Detailed data collection in Yin Ziwei

Yin Ziwei (1903— 1985), born in B, is a violinist. My ancestral home is Dongguan, my ancestral home is Longjiang, Shunde, and I have lived in Hong Kong with my father since childhood.

He first studied music with Liang, a predecessor of Guangdong music. Later, Chou He Zuo, He Liutang, Shen, Cai Zirui, Qian Dashu and many other famous artists gave directions. He performed at the age of1/kloc-0. In the seventh year of the Republic of China, Yin went to Shanghai with self-respect, worked as a teacher in China Concert Music Department and Sports Meeting, and studied violin with Stuart and Li Jiashi, a Filipino violinist living in Shanghai, and gradually formed his own Guangdong violin playing style.

He felt that the range of instruments used in Guangdong music at that time was not wide enough, which affected the performance effect. Therefore, he introduced the western violin and created a unique playing method of "Guangdong violin", changing the fixed string GDAE of the violin into the fixed string FCGD；; Guangdong strings; In terms of playing methods, it absorbed the fingering, kneading and bowing of the ancient Guangdong Erxian, and formed a unique violin playing skill. He became one of the important figures who played the violin in early Cantonese music.

In 1999, he was invited to perform in New Zealand. 13 years, invited by the Chinese General Chamber of Commerce in Hong Kong, went to London Expo to perform. Later, he was invited to perform in the United States and Canada, which was well received by Chinese and foreign people, and Cantonese music soon spread to Europe and America. At that time, many record companies invited him to record more than 120 records, which made Yue Le a household name at home and abroad and was once called "national music".

Yin's Cantonese songs include The Night Pearl, Flower Demon Hero, Victory, Chao Huang, Phoenix Dance, Phoenix Dance, Flower Drum Lantern and so on. Most of them love the motherland and the nation and inspire people to be positive. They are representative tracks of Guangdong music, many of which have been recorded and widely circulated. He is the chairman of Hong Kong Quyi Association and the founder of Hong Kong Bach Music Group and Hong Kong Quyi Association. 1985 died in America on May 8th.

Chinese Name: Yin Ziwei Nationality: China Nationality: Han Nationality Birthplace: Shunde, Guangdong Date of Birth: 1903 Date of Death:1May 8, 985 Occupation: Musician Representative Works: Liu Qingniang, Liu, Xiao Taohong, Xiaoxiang, Yanzilou. Personal experience, personal profile Yin Ziwei (1903-1985), whose real name is B Tsai, is from Dongguan and Longjiang, Shunde, and has lived in Hong Kong with his father since childhood. Father Yin is an amateur Cantonese opera "performer". This edifying environment made Yin Ziwei fall in love with music from an early age. When his father found that he had a soft spot for music, he asked Liang, a predecessor of Guangdong music, to teach him. At the age of 9, Liang Jing was introduced to the Music Department of Hong Kong Dreamland Society to study the palm board (drum), and studied under Chou He Zhuo, He Liutang, Shen and other famous artists. In the third year of the Republic of China (19 14), the society was stopped by the British authorities in Hong Kong for putting on a progressive drama, and the music department of Bell Charity Society was established by Guangdong musicians such as Qian Shu. Yin's self-esteem has been pointed out by many famous artists such as Cai Zirui and Uncle Qian. After that, he participated in the performance of "Zhongsheng Charity Association" in Hong Kong, with the performance age of 1 1. In 7 years of the Republic of China, Yin Ziwei, aged 65,438+04, went to Shanghai and was hired as a teacher by China Concert Music Department and Jason Wu Sports Association. After work, Lu Wencheng studied music theory, notation and violin playing with Stuart Meng Yan, the chief engineer of Jiangnan Shipyard who returned from studying in the United States, and then studied with Ricardo, a Filipino violinist living in Shanghai, and gradually formed his own Guangdong violin playing style. He felt that the range of instruments used in Guangdong music at that time was not wide enough, which affected the performance effect, so he introduced the western violin. In order to adapt the violin to the performance effect of Guangdong music, he created a set of "Guangdong violin" playing method, which changed the fixed string GDAE of the violin to the fixed string FCGD；; Guangdong strings; In terms of playing methods, it absorbed the fingering, kneading and bowing of the ancient Guangdong Erxian, and formed a unique violin playing skill. Yin Ziwei lowered the tuning of the violin by one degree, and incorporated the techniques of sliding, fingering and changing the handle of Yuehu Lake. Playing is lively and natural, the Cantonese tuning cavity is vivid, and the soft timbre is integrated with other musical instruments, reaching a superb state. He became one of the important figures who played the violin in early Cantonese music. In 1999, he was invited to perform in New Zealand. 13 years, invited by the Chinese General Chamber of Commerce in Hong Kong, went to London Expo to perform. Later, he was invited to perform in the United States and Canada, which was well received by Chinese and foreign people, and Cantonese music soon spread to Europe and America. In the 1920s, he made a sensation by playing Liu Qingniang, Liu, Xiao Taohong, Xiaoxiang and Yanzilou, who were in tune with Lu Wencheng. More than a dozen record companies rushed to hire him to make a record, and he became famous in one fell swoop, reaching more than 120. I have made the most records in Shengli Records Company and served as the production director of the company. Through the spread of records, Guangdong music has become a household name at home and abroad, and was once called "national music". In the late 1920s, Yin joined the Xinfeng Jing class with self-respect, and cooperated with the Cantonese opera actress known as "All Saints" as a martial arts actor. Later, he served as the "headgear" (chief) master of the first sound class. From 1930s to early 1940s, people such as Lu Wencheng, He Yi played Cantonese music in the name of China Concert in Guangzhou, Dadongya and other music tea markets, which was called "Lingle". They are also known as the "Four Kings of Guangdong Music". In 35 years, Yin Ziwei was the head coach of Ma Shiceng, Fang Yanfen and Feng Junli. He advocated introducing western musical instruments, such as sex, guitar and banzuqin, into Cantonese opera and music. 1952 retired from the stage of Cantonese opera and settled in San Francisco, USA. At the same time, the overseas Chinese music club was established and continued to accept apprentices and pass on skills. Yin's Cantonese songs include The Night Pearl, Flower Demon Hero, Victory, Chao Huang, Phoenix Dance, Phoenix Dance, Flower Drum Lantern and so on. Most of them love the motherland and the nation and inspire people to be positive. They are representative tracks of Guangdong music, many of which have been recorded and widely circulated. He is the chairman of Hong Kong Quyi Association and the founder of Hong Kong Bach Music Group and Hong Kong Quyi Association. 1985 died in America on May 8th. Personal experience 1928, Yin Ziwei began to be the chief musician of Guangdong Opera Troupe. /kloc-in 0/930, he joined "Mr. Jue Troupe" as the chief musician and became brothers with Xue Juexian. The band led by Yin Ziwei introduced western musical instruments such as violin, saxophone and guitar to accompany Cantonese opera, which made the development of Cantonese opera music reach a new level. Yin Ziwei often talks with Xue Juexian and studies the coordination between Cantonese opera singing and music, while Xue Juexian sings Yin Ziwei's accompaniment, which is very tacit. Yin Ziwei made an immortal contribution to the formation of "Xue Qiang". 1935 founded "Yin Ziwei Music Club" in Hong Kong, and many apprentices in Hong Kong later became famous and married, including Luo Zhen, Feng Hua, Liao Sen, Fang Yanfen, etc. During the period of 1942, he played Cantonese music in the teahouse of "Greater East Asia" and "Wen Na" in Guangzhou, and was known as the "Four Heavenly Kings" in the music and music field. Representative works include Little Peach Blossom, Triumph, Back in Time, The Hungry Horse Rings the Bell, Rain Beats the Banana, Show Your Hatred, etc. From 65438 to 0949, he returned to the stage of Cantonese Opera, and successively served as the chief musician for famous actresses Sun Ma Shizeng, Fang Yanfen and Feng Junli. He is not only an outstanding performer and music educator, but also keen on the creation of Guangdong music. His masterpieces include The Night Pearl, Warwick Hero, Emperor Chao and so on. 1952, withdrew from the stage of Cantonese opera. 1957, immigrated from Hong Kong to San Francisco, USA, opened a music club and taught music for 8 years. Later, at the invitation of overseas Chinese in Boston, he taught at the Overseas Chinese Music Club and often participated in charity performances in various places, which won the respect of peers and audiences. 1985 died in America on May 8th.