiritual comfort between clouds and water; Or for ideological inspiration, climb high and look far, imagine and think for thousands of years, see through Wan Li and yearn for the lost historical years. You can't see mountains in the desert and misty rain in the south of the Yangtze River. "The world is big and the mountains and rivers are wide." (Liu Ji's "Feelings"), with the natural landscape slowly unfolding, a vast world has entered their eyes for the second time:

"The tree is wild, the rain is lonely, and the pavilion is autumn. The north and south are facing the road, and the boat is in the East and West Rivers. " (Tang Qiu's "Guest Travel")

Old trees, deserted bridges, twilight rain; Roads connect north and south, and rivers run through east and west. This is a slowly opening world, from an object in front of you, a scene, to the distance. Many travels, many wanderings, and many ancient poets started from here, bearing infinite fate, infinite thoughts and infinite feelings. "One day, I will ride the wind and waves, sail straight and cross the deep sea." They walked all the way between mountains and rivers, singing and forgetting things, and finally reached people's souls. "Fly and fly, what am I like, but a sandpiper in a vast world! . "(Du Fu's Night Tour)

The mountains and rivers are vast, and the sea of clouds is vast. The natural landscape, with its ever-changing colors and forms, reflects the most subtle and meticulous feelings in the human mind, which coincides with the poet's myriad thoughts and gently touches their susceptible hearts in the endless journey of life. Therefore, poets should blend with mountains and rivers, see things from the outside, feel with the environment, express their words from the inside, and blend scenes, feelings and scenes. On the one hand, landscape scenery is reflected in the poet's mind with its unique beauty, arousing the poet's aesthetic pleasure and inspiring his vivid poetic feelings. "Clouds are scattered by cranes in the clear sky, and poetry is Bixiao" (Liu Yuxi's Autumn Poems). On the other hand, if the poet is full of emotion or trapped by emotion, he will also project his inner feelings outward into the scenery, so that the natural scenery will be covered with the poet's subjective emotional color. For example, with the twilight of the river, or the gloomy scenery, "every tree in Hanyang becomes clear in the water, and Parrot Island is a nest of herbs. But I looked home, and the twilight was getting thicker, and the mist of sadness was filled on the river waves (Yellow Crane Tower in Cui Hao); It's still that glowing, smiling scenery, "gathering at dusk, traveling far away as this alone." At the beginning of the month, Sha Ting's cold sail was unloaded, and many people stayed awake in the wind on the reed bank "(Jong Li's" Qiu Jiang stayed overnight to send Liu Jun "in the southern Tang Dynasty). The same scenery shows different feelings because of the poet's different experiences.