Who is the illustrator Wu Yong? Why do his illustrations often go wrong?

The illustrations in People's Education Edition are from Wu Yong Studio. Wu Yong graduated from Tsinghua Academy of Fine Arts, and the last time he turned China people into squints, he was also from Tsinghua Academy of Fine Arts. This illustration is even more eye-opening, not to mention whether it is a problem that everyone appreciates, but doing something wrong is still quite car-scrapping, even domineering on the Internet. This response obviously means that I don't think I'm wrong, otherwise I wouldn't comment in this way.

The reason why Wu Yong dares to be so car-scrapping is because their illustration design was highly appraised at the beginning, and some so-called experts even pointed out that the illustrations in this version of the mathematics textbook are more vivid and more in line with the temperament of children.

In addition, the support of some experts is even more speechless. For example, some experts think there is no problem with Wu Yong's works. It's just that the appreciation angle is different, so-called radish and cabbage have their own love. There are even illustrators who rehabilitate Wu Yong, saying that there are only some deviations in the painting techniques of the characters, and there is no subjective and malicious behavior.

Think about our childhood textbooks, no matter the scenery, people, adults and children, everyone looks healthy and full of vigor. The painters of the older generation described the spiritual life we yearned for with simple techniques and sincere feelings, but when we rushed to the Chinese dream hand in hand, no one would have thought that someone actually began to vilify the image of China people, starting with children.

If he knows that he is still doing this, then I can only say that if he does not occupy the ideological and strategic highland, he will be occupied by the enemy. The enemy has reached the inland, so we must be on our guard against it.

Wu Yong once said in an interview: "Book design is a feeling."

In the previous interview, I said that I was assigned to the ideological and political editing room after graduation, and some things I did were often said to be very innovative and did not violate the publication. In this case, it looks extremely terrible and sinister.

There is still a certain degree of discussion on this matter, hoping to awaken the ideology of the Chinese people through this matter and avoid potential educational ideological anomalies.