When will the movie "Love and Kill" be released?

The movie "Love and Kill" was released on 20 17 1 1.3.

Love each other is a family movie directed by Zhang Aijia and starring Zhang Aijia and Tian Zhuangzhuang.

This film tells the love story of three women of different ages. Mother is anxious because of all kinds of great changes in her life. In the process of everyone rushing for her grandmother's funeral, three generations of women began to re-examine their love and gradually know and understand each other's stories.

The love story of three women of different ages, Wei Wei, who has reached marriageable age, fell in love with the singer Ada in the bar. Love that doesn't seem to get the support of her family will meet the challenges of the past first. Weiwei's mother is facing retirement, and the great changes in her life make her anxious. Not only does she often quarrel with her daughter, but she also ignores her husband's silent protection and concern. And grandma's death actually involved a relationship in the past. In the process of people rushing for grandma's funeral, three generations of women began to re-examine their love and gradually get to know and understand each other.

Love each other may be the most suitable movie for the whole family to go to the cinema in the near future. Family movies seem to be a rare species in China movies, and there are too few good works. Love Kill Each other is not only a masterpiece of family movies, but also a rare masterpiece of China movies in the cinema this year, which is suitable for the whole family to watch together. ?

"All my life, every word and deed, every moment" is the slogan on the poster of Love. This slogan is so concise that it is difficult to find a more concise language to summarize the theme of the film. Joe insisted that her marriage was only nominal. Huiying believes that being buried with her father is her mother's last wish. Vivian felt Ada's charm when singing and fell in love with him. Three generations of women's attitudes towards love and affection are displayed in parallel in the same story.

Zhengzhou, Henan Province may be one of the most suitable cities for this story. Jinshui Road overpass, a landmark transportation hub in Zhengzhou, appeared repeatedly in the film. I have been to Zhengzhou several times this year for work reasons, and I will drive this overpass every time. The overpass itself criss-crosses, but the traffic is dense in the morning and evening rush hours, and the degree of congestion is no less than the biggest "blocked city" in China. Zhengzhou was elected as a national central city at the end of last year. Since the beginning of this year, it has developed rapidly, and the gap between modernization level and surrounding areas has widened. Taking Zhengzhou and Luoyang countryside as the residence of Huiying and Azu fits the conflict between the chastity consciousness of the old society and the modern concept of the new society represented by two generations. ?

Wei Wei represents the younger generation in their twenties and thirties. In China's first tier cities, which is more developed and prosperous than Zhengzhou, the population structure of the younger generation is more complicated than that reflected in the movies, and the emotional life of various sub-cultural groups is more diversified. For example, in first-tier cities, there are many young women in their twenties who live with their boyfriends without asking about their future or seeking fame. Wei Wei's ideas are conservative. If you intend to express the emotional concept of young women in first-tier cities, it will be thin to arrange Wei Wei only in the film. Zhengzhou, which is in the development stage and has not yet reached the first-line level, is the ideal place for this story. Young people here have a relatively unified attitude towards life, but there are also a few people like bar singer Ada and single mother Sitar tan. It is a relatively suitable choice for a young woman who likes bar singers and must first get a license to live together, which represents the emotional concept of this group in this city. ?

Another point worthy of attention in the character design of "Love and Kill" is that Huiying and Weiwei are both professional women, and they both have their own jobs. The working scenes account for a large proportion in the film and have an important influence on the plot direction. In the hospital scene at the beginning of the movie, Wei Wei is calling her colleagues to explain that she is visiting her elders in the hospital and can't go to work. At present, there are still too few professional female roles and types in China's film and television works. Some movie stories take place in the office, but the professional characteristics do not occupy an important part in the main line of the story, or the focus of the story lies in the workplace environment, and the characters' own personality plays a secondary role.

There are also few female characters over the age of 30 in China's film and television dramas. Actors are less affected by age, and the form of actresses is more severe. Once you are over 30 years old, you will either continue to play the role of 20 years old, or you will be forced to face the current situation that the roles suitable for your age are drastically reduced. In today's film and television industry in China, the trend of small fresh meat with uneven quality has not subsided, and their roles are limited to children, students and interns.

We should cherish the different life stages of these two professional women in love and kissing. Without the foreshadowing of the opening "Last Teacher's Day", there would be no one of the most tearful stories of the year when the couple "listened to Cui Jian's retirement in the car"; Similar to Chun Jiao played by Miriam Yeung, Wei Wei is a young woman who has already had some experience in the workplace. Without the spoiler of her program group, there would be no plot development from conflict to reconciliation between two generations. The life trajectories of the two female characters in the story are deeply influenced by their respective careers.

Love and killing time 120 minutes, nearly 100 scenes. A 120-minute Hollywood movie usually has 40 to 60 scenes, so Love and Killing will be a slow-paced "literary film" on the surface, but in fact, compared with other cinema movies, it has more frequent transitions, faster story progress and more information. Movies with many transitions require more work arrangements in the real shooting stage. In order to optimize the shooting process, the announcement order of the real shooting stage may disrupt the narrative order. A series of arrangements such as shooting scenes, cross talk and costume props are all tests of the scheduling ability of production directors and directors. ?

I have to sigh that the script "Love each other" is really wonderful. I learned some tidbits in the writing stage from teacher You Xiaoying, one of the screenwriters of this film, and even lamented that this high-quality script was born through the cooperation of young screenwriters and senior filmmakers. The script was originally written by you Xiaoying based on the story at home.

Old Yin and Huiying sit in their new cars and listen to Cui Jian talking about retirement. This scene touched almost all the audience, and it was the plot that You Xiaoying kept from the first draft of the script to the film. The most classic line of Mrs. Wang in the play is also in the first draft of the script.

You Xiaoying originally designed the plot of receiving composite photos only for Azu, while Zhang Aijia added the plot of drying wet photos in the stream. The crew didn't find the water system in Luoyang, so Zhang Aijia changed the plot to heavy rain on the spot, and finally presented this scene in the film.

Azu finally said "I don't want you", which was an ingenious stroke that You Xiaoying wrote in the last draft of the script, thinking that the original lines were slightly insufficient. Originally, You Xiaoying only designed the plot of successfully moving the grave, while Zhang Aijia thought that the film should have a more moderate and tolerant ending. Whether to move the grave is not the most important issue, so that we can see a more lasting ending in the current film.

Most of the lines in the film are simple daily conversations. Compared with Shakespeare's dramatic dialogue, it is at the other extreme, which is more natural and appropriate than most dialogues that abandon normal language logic habits in order to achieve dramatic goals. The characters in Love and Kill each other show plain realism, but the dramatic connotation is not inferior, which is the greatest achievement of the script. "Get dressed quickly, you'll catch cold." "You're smoking again." "I didn't know you were going to buy a car. How much did you spend?" -For a moment, I looked at Huiying and Laoyin on the screen and felt like I was watching the married life of China version of ingmar bergman. These two works happen to be positive and negative. Together, it should be a complete middle-aged married life. The screenwriter buried his drama intention under these words, and unconsciously realized the adjustment of the audience's mood. The audience was moved by the lines before they realized the intention of the screenwriter, which was very advanced. ?

Sister Zhang and Teacher Tian have a natural sense of CP on the screen, and grandma's stage play is very solid. From the script to the actual shooting, the crew intends to make this serious and moving story easy and happy. The supporting roles invited by the film have helped the film to add a lot of color in this respect. There are not many roles for Wang, Li and Rene Liu, but they are very interesting. Li even blurted out "I quit for two years" when he took out a cigarette. Sitar tan is not limited to the level of natural expression. Besides singing, he also had an emotional conversation with Song Ning. ?

Lang Yueting and Song are the most eye-catching. Lang Yueting's plays are no less than Jason's, and her performance space is much larger than previous plays. It seems that her acting ability has improved a lot, her lines are very daily, and the state of reading lines is also very relaxed.