The speed of 20 ancient poems after class (junior high school)

Dondum

Silver candle Qiu Guang cold painting screen,

A small fan flies to the firefly.

Day and night are as cool as water,

Sit and watch the morning glory and Vega.

This is about the loneliness and bitterness of a frustrated girl's life. The first sentence is about autumn scenery, and the word "cold" is used, which implies the crisp atmosphere in autumn and shows the inner loneliness of the hero. Write two sentences to kill time and relieve depression by flapping fireflies. Three words: I can't sleep at night, waiting for good luck, taking the street as water to compare your love as ice. In the last sentence, I admire the Cowherd and the Weaver Girl to express my grief. Heng Tang retired and commented: "Layers of scenery are a painted figure painting. Just the word' lying down and watching' will make you feel smart. "

The second song: Wuyi Lane

Yuxi Liu Tang

Weeds and flowers beside Suzaku Bridge,

The sun sets at the entrance of Wuyi Lane.

In the old society, Wang Xieyan,

Fly into the homes of ordinary people.

This is the second poem in Liu Yuxi's Five Topics of Jinling. Through the description of the sunset weeds and swallows changing owners, the poet profoundly shows the great changes in the past and present, and implies ridicule and warning to the rich and powerful families.

At the beginning of the poem, there are two sentences: "Weeds are in full bloom by the Suzaku Bridge, and the sun is setting at the corner of Wuyi Lane". Wuyi Lane is in the southeast of Nanjing today, on the south bank of Qinhuai River. During the Eastern Jin Dynasty, Wang Dao, Xie An and other rich people once lived here. "Suzaku Bridge" was near Wuyi Lane, which was the main traffic road at that time. It is conceivable that the traffic here is busy and prosperous. But now there are only "weeds and flowers" by the bridge. A word "wild" tells the decline and desolation of the scene. And "Wuyi Lane" is in the sunset. Under the "sunset", adding the word "oblique" effectively renders the bleak scene of the sunset.

At the beginning of the poem, a neat antithesis sentence is used to describe today's decline scene, which is in sharp contrast with the prosperity of the past.

Three or four sentences: "In the old days, Xieyan Wang flew into the homes of ordinary people". Swallow is a migratory bird. Spring has come and autumn has gone. Swallows used to fly in and always built their nests in the spacious houses of Wang, Xie and other aristocratic families. Now there are no pavilions in the old clan, and ordinary people live here. Swallows can only "fly into the homes of ordinary people." At the beginning of the third sentence, the poet particularly emphasized the word "old times", cleverly giving Swallow the identity of a historical witness. The fourth sentence uses the word "ordinary" to emphasize that the residents in the past and now are completely different, thus effectively expressing the great changes that have taken place in the world. The decline of aristocratic families in the Jin Dynasty implies that contemporary nouveau riche will inevitably make the same mistakes.

This poem describes the scenery throughout, without adding a comment. The poet put pen to paper from the side and expressed it by artistic means of seeing the big from the small. The language is implicit and intriguing.

The third song: Xixi Chuzhou

Don Wei Wu Ying

Alone, pitied by grass and streams,

There is an oriole singing in the tree.

The rain brought by the spring tide comes late and urgently,

Wild crossing, no boat crossing.

This is a famous landscape poem and one of Wei's representative works. This poem was written in the second year of Emperor Taizong's reign of Jian 'an (78 1), and the poet became the secretariat of Chuzhou. The rule of Chuzhou in the Tang Dynasty is now Chuxian County, Anhui Province, and Xijian is in the western suburbs of Chuzhou City. This poem describes the quiet scene by the water of a mountain stream.

In the first two sentences of the poem, the poet said that in the prosperous scenery of spring, he only cared about the solitary grass by the river, while the beautiful song of oriole came from the lush Woods, but the poet seemed to care nothing about it. The last two sentences are about what I saw in the wild crossing in the late rain. Late tides and spring rains make the water more urgent. The suburban ferry is more deserted at the moment. Maybe the boatman has gone home to rest, only to see the empty ferry drifting freely. Whether this poem has a sustenance or not, and what is the implication, has been debated endlessly. Some people think that it is the thorn of "the gentleman is next, the villain is above"; Some people think that "there is no need to entrust the scenery of Xixi to this couple." In fact, the emotions revealed in the poem are looming. At the beginning, when you mentioned Youcao and Orioles side by side, the poet used the word "lonely pity", which clearly showed the poet's state of mind when he was poor and sober, and he did not flatter him very much. The last two sentences contain a kind of helplessness and sadness that is not in place and not used. Poets write scenes with emotion, express their feelings by borrowing scenes, write their favorite and disliked scenes, and talk about their comfortable and uncomfortable situations, while inner peace and emotional sadness naturally show up.

Song 4: Meeting Li Guinian by the River.

Tang Dou prefecture

You can often see Wang Qi's house.

Cui Tangjiu has heard it several times before.

It is the beautiful scenery of Jiangnan.

When the flowers fell, I met you again.

"It's the beautiful scenery in the south of the Yangtze River, and it's the season of falling flowers."

Li Guinian was a famous singer who was specially treated by the emperor, but after the Anshi Rebellion, he lived in Jiangnan and only sang at banquets. At that time, Du Fu himself experienced the pain of losing his son, and the evening scene was bleak. Du Fu was deeply moved by this meeting. "Wang Qi Zhai Li" and "Cui Tang Jiu Qian" have both the prosperity of Kaiyuan and the romantic life and ideal of young Du Fu, and all these have become the past with the passage of time. "Ordinary Seeing" and "Several Hearing" reveal the poet's attachment to the prosperous times of Kaiyuan, and also reveal the sadness after the disillusionment of hope. Dream-like memories can't change the present reality, so even in the beautiful south of the Yangtze River, the poet only sees petals falling, which symbolizes that this beautiful spring has disappeared forever. This short quatrain contains the sad change of national conditions and the vicissitudes of the world, but it appears natural and smooth, without traces, showing extremely superb artistic skills. This is the most vivid twenty-eight words in Du Fu's quatrains. So this poem is recommended as Du Fu's masterpiece.

Song 5: Sleeping at night on Jiande River

Tang Meng Hao ran

When my boat was moored in the fog,

As the sun fades, old memories begin.

How wide the world is, how close the trees are to heaven,

How clear the moon is on the water! .

"How wide the world is, how close the trees are to heaven, and how close the moon is to the water! ."

This poem is written with melancholy journey and ingenious conception. Start with the sentence "When my boat is moored in the fog", write down that the boat is moored in the small sandbar of Jiande River and ready to stay. The second sentence, "The sun is fading and old memories begin", describes the poet's mood at this moment. The word "new" makes people feel that the original poet has endless old worries, but today, more new worries have emerged. This laid the lyrical tone of the whole poem. But where are the new concerns? The author didn't make it clear, but he gave us a vivid sunset scenery by the river: the vast Yuan Ye and the drooping sky seemed to cover everything; In the clear river, there is only one bright moon, rippling beside the boat. In this vast wilderness river, only the bright moon can accompany lonely and wandering words. The bright moon comforted him and added more new worries. "Sorrow" is the poetic eye, and the whole poem shows the author's superb artistic conception around the word "sorrow".

Song 6: Julie Hall

Don

Leaning alone in the dense bamboo,

Play the piano and repeat the whistling.

Deep forest people don't know,

Come and take pictures tomorrow.

This poem also shows a state of tranquility. In the first two sentences, the poet sat alone in the deep and dense bamboo forest, playing the strings and blowing a long whistle. In fact, whether "playing the piano" or "whistling" reflects the poet's elegant and free-spirited temperament, which is not easy to cause others to sing. So the last two sentences said, "It's too light for anyone to hear except my comrade, Mingyue." I live in a secluded forest, and I don't feel lonely because the bright moon still shines on me all the time. The personification technique is used here, and the bright moon sprinkled with Yin Hui is regarded as a bosom friend, which shows the poet's novel and unique imagination. The style of the whole poem is quiet and leisurely, as if the poet's mood and natural scenery are integrated.

The seventh song: Master of Furong Mountain in every snow.

Don Liu Changqing

The setting sun is far away, the weather is cold and the house is poor.

Chai Men heard dogs barking and went home on a snowy night.

This poem depicts a picture of a snowy night.

The first two sentences, what the poet saw and felt in the mountain village. The first sentence "Sunset is far away", "Sunset" indicates the time, which is evening. "Cangshan is in the distance" is what the poet saw on his way through the snow. Overlooking the green hills, the clouds are lingering, suggesting the hardships of trekking and the desire to stay for a long time. The second sentence "cold weather, poor house" points out the place to stay. The "white house", the humble hut of the host family, is even more shabby in the cold winter. The words "cold", "white" and "poor" set each other off in interest, rendering the atmosphere of poverty and innocence and embodying the poet's unique feelings.

The last two sentences describe the poet after living in his master's house. "Chai Men smells dogs barking." The poet went into the hut and went to bed. Suddenly, he heard a dog barking on the sofa. The poet guessed that Albert Venn Dicey, the cloak master of Furong Mountain, had returned. From the perspective of listening and listening, these two sentences show a scene in which a dog calls people back.

There have always been different interpretations of this poem, and the main difference lies in the understanding of "Gui". One view holds that "returning" is the arrival of a poet, who suddenly found a place to stay in the misty snow, such as "the feeling of home". Another opinion is that the owner of Furong Mountain will return home at night in the snow. The key is where the poet stands. In the former, the poet is outside the "White House" and on his way to the snow; In the latter, the poet is in the "white room", or the first two sentences are outside the house and the last two sentences are inside the house.

This poem, with an extremely concise pen, depicts a picture of a cold mountain staying, a tourist staying at dusk and a snowman as the material. Poetry is written in chronological order. The first sentence is about the feeling of tourists traveling on the mountain road at dusk, the second sentence is about what they saw at the boarding house, and the last two sentences are about what they heard at the boarding house after nightfall. Each poem constitutes an independent picture and is interrelated. There are pictures in the poem, but the feelings are seen outside.

At the beginning of the poem, the words "the setting sun is far away" are used to outline a picture of the twilight and the long mountain road. There is no clear description of the characters in the poem, but it makes readers feel that their people are ready to go, and their feelings are vividly on the paper. Here, it is a word "far" that points to a vivid picture and reveals a poetic scene. It gives people hints and imagination. From this word, the reader will naturally want to see someone marching on the mountain road at dusk, and infer his lonely and tired travel situation and his desire to stay. Next, the second sentence of the poem asks the reader to follow the pedestrian's line of sight, along this mountain road, and invest in the home for the night. "Cold weather and poor house" is a portrayal of this family; And the word "poor" should be the impression formed after seeing the hut from a distance to knocking at the door. Writing "sunset" before the previous sentence "Cangshan is far away" and "cold weather" before this sentence "Baijia is poor" are all ways to increase the level and weight of the poem. The long mountain road has made people feel that the road is far away, and it is even farther to see the sunset; The humble hut has made people feel poor, and it is even poorer in winter. Judging from the context, the word "cold weather" in this sentence has its connecting link. Inheritance is to further render the color of sunset road; Revelation is the foreshadowing of a snowstorm at night.

These first two poems, which add up to only ten words, have already written the scenes of hiking and house. The last two poems, "Chai Men smells dogs barking, and the snow returns to people at night", were written after spending the night in the mountain. In terms of words, "Chai Men" is connected with "White House", "snow" is connected with "cold" and "night" is connected with "sunset". In this way, from the perspective of the whole poem, although the second half of the poem opens up another poetic realm, it is closely connected with the first half, so as not to make readers feel out of touch. But here, the cause has made a leap. It seems that "smelling dogs barking" is at night, and most travelers who are tired of hiking have already slept; From dusk to night arrival, from cold invasion to snowstorm, from entering the hut to going to bed, there should be some descriptions in the middle, but the poem skips this paragraph and omits some plots, making the cause more compact. The poet deliberated between various choices. If this effort is not made, perhaps the second half of the poem should further describe the depression of people living in houses, write about the desolation of mountain houses and the silence of the environment, or write about the coming of snow at night. Otherwise, you can also write about your own travel and your thoughts after staying overnight. But the poet put these things aside and didn't write. Unexpectedly, he saw a noisy dog barking in the silence. This shows the change of scale, giving people the feeling that a strange peak suddenly appeared on the flat ground.

As far as writing is concerned, the first half of a poem is written according to what you see and hear, and the second half is written according to what you hear and hear. Because, since the night has come and people have gone to bed, it is impossible to write what they have seen and heard, but only what they have heard and heard. The sentence "Chai Men" should be written about what I heard in the hospital on the sofa in the dark: the sentence "snowstorm" should not be seen, but heard, because I heard all kinds of voices and knew that someone had come back in the snowstorm. I only wrote "Smell the dog barking" here, probably because it was the first sound to break the still night, and it was also the first one I heard, but what I actually heard was not only the dog barking, but also the sound of Melissa Zhou, knocking at the door, the sound of Chai Men's switch, the sound of family members' response, and so on. These sounds are intertwined. Although the person who spent the night was not in the hospital and had never seen it, it was enough to conceive the picture of returning from the snowstorm from this noisy sound.

When the poem was written here, its meaning was not extended and it came to an abrupt end. It didn't take long to explain the feelings of people who listened to these voices and conceived this picture. However, the feeling of desolation in the mountains revealed from it is self-evident that it triggers the feelings of travelers in the quiet night.

The Eighth Song: Join the Army

Don Wang Changling

Qinghai Changyun Dark Snow Mountain,

Seeing yumenguan from the lonely city.

Huang Sha wears golden armor in many battles.

If you don't break Loulan, you won't return it.

"Yellow sand wears golden armor in hundreds of battles, and it will not be returned without breaking Loulan."

The first two sentences describe the clouds in Qinghai, which cover the sky and the sun, and the snow-capped mountains stretching thousands of miles are therefore dim. Here, the word "dark" accurately shows the breadth and thickness of clouds, thus implying the hardships of frontier life and the dangers of battlefield operations. Soldiers guarding the border stood on the lonely city and looked around warily. The word "loneliness" sets off the seriousness of the situation and the bravery of the soldiers. The last two sentences specifically describe the dangerous situation of the soldiers. The sandstorm on the battlefield alone is enough to penetrate the armor of soldiers, but in countless battles, isn't the enemy's sword a more serious threat to their lives? But for the sake of national treasure, they have already risked their lives and practiced the oath of never breaking the stubborn enemy and never returning to the division. The poem begins with the natural scenery of the western frontier and ends with the heroic spirit of the soldiers guarding the frontier. The scene is mixed and the metaphor and contrast are skillfully used, reaching a very touching artistic realm.

Song 9: Back to my hometown.

Tang He Zhang Zhi

Young people leave home, old people come back,

The local accent has not changed.

The children don't know each other,

Smile and ask the guest where he is from.

This poem seems dull, but it has rich connotations. In the first two sentences, the wanderer returned to his hometown, and the faint narrative contained unspeakable excitement and excitement. The poet was in a familiar and unfamiliar environment in his hometown, and he felt quite uneasy along the way: he left home that year and was in his prime; When I got home today, I couldn't help feeling. Three or four sentences changed from an emotional self-portrait to a dramatic scene in which children smiled and asked questions. Smile and ask the guest where he is from. In children, this is just a faint question, but between the lines is full of deep meaning; On the poet, it became a heavy blow, which triggered his infinite feelings. In his later years, the sadness of the opposition between subject and object was included in this seemingly dull question. This is the place where the whole poem ends quietly, but the meaning is like an empty valley, full of sadness and boundless. Such a short language has written the feelings of all wanderers, which is also an important reason why this poem has caused people's hearts to tremble for thousands of years.

Tenth: Seven-step Poem

Wei Caozhi

Boil beans and burn beans,

The beans are crying in the kettle.

Originally born from the same root,

What's the hurry?

Cao Pi and Cao Zhi were originally brothers. When Cao Zhi was a teenager, he was very smart and could write 1000 words. After Cao Pi proclaimed himself emperor, he was afraid that Cao Zhi would threaten his position and wanted to persecute Cao Zhi. Once he asked Cao Zhi to write a seven-step poem, or he would be executed. Cao Zhi jumped up and finished writing the poem without taking seven steps. Cao Zhi compares himself to a bean in a pot, and Cao Pi compares himself to a beanstalk under the pot. In the past, beans and bean stalks grew on the same root, but now the bean stalks are burned under the pot, tormenting the beans in the pot, and the beans in the pot are powerless to resist. Cao Zhi used this metaphor to imply that Cao Pi and I are biological brothers. We should be affectionate and sincere, but now we are flesh and blood, expressing our inner grief and indignation. According to legend, Cao Pi felt ashamed when he heard this. This poem is apt in metaphor, clever in language, easy to understand and profound in meaning.

Eleventh: sea miscellaneous poems

Qing palace zizhen

Kyushu is furious.

It's a pity that a thousand horses can't walk.

I suggest that god stand up again,

Don't stick to a model and leave behind talents.

The sentence "It's a pity that thousands of troops and horses are struggling" profoundly shows Gong Zizhen's dissatisfaction with the lifeless social situation in the late Qing Dynasty, so he enthusiastically calls for social change, thinking that the bigger the change, the better, and it will be as big as the earth-shattering spring thunder. He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents.

The twelfth song: village residence

Qinggaoding

Grasshoppers fly in February,

The willows on the embankment are drunk with spring smoke.

The children came back from school early,

Dongfeng is busy, flying kites.

The author of Village Residence is Gao Ding, a poet in Qing Dynasty. This poem describes the scene of spring when the poet lived in the country and the scene of children flying kites after school. In early spring and February, the grass grows and the willows brush the embankment, and the children fly kites with great interest. There is a scene where someone has something to do, full of life interest, and draws a lively "happy spring picture". Between the lines of the whole poem, the poet's joy and praise for the coming of spring are revealed.

Song 13: what you see

Qing Yuan Mei

The shepherd boy rode an ox,

This song shook Lin Yue.

Trying to catch cicadas,

Shut up suddenly.

In the vagina of the wild forest, a little shepherd boy slowly rides on the back of a cow. I don't know what to be happy about. He sang all the way, crisp and loud, and the whole tree was shocked by him.

Suddenly, the song stopped, and the little shepherd boy's back straightened, his mouth closed and his eyes were fixed on the high treetops. "cicada, cicada, cicada ..." In the tree, a cicada is also singing smugly. It is it that attracts the little shepherd boy. He really wants to catch cicada!

This scene was seen by the poet and written into the poem. The poet first wrote about the dynamics of the little shepherd boy, and Gao sitting bull's style of singing loudly on his back was so loose and presumptuous; After writing the little shepherd boy's static state, how intently he held his breath and looked at the cicada! This change from dynamic to static is both sudden and natural, vividly depicting the innocent and busy image of the little shepherd boy. As for the next step, how the little shepherd boy catches cicadas or not, the poet hasn't written it yet, leaving it to readers to imagine.

Song XIV: Bamboo Stone

thank

Adhere to the castle peak and not relax,

The roots were originally in the broken rocks.

Hard work and perseverance,

East, west, north and south winds.

This is a poem carved on a map of bamboo and stone. The author praises bamboo stone, but it is not a general description of bamboo stone in nature, but contains the author's profound thoughts and feelings. The author compares things to people, writes about bamboo, but praises people. Based on the hard rock of Qingshan Mountain, the poet said that bamboo sticks to Qingshan Mountain, takes root and breaks the rock, and crushes thousands of blows. "Perseverance" is a true portrayal of the man symbolized by this weathered bamboo and bamboo. Therefore, it can be said that poetry has created an indomitable and indomitable glorious image of a strong man by praising bamboo and stone. The whole poem is fresh and smooth, with sincere feelings. Although language is popular, it is profound and meaningful.

Song 15: lime hymn

Ming Yuqian

Thousands of mountains are tempered,

When the fire started, it was idle.

I'm not afraid of fractures,

We should leave green and white on the earth.

This is a poem that holds things in the air to express one's ambition. The author uses lime as a metaphor to express his determination to be loyal to the country, not afraid of sacrifice and stick to noble sentiments.

The first sentence "hammer out the mountain" describes that it is not easy to mine limestone. The second sentence is "If the fire burns, it will be idle." "Burning", of course, refers to burning limestone. Adding the word "if you are idle" makes people feel that you are not only burning limestone, but also seems to symbolize that people with lofty ideals will take their time and regard it as idle no matter how severe the test is. The third sentence is "broken bones and mud are not afraid." Broken Bone vividly writes that limestone is burnt into lime powder. The word "mud without fear" reminds us that there may be a spirit of not being afraid of sacrifice. As for the last sentence, "I want to leave my youth on earth", it is the author's sincere feelings and determination to be a pure and innocent person. The blue and white in this sentence are compared with the color of the stone, indicating "innocence" now.

Yu Qian was deeply loved by the people for being an official and upright, rehabilitating unjust imprisonment and relieving famine. In Ming Yingzong, Walla invaded and Yingzong was captured. Yu Qian proposed the establishment of Jingdi, personally led the troops to stick to Beijing, repelled Vala, and rescued the people from the brutal rule of Mongolian nobles again. However, after the British Restoration, the national hero was falsely killed for "treason". This poem of lime can be said to be a true portrayal of Yu Qian's life and personality.

Song 16: Momei

Wang Yuan cotton

My Xiyan Lake Head Tree,

Flowers bloom and fade with ink marks.

Don't boast that the color is beautiful,

Just keep it fresh and full of Kun.

This is a poem. Mo Mei is the plum blossom of ink painting. Poets praise Mo Mei and Dont Ask For Help, just to leave a fragrance of virtue to the world. In fact, he used Mei as a metaphor to express his life attitude and noble sentiment.

The first two sentences, "The first tree in Xiyan Lake, my home, is full of pale ink marks", which directly describes Mo Mei. In the painting, the plum trees by the pond are in full bloom, and the plum blossoms are stained with a faint ink color. "West Wild Goose Lake" is the allusion of Wang Xizhi's "middle school books in the pool, and the water in the pool is all black". The poet has the same surname as Wang Xizhi, a calligrapher in Jin Dynasty, so he says "my home".

Three or four sentences praise Mo Mei's moral integrity. It is painted in light ink, and although its appearance is not exquisite, it has a beautiful, noble and dignified, secluded and detached inner temperament; It doesn't want to attract people, please people and get people's praise with bright colors. It just wants to send out a fragrance and let it stay between heaven and earth. These two sentences are the poet's self-portrayal. Wang Mian grew up in a poor family, herding cattle during the day and studying hard under the ever-burning lamps of Buddhist temples at night. Finally, he learned a lot. He is good at poetry and painting, and he is versatile. However, he tried every time and didn't want to curry favor with the powerful, so he decided to gain fame and fortune, live in seclusion in Jiulishan, East Zhejiang, and draw rice for a living. The phrase "don't be praised by lewdness, just stay dry for nothing" shows the poet's character of disdain, independence and self-appreciation.

This poem, titled Mo Mei, is intended to express one's ambition. The poet organically integrates painting style, poetic style and personality. Literally praising plum blossoms is actually appreciating the virtue of a person standing.

Song 17: April in the countryside

Song Weng Juan

Full of mountains and green, full of white rivers,

In the regular sound, the rain began to rain like smoke.

There are few idle people in the countryside in April.

Only when sericulture is planted in the field.

This poem describes the scene of early summer in rural areas in the south of the Yangtze River in a simple way. The first two sentences focus on the scenery: green plains, Shirakawa, Zigui and misty rain, and a few strokes outline the unique scenery of the water town in early summer. The last two sentences are about people. The picture mainly highlights the image of farmers transplanting rice in paddy fields, thus setting off the tension and busyness of rural labor in April. Call before and answer after, interweaving into a colorful picture.

In April in the south of the Yangtze River, the hillside is green, Yuan Ye is green, and green trees, grass and seedlings are displayed in front of the poet, which is a world dominated by green. In the green Yuan Ye, rivers and canals crisscross, and the roads are full, flowing and white; Paddy fields filled with water are also white. Looking up, the green fields and the white water are all shrouded in faint smoke. Is that fog? A cigarette? No, it was a drizzle. From time to time, a few cuckoo calls came from the trees and the air. The first two sentences of the poem describe the scenery of Jiangnan in early summer, with broad vision and delicate brushwork; Bright colors and hazy artistic conception; Dynamic and static combination, vivid and colorful. "The rain is like smoke in the sound of the sub-gauge", and the drizzle like smoke seems to be summoned by the sub-gauge, which is particularly sense of realm.

"In April, there were few idle people in the countryside, and only silkworms were planted in the fields." The last two sentences are about busy farming in early summer in Jiangnan. Mulberry picking, sericulture and transplanting are two major agricultural activities related to food and clothing. Now is the busy farming season, and every household is very busy. Don't take the last sentence of the poem too seriously, thinking that every family picks mulberry to feed silkworms first, and some people transport seedlings and some transplant them; Some people put silkworms into the field first, some people put silkworms into the field first, some people are only busy with one of them, and many people have to do something else. "Planting fields only when raising silkworms" is just a simplification, which outlines the busy atmosphere of rural farmers in April. As for not directly saying that people are too busy, but that there are few idle people, it is deliberately euphemistic and soothing, in order to maintain a leisurely tolerance in people's busy tension, which is in harmony with the watercolor-style hazy colors described in the first two scenes.

Song 18: Not worth going to the park.

Burning Weng with pine leaves

Pity should be given to the moss on the fangs,

Small mouth firewood flies for a long time.

You can't close the garden in spring,

An almond came out of the wall.

This little poem describes what the poet saw and felt when he visited the garden in spring, which is very vivid and interesting.

The first two sentences, "Pity the dog's teeth, seal the moss, and Chai Fei won't open for a long time", show that the author didn't meet his relatives and friends, and the garden door was closed, so he couldn't enjoy the spring flowers in the garden. However, it is very humorous, saying that it is probably because the garden owner cherishes the moss in the garden and is afraid that my fangs will leave traces of trampling on it, so Chai Fei has been delayed. The host is not at home, deliberately saying that the host intends to refuse the guests. This is to pave the way for the following poem. The last two sentences are more novel because of the concept of "pity for teeth and moss": although the owner selfishly closed the garden door and seemed to want to leave spring scenery alone in the garden, "spring scenery can't be closed all over the garden, and an apricot will come out of the wall." The latter two poems are vivid and have strange ideas. Both "spring scenery" and "red apricot" are anthropomorphic, which contain feelings and logic in the scenery, which can arouse many associations of readers and be inspired by philosophy: "spring scenery" can't be caged, and "red apricot" will inevitably "come out of the wall" to announce the coming of spring. Similarly, all new and beautiful things can't be stopped or imprisoned, and it will surely break through any bondage and flourish.

Title XIX: Lin 'an Building

Song Lin Sheng

When will the singing and dancing in the West Lake stop?

Warm wind makes tourists drunk and makes Hangzhou a continent!

The rulers of the Southern Song Dynasty didn't want to recover their lost land, but just wanted to keep their place. In Hangzhou, palace gardens have been built, and more than 40 gardens have been built. There are countless pavilions of other nobles and rich people. The first two sentences of this poem, from the infinity of space and time, describe the beautiful scenery and the scene of singing and dancing in Hangzhou. The word "When will you stop" asks the ruler: When will the luxurious life stop? The implication is that when can the cause of boycotting and rejuvenating the country begin? However, the warm wind made the tourists feel drunk and on cloud nine. However, in Tao Tao, they are all drunk and have no sense of hardship. They even regarded Hangzhou in the south of the Yangtze River as Bianzhou in the Central Plains. The meaning of "warm wind" is a pun, which is not only a warm natural wind, but also a drunken decadent wind. The last sentence is both irony and warning: in the long run, it is bound to repeat the same mistakes, and Hangzhou will fall under the iron hoof of the golden people like Bianzhou. The whole poem does not use allusions, which is extremely short and rich in connotation, and the language is simple and profound.

Song 20: Spring

Ju Hee Song

Win, find the beach,

The boundless scenery is new for a while.

When you understand the east wind,

All colors are always spring.

The first sentence points out the season and place of travel, and the last three sentences write what you have seen and known about "Seeking Fragrance". When spring returns to the earth, the poet is full of energy. It is this fresh feeling that makes the poet understand the east wind. As if the east wind blew away colorful flowers overnight; And the scene of a hundred flowers blooming, isn't it a vibrant spring? The poet deepened from "seeking" to "knowing", and the word "new" dominated the whole poem. But Surabaya is in Shandong, and Confucius once gave lectures and preached on the shore of Surabaya; In the Southern Song Dynasty, this place had fallen into the hands of the State of Jin. Why did Zhu go for a spring outing? It turns out that this is a philosophical poem. "Surabaya" in the poem is a metaphor for Confucius, "seeking incense" is a metaphor for the sage's way, "Dongfeng" is a metaphor for enlightenment, and "Spring" is a metaphor for benevolence advocated by Confucius. If these meanings are written in philosophical lecture-style language, it will inevitably be boring. This poem, however, melts philosophy into vivid images, leaving no trace of reasoning. This is the genius of Zhu. Of course, if the reader ignores all those philosophies and only appreciates it as a poem about a spring outing, it is also the reader's right, and Zhu is helpless.