Painter dean?

De 'an's paintings (1880- 1954) are borrowed from the world's major art galleries and private collections, including new york Museum of Modern Art, French Pompidou Art Center, Cincinnati Art Museum, Birmingham Art Museum and Matisse Foundation. It is said that there are still works that have never seen the light of day. In short, they are all caught in the net. As a modernist artist, Dean is versatile. Besides painting, he can also carve wood. He is a good friend of Picasso and Matisse (/kloc-knew Matisse at the age of 0/8), and he was also an impressionist fauvism painter at first. It was he who first introduced the African primitive mask to Picasso. From then on, Picasso was inspired by surrealism and drew a famous masked woman. He once shared a model with Picasso. On the one hand, he met the challenge and kept innovating, but at the same time, he did not keep returning to the artistic tradition. His works are experimental, mysterious (with medieval color), emotional and full of doubts. From 1908 to 14, influenced by Gauguin and Cezanne, he fell into a creative crisis and destroyed many works at once. After breaking with Fauvism, he broke up with Matisse (but Matisse kept the works that Dean gave him, and this time we saw them).

After World War I, others changed completely, and the style of painting also returned to characters and reality. His paintings, like his life, are full of ups and downs, full of inspiration, and coexist with the war (troubled during World War II). His paintings are bright, including red, yellow, blue and green. Just like a good writer, there is music and color behind the words, so is a good painter, and color is their language. Such as "Women in Underwear" (1906). This dancer is a dancer in the nightclub he and Picasso love to go to. This painting is a rare work during Dylan's bohemian life. Red hair, blue socks, heavy makeup, yellow-green pink and other warm colors reflect his living atmosphere at that time. Look at his next Waterloo Bridge (1906-07), a typical impressionist work (like Monet's Water Lily). Bit by bit brush strokes, gorgeous colors, tilted pictures, artists' artistic conception and artistic conception are all among them.

Dean went through hardships all his life, from the most famous artist in France to a man in brackets of art history, and his life and reputation disappeared without a trace. The reason is that 194 1 year, he reluctantly went to Nazi Germany with other famous French painters, hoping that the Nazis would release a group of imprisoned artists. After the war, his name entered the blacklist. Shame and loneliness that he was excluded from the art circle accompanied him until his death in 1954. There is no doubt that all this is related to his later obscurity. But in any case, he should occupy a place in the history of art. No, this special exhibition held at the National Art Gallery in Copenhagen this spring has restored his status as a famous artist in the last century.