How Ning Min Town Becomes the Facade of China Opera?

Since the beginning of 20021,Ningmin Town has become one of the most popular TV series. Its reputation is better than that of Big Rivers, and it comes down in one continuous line with the peak of Kong Sheng's chronological drama "Parents' Love". This is incredible. Because it is a main theme TV series with the theme of poverty alleviation.

In recent years, great achievements have been made in the vigorous fight against poverty throughout the country, and many dramas are broadcast on this background.

The overall reputation is good, but the market response is relatively dull.

The fundamental problem is that the creators don't know how to make the grand theme "land".

Often pat will become illustrated policies, empty slogans and blunt preaching.

The positive numbers are one after another.

The plot also lacks convincing foreshadowing. With a good policy, all difficulties will be solved.

This time, Ningmin Town made a correct demonstration.

The drama tells the story that since the 1990s, immigrants from Xihaigu, under the call of national policies and the help of Fujian counterparts, have been constantly overcoming difficulties and creating value through labor, turning the "dry beach" where sand flies and stones fall into a "Jin Tan" with an inch of land and gold.

The theme it wants to carry forward is clear: the courage of the people in Xihaigu to take root in a wider place, the selfless dedication of poverty alleviation cadres in Fujian, and the active running and perseverance of grassroots cadres in Ningxia. ...

The narrative strategy of Ning Min Town is to put the theme aside first, but to explore the basic narrative mode under the theme.

It breaks down poverty alleviation into several dramatic points: Why is poverty alleviation necessary?

What are the difficulties in poverty alleviation?

How are these difficulties solved?

After the old difficulties have been solved, what new difficulties have emerged?

The screenwriter then turns every drama point into a real, everyday and delicate story of ordinary people, so that the audience can know and feel it.

In other words, it puts the story first, not the main theme.

Tell the story smoothly first, not the theme first.

For example, why hang Zhuang immigrants?

It is expressed through a series of plots-because it is too poor.

The three brothers only have one pair of trousers, so whoever wants to go out will wear them for him.

Young people want to escape because they have enough potatoes for three meals a day.

Lee, played by, becomes a man because of a cellar and a donkey. ...

However, immigrants in Diaozhuang are facing many difficulties.

For example, we must first understand the thoughts and views of ordinary people.

Some poverty alleviation dramas are often filmed like this: the poverty alleviation cadres moved the masses and the masses agreed.

On the other hand, Ningmin Town did not avoid the ignorance, selfishness and laziness of human nature, but faced the ideological poverty of ordinary people.

Yongquan village is poor, but at least there are earthen houses left by our ancestors. If you immigrate to Yuquanying, you have to start from scratch and don't know when the "future" will come.

Therefore, many old people here once lost their faith and confidence in changing their destiny, preferring to eat and die in Yongquan village.

Only one guinea fowl distributed to help the poor was eaten by the villagers.

After emigration, people encountered a sandstorm, and the next day, someone fled back. ...

Although a few years later, most of the villagers migrated to Jintan Village, when some new ways of getting rich are implemented, the villagers will choose to wait and see or refuse because they are afraid of difficulties.

In addition to the ideas of ordinary people, there is also a policy obstacle.

Ningmin Town never beautifies the difficulties encountered in the process of poverty alleviation, nor does it avoid the bureaucracy, dogmatism and formalism of grassroots officials in implementing some policies.

For example, the mushroom market here is saturated, the price of mushrooms has fallen sharply, and the villagers' mushrooms cannot be sold.

The county magistrate here said that the county party Committee and county government would hold a live meeting in Jintan Village, and his mind was full of propaganda ideas. ...

Will it be Ma Pingchuan after the ideological policy passes?

No, either.

Scientific poverty alleviation always requires an exploration process of crossing the river by feeling the stones, which is not achieved overnight.

In the play, an agronomist from Fujian taught the villagers in Jintan village to grow mushrooms, and other villages followed suit. There is an oversupply of mushrooms in the market. Due to the sharp drop in unsalable prices, villagers complained to experts, and some even burned down greenhouses for growing mushrooms. ...

In the process of poverty alleviation, it is very difficult to pass.

Frankly speaking, if an audience doesn't know in advance that this is a poverty alleviation drama, it can also be regarded as a "cool drama" with male frequency.

The process of poverty alleviation is the process in which Ma Defu, a grassroots cadre, leads villagers to get rich.

No wonder many viewers have a strong sense of substitution.

Mushrooms are growing, and Weibo cheers.

The mushrooms were sold and the audience was very satisfied.

Mushrooms are unsalable and the audience is worried.

When the audience is involved in the plot and their emotions follow the characters in the play, the play is a success.

The audience will feel the hardship, greatness and hardship of poverty alleviation.

This is the correct way to open the main theme.

Look at the characters again.

Ning Minzhen's characters, regardless of the size of the scene, are mostly not facebook characters.

This is first related to the employment of noon sunshine.

They don't necessarily choose traffic, but look at strength and fit with the role.

Therefore, through the drama "Noon Sunshine", many powerful actors were discovered twice.

Secondly, it has something to do with the way the writers of Noon Sunshine portray characters.

From "Parents' Love" to "Big Rivers" and then to "Ning Min Town", his characterization techniques are consistent: the choice in contradictions and conflicts highlights the character.

Understanding the complexity of human beings, not avoiding the heavy and neglecting the light, can also write the highlights of human nature.

Through people's living situation and spiritual growth, we can reveal the true features of real life and the characteristics of the times.

Almost every character in the play is memorable, except for some grassroots officials who put on a little face.

The creation of realism in realistic works is inseparable from the shaping of environment.

Hou Hongliang, the producer of Ningmin Town, once said that he thought that the most important task of realistic theme was to convince the audience that all the people, time, plot and props should serve the "truth".

From the service of Taoism to the details of dialects, Ningmin Town still practices this principle.

The endless desolate loess, the barren land in the front mountain and the harsh living environment suddenly attracted the audience to the harsh environment in Xihaigu.

Actors who are used to playing fashionable urban dramas on weekdays have lost their glamorous image.

Rustic dress, yellow hair and dirty clothes, rough skin and chapped lips in dry climate make people believe that they are the people who grew up in that land.

One side of the soil and water support one side. When I arrived in Fujian, both Yang, the workshop director, and White, the propaganda director, were much fresher and more moist.