What is the origin of the writers who won the Nobel Prize in Literature in 20 17?

Swedish time 1 the evening of October 5th1p.m (7: 00 p.m Beijing time), Nobel Prize in Literature was announced on October 20th17, and British writer kazuo ishiguro won the prize.

1954165438+1October 8th, kazuo ishiguro was born in Nagasaki. 1960 moved to Britain with his family, graduated from Kent University and the University of East Anglia, and 1982 obtained British citizenship. From 65438 to 0983, he began to publish novels, the main works of which are Mountain Colors, Ukiyo-e Painters and The Long Day Will Come to an End. He won many awards, such as 1989 Booker Prize, Knights of the British Empire and French art and literature. , together with Lucidi and Naipaul, is called "the three outstanding immigrants in English literature".

From 2065438 to March 2005, kazuo ishiguro, a Japanese-born British writer, who is also called "three outstanding immigrants in English literature" with Rushdie and Naipaul, published his first novel "The Buried Giant" in ten years. This novel, praised by the media as "subverting the established model of western fantasy literature", was well received by all parties as soon as it was published. ?

At first, kazuo ishiguro wrote English novels in Japanese narrative way, achieving the effect that the story characters seemed to speak Japanese. After that, he realized that there should be an expression that can go beyond translation. Kazuo ishiguro keeps writing, but in his mind, he keeps translating. This narrative method is also inseparable from kazuo ishiguro's experience: after coming to England, his family planned to go back to Japan every year, but this day never came. This deep-rooted sense of belonging has influenced kazuo ishiguro's language: on the surface, his writing is plain, but in fact, when he saw Thunder in silence, many emotions were deliberately suppressed and covered up.

Kazuo ishiguro's original novels are all written in the first person, depicting the loneliness, depression, self-deception and anxiety of the characters' inner world. Dual narrative strategy plays a unique role in deconstructing the narrator's self-identity. In The Buried Giant, kazuo ishiguro tries to get out of the writing framework of alluding to history with personal experience. Although this may weaken the complexity and profundity of the characters, the juxtaposition of the third-person narrative and the first-person narrative, the narrative of multiple spaces * * * eased the readers' anxious reasoning without trace, and the ancient and concise narrative language in the Middle Ages created a defamiliarization aesthetic meaning.