Below the yellow sand is the evaluation of fertile soil drama.

Although it ends with a bright comedy color, the whole plot and process are full of tragedy color. For example, Li Wangshan and Zhou Xueyan, as the first and second liberal arts candidates in Xiangning Middle School, two of a kind could have gone to Feixiang with me and jumped into the ranks of immigrants. However, the problem of "changing parents" in poor areas is like an invisible rope that tightly binds them.

Zhou Xueyan was kidnapped from school many times by her fiance Wang Heiyuan and her family, and was finally forced to go to Nuwa Cave to rape first and then marry. In times of crisis, it was Li Wangshan who saved her. With the help of Lin Yun, a cadre of provincial immigration office, she finally moved to Xinjiang and was admitted to the Literature Department of Beijing Normal University. After another wave of unrest, Zhou Xueyan was denounced for the inter-provincial college entrance examination. She was dismissed from school and attended a one-year teacher training class by working part-time and funding from teachers and students. Li Wangshan was kidnapped by Wang Heiyuan before the exam, which caused him to miss the exam twice and failed the list. When this pair of ill-fated young people meet again in Camel City in Hexi, Li Wangshan has been combined with Yang Maihua, a girl from the same village who was raped by a bad guy while selling eggs, and Zhou Xueyan has to put away a loving heart.

Yang Maihua once burned dozens of love letters written by Zhou Xueyan to Li Wangshan, leaving deep regret for their endless and messy love. Wang Chunyan, Wang Heiyuan's sister, changed her head, and in retaliation, she left home with her two-year-old son, Yang Wa. She also suffered from the abduction of her son and his physical deterioration. The relationship and feelings of the characters in the whole play are always full of twists and turns.

What impressed the audience most was its unique cultural vision. Dadiwan people love this land that has lived for generations, not because it is barren, but because it has its own cultural structure. For example, Li Suocheng's old house, where his family has lived for generations, can't even afford to repair the gate, enshrines a "Li Family Tree" that began around Shangyuan; Many people here hang couplets on their doors: first-class loyal ministers and dutiful sons, two things to study and plow; There is also an unshakable custom and etiquette handed down from Dadiwan village, which is to give a statue of "beast" (a tile beast made of clay) at the gate of college students' homes.

Li Tiancheng brothers are a proud family with animals on their doors. When the immigrant team was about to leave their hometown, Li Suocheng reluctantly gave up what one favours, took this beast, which symbolizes the splendor of Dadiwan, and let his brother Li Tiancheng take it to a new place in Hexi. After Li Tiancheng was killed in a sandstorm in Camel City, he still clung to the statue of "WaBeast" that had not yet stood on the gatehouse. When the school in Camel City was completed, Li Tiancheng's wife, Wang Haima, presented the "beast" on the upper floor of the school gate. This worrying "tile beast" had a satisfactory landing, and it also pushed the people in Dadiwan to the extreme to attach importance to reading and further studies.

The drama Beneath the Yellow Sand is fertile soil, which permeates the details, environment and atmosphere of these cultural connotations, and makes the audience feel the freshness of national traditional culture and the richness of people's spiritual world living in the yellow land. It highlights the unique personality and style of the drama Beneath the Yellow Sand, which is different from other works describing the countryside and farmers, and makes the work have profound ideological connotation.