What is the influence of Heine's social documentary photography?

Louis? Lewis Hine (1874 ~1940) is a famous documentary photographer in America. He once said a famous saying: photography should not be just for beauty, but should have a social purpose. Explain what should be praised and what should be corrected.

Hein was born in Wisconsin, USA. /kloc-When he was 0/8 years old, his father died unexpectedly. Hein had to work in some factories with bad conditions, working 13 hours a day to help support his family. Later, Hein entered the university, got a degree in sociology and became a full-time photographer.

Hein's earliest documentary photography was filming immigrants who arrived in Alice Island. Since then, he has also taken special photos reflecting the living conditions of steel workers, providing photo illustrations for the Pittsburgh survey.

What won him great fame was documentary photography about American child labor. From 65438 to 0906, Hein was entrusted by the National Committee on Child Labor to investigate the living conditions of child laborers in various parts of the United States. At that time, there were about 6.5438+0.7 million child workers working in the factory, the youngest of whom was only 3 years old.

As an investigator and photographer of the Committee on Child Labor, Hein went deep into factories and mines all over the country to expose the poor working conditions of child labor. 1908, he filmed and reported in mines and glass factories in West Virginia and canneries in Indianapolis. 19 10, he recorded the children who cut pods in Buffalo, looked after machines in Niagara Cannery, peeled strawberries and peas in Delaware, and picked shrimps in Biloch, Mississippi. In a narrow and dangerous working environment, Hein quietly took pictures of them with a camera hidden in a lunch box. When shooting, he simplifies the background as much as possible, highlights the main body, and makes the expressions of the characters in sharp contrast with the cruel environment.

While taking photos, Hein recorded the children's conversations, height, health status and most of the events he encountered in detail, which were signed by other witnesses for confirmation. For example, the note in February 19 1 1 in South Carolina: the youngest of these nine children is 8 years old. They go to school for half a day. On normal school days, they shell oysters for 4 hours before school, 3 hours after school, and work from 4 am to night on Sunday. Machio cannery.

At the same time, Hain also recorded the living environment of child labor. 19 10 years, he investigated the seasonal working hours of harvesting wild cherries in New Jersey and photographed their small rooms used as dormitories. He wrote: the wooden toilet is nearby, and the bushes are also used for the same purpose, giving off a pungent smell. A small Turkish town near pemberton, New Jersey. Witness e? J. brown

The shooting conditions are very dangerous. In those years when filming child labor, Hein often disguised himself as a peddler selling bibles and cards, or disguised himself as an industrial photographer to "sneak into" the factory in order to avoid the interference of foreman and guards. When he really couldn't get into the factory, he waited outside the "sweatshop" where child labor was squeezed and filmed the scene of child labor entering and leaving the workplace.

From 65438 to 0909, Hein published the first photo report reflecting the life of child labor. It shows the living conditions of child workers under dangerous conditions, and some of the photos have become famous documentary works. More importantly, it eventually led to the enactment of the Child Labour Act by the US Congress, which abolished the child labour system.

The evaluation of the American Encyclopedia of ICP Photography is that Hein is neither the first nor necessarily the last photographer to reflect the social reform movement with his camera, but his excellent work quality is rarely compared.