How do illustrators practice? -The hottest fashion illustrator of our time! How is it made?

How to Become an Illustrator Conditions for Becoming an Illustrator 1 _ What the world has not given us, we will give it ourselves. As long as we are willing to learn, there is no illustration that we cannot learn.

Children, if you want to learn illustration, start learning it. Don't worry about this condition and that condition. Can some people learn without education? Some entanglements can be learned without art foundation? Some people are obsessed with whether they can learn when they are old. In fact, these are not big problems. There is no foundation. If you work hard for another month, won't you have a foundation? Is no one born? What does it matter if you don't have a degree? What others see is your work, not your education, but your strength. No matter how highly educated you are, it's no use drawing rubbish. The so-called age, not to mention troubles, can be learned at any age. Learning illustration has nothing to do with age, but with hard work. What matters is whether you are willing to learn, which is very important.

We should remember that what the world has not given us can be given by ourselves. Calm lake water, comfortable environment and skilled illustrator are the best learning conditions.

Two _ _ Ann are sewing disks and practicing climbing over eaves and walls.

To learn illustration, we must first lay a good foundation. If you have no foundation, you can study and practice basic skills before going to school. This will become very easy. Don't be impatient when studying. You should settle down and learn illustration. Only down-to-earth, step by step, quantitative change can cause qualitative change.

A good teacher will make your illustration study advance by leaps and bounds.

Many students asked me if I knew any excellent illustrators. Of course, I did. Let me tell you one that is more suitable for everyone. For many years, he has held an open class of board drawing illustration at 8: 00 every night. Every night, many people come to listen, and there are also many friends who have no foundation. Because it is beautiful, easy to understand and fun, it is better to listen to the teacher's class than to waste time playing mobile phones. You can see his idealism (homophonic): the first group is: w9_ Walk slowly, knock on the bag, Kaka _ Yan-Step, and make up the obstacles, which is very simple.

Many students always think too much, do too little, and are too impetuous. If so, let alone learn illustration, it is difficult to learn anything. Once again, we must keep our feet on the ground. This is a kind of persistence. Only by standing the test of time can all our efforts not be in vain. Without persistence all the way, there is no set goal. Even if we have a heart that is not impetuous, we may not succeed.

Four _ lying down to create a world of your own?

A person's success depends not on his wisdom, but on his perseverance. No one is born to be an excellent original painter or illustrator.

1 lay a good foundation.

Only by laying a good foundation can we climb higher and go further. This is why students with zero foundation should start with the basic art, that is, sketch. Just like building a house, if the foundation is not solid, it will be difficult to continue later. The higher the level, the more dangerous it is and even unable to continue. Understand black and white, composition, perspective, human anatomy/musculoskeletal, color argument, shadow contrast and so on.

Without these foundations, you'd better not call yourself a painter. If you want to go further, you should not only learn the basics, but also learn the essence and learn thoroughly. Many students are eager for success, so they spend a little time on the basis of art, because they think the basis of art is boring and want to go to the computer. When they draw on the computer to a certain extent, they still feel that the foundation is not solid, which leads to the bottleneck period. When I went back to learn the basics of fine arts, I knew that I had laid a good foundation, and then I could climb higher and go further in painting.

2 Broad vision.

When you broaden your horizons, you will have more daydreams. Never be a frog in the well. High vision can completely open your broad mind, keep up with the times and the trend of the times, constantly explore new styles and different painting methods, and learn to draw inferences from others. In fact, all the cultures in the world and the artistic movements in history are the sources of your inspiration. Combining the artistic styles of different times and cultures may produce unexpected effects.

3 learn to think.

Painting, like language, is a way to express one's heart. I say what I think, I write down what I mean, and I draw my feelings. But occasionally I will stop writing and think about whether my works express my true thoughts or reflect on the world. The thoughts you put into your work will make your work more profound and meaningful.

4 cannot be mechanically repeated.

Simple things are not easy to repeat. Why do people make mistakes is because they are unfamiliar, just as people don't think that one plus one mistake is two. Yes, art comes from life and is higher than life. Your painting should tell a story, express an emotion and reflect a mood.

Don't just make superficial remarks, seek truth from facts.

No one can take the shortcut to success, and success cannot be copied. Successful people have one thing in common: realism and pragmatism. Novices generally like endless soft skin textures, all like porcelain dolls. It is necessary to exclude the good and the bad.

In fact, whether the surface texture is perfect or not is not important.

It's true that the surface painting is good. It looks like your work is very shiny. However, if the composition ratio and perspective ratio of the human body are wrong, it is useless for people to draw beautifully and have delicate skin. Like a multiple-choice question. If you make the wrong choice, no amount of explanation will help! Wrong direction will only be the opposite!

Have confidence in yourself and keep learning!

Masters need time and experience. Rome was not built in a day. You can't be a fat man in one bite, and you can't be a good painter in one day. Many people like to brag about how talented they are. They never take a brush, and they draw as well as Leonardo da Vinci as soon as they come up. Even if you draw a sketch book or two, it is just two small steps in the Long March.

Take the painter as an example. Drawing more than a dozen hands won't let you know how to draw hands overnight. No matter what the painters say, I have never held a brush before and so on. . A really good painter can only draw hundreds of hands before he can really draw them. If you draw a few exercises and feel that there is no breakthrough, that is normal. Don't feel that you have no talent.

Five illustrations learning need to master some basic knowledge:

1. Illustration basis and description:

Learn illustration on a zero basis, focusing on a variety of expressions and treatments of lines, including the use of modeling, because the requirements for lines are higher in the early stage of illustration drawing.

2. Illustration sketch:

Interpolation modeling and perspective must be accurate, boundary line is the most basic requirement for sketch, three aspects and five tones are also the basis of illustration animation, and the material practice of illustration should also be mastered.

3. The human body:

Learn animation illustration from scratch, but also master the basic human body proportion, skeleton, block generalization, at the same time, be able to establish the human body frame of illustration animation, understand the meaning of muscle and fat in illustration animation, master the standard drawing idea of structure and dynamics, and understand the five senses structure of the illustrator and the light and shadow drawing method of the head of illustration animation.

4. Clothing:

Master and be able to draw different types of clothes commonly seen in illustrations; The folds are clearly shown; Have a certain understanding of role design in illustration and clear thinking; Able to independently express and complete the role design in illustration animation.

5. Composition:

Finally, it is to understand the common composition rules in illustrations, draw a line draft of illustrations according to the roles, and make a reasonable composition. Familiarity with color selection, color matching and illustration coloring skills, mastery of popular illustration animation coloring methods and conscious illustration picture accuracy can improve the picture completion of illustrations and draw high-completion illustrations.

The hottest fashion illustrator of our time! How is it made? He is the hottest illustrator.

It is also the best spokesperson for fashion.

David Downton, David Downton,

1959 was born in London.

Growing up,

The best hospitality for him is a blank sheet of paper.

however

What David didn't expect was that,

After a long time, he can make a living by painting.

▲ david downton was painting when he was young.

▲ The studio is your own painting, no less than Picasso's studio.

▲ You can create amazing works on an "interesting and knowledgeable" workbench.

David first studied graphic design,

His first work was in the early 1980s.

The cover of a computer magazine.

▲ david downton's 1998 fashion illustration in new york. Made of ink and cellulose acetate paper.

▲ david downton's 1998 fashion illustration for Christine Lacroix is made of ink box paper.

For 15 years,

David is a freelance illustrator.

No matter what happens,

He likes the life of a freelance illustrator.

▲ 1999 illustration of fashion designed by david downton for jean paul gaultier of jean paul. Black dress with black sunglasses is more brilliant. David takes Kate Moss as the prototype and shows the classic charm of fashion with popular style. This work is quite famous in the fashion world, and it is one of the most representative works in the field of fashion illustration in recent years.

▲ 1999 fashion illustration shot by david downton for Valentino. Similar to Lacroix, Eric and others, his colors are full of modernity.

▲ david downton 1999 London fashion illustration PalomaPicasso. The materials are gouache, ink box paper and acetate fiber paper coating.

▲ david downton 1999 completed paper-cut bottle stickers in London, with Iman as the model. Pan Tong paper is coated with cellulose acetate paper and then coated with ink.

David's works have simple and smooth lines.

Very textured and unpretentious.

It can well show the graceful posture of the human body.

Because of this unique painting style,

He was invited to do fashion illustration.

Among them, it includes

Carmen Dell'Orefice, an 85-year-old myth,

She is also one of David's muses.

▲ david downton's fashion illustration in new york in 2000 was modeled by Carmen Dale Orpheus and designed by ThierryMugler. This painting was first painted on Pan Tong paper with an oil pastel, covered with cellulose acetate paper, and then painted with ink.

▲ david downton 200 1 Portrait of Anna Peggy, editor-in-chief of a famous European fashion magazine. He successfully captured the soul of this "fashion godmother". Exaggerated color matching, playful expression, unruly attitude, combined with seemingly wild but very skillful brushwork ~ perfect!

▲ david downton painted a portrait of Amanda Harriet, the design director of Chanel in 2002.

He has always been interested in Lacroix, Antonio,

Eric, these artists worship you.

Therefore,

There are similarities between colors and lines in early painting styles.

He illustrated high fashion exhibitions for magazines.

From 65438 to 0997, he began to be active in high fashion shows in Paris.

At first, he was dazzled and completely unprepared.

But,

The Paris fashion show is really,

Inspire artists.

Paris has the most beautiful women and the best designs.

Everything here is fascinating.

When the model walks the catwalk,

David never paints.

Because he found it impossible,

He just takes pictures or looks at his watch.

Really feel every moving moment.

He seized any other opportunity to paint,

The model can't escape his eyes at any moment when he is still.

For example, during assembly,

Sometimes even when the model is resting at the press conference. ...

▲ Cosmetics are also his tools. It is the lingering between pens, and both colors are suitable.

David said: "When I first started painting, I thought it was my responsibility to restore clothes according to the catwalk on the stage." However, the first time I attended a fashion show was at Versace's show. Before Kate Moss disappeared, I only drew her arm! Therefore, it is the best choice to appreciate any details displayed by the current model. "

▲ The draft is also moving.

David thinks the most important thing is the feeling of the body under the clothes.

Then there are some details such as proportion and color.

However, this is more difficult to do.

▲ The draft is also moving.

David drew countless sketches of the design.

Then choose the best,

When the painting was almost finished, he began to be eliminated.

"decompose-reconstruct" them.

He continued to draw,

Until they look natural.

He is a world-famous media.

Such as The Times and The Independent,

And Harper Benjamin (Australian Edition).

Write a report about fashion.

And held three solo exhibitions in London.

He also held a solo exhibition in new york.

In recent years,

He also designs visual images for shopping centers in Hong Kong.

Draw illustrations for Vogue women's fashion series.

▲ In 2004, david downton painted the cover of Saturday Evening Post. This work was created in Paris and made of gouache, watercolor and paper.

▲ Advertising poster designed by david downton for Topshop's fashion show in September 2004. This brand is the work of young designers.

▲ david downton was commissioned by Vogue (China Edition) in 2005 as an illustrator of ValentionFitting. Is made of ink, gouache, paper and cellulose acetate paper.

▲ david downton's fashion illustration for YSL in 2006. The materials are ink, watercolor and paper.

▲ david downton's fashion illustration for YSL in 2006 consists of ink, gouache, charcoal pen and paper.

▲ david downton is a fashion illustration commissioned by Madame magazine (German edition) in 2007. This painting is first painted on paper with an oil pastel, covered with cellulose acetate paper, and then painted with ink and gouache.

▲ david downton's illustrations were commissioned by The Times of London in 2007. The materials are ink, gouache and paper.

▲ david downton drew an illustration for his magazine PourquoiPas in 2008. The model is Tita Wantis, and the costume is designed by Lacroix. The materials are ink, gouache and paper, and the cellulose acetate paper is covered with a film.

Does David paint sexy dancers vividly ~

Work hard, the iron pestle grinds into a needle ~

If you want to have the ability to surpass others,

I will be able to practice to the extreme!

It takes about two and a half years for an illustrator to learn how to be an illustrator.

What illustrators need to learn:

1. Sketch is a visual art expressed on two-dimensional materials by using painting tools. The tools used include graphite, pencil, crayon, ink and electronic drawing. The most common carrier of sketch is paper, and other materials such as cardboard, leather, wood and canvas can be used.

2. Color, knowledge structure is more systematic and abstract than sketch. Many times you think you see color A, but it is actually B. Color should be accurate and knowledge should be experienced; Colors should be gorgeous, fashionable and talented. Too many people draw black and white line drawings, which are passable, but they are easy to color and will soon become ugly. There are also some people who can make a rough line draft look good by coloring. Rich and varied colors can be divided into achromatic color system and colored color system. Color color system has three basic characteristics: hue, purity (also called chroma and saturation) and lightness. In chromatics, it is also called elements of color or three attributes of color. The color with saturation of 0 is achromatic color.

3. Sketch, as the name implies, is a quick sketch method. Sketch is China's original vocabulary, which belongs to a kind of sketch.

The whole network recruits Xiaobai to study for free and test whether you are qualified.

If you want to know more about the illustrator's study, you can learn about Guangzhou Zhongjiao Online Education Technology Co., Ltd. (hereinafter referred to as Zhongjiao Online), which was established in February 20 10. It is a training institution engaged in Internet skills in China, offering online learning courses such as 3D modeling, original painting, film and television post-production, design, etc., providing ten all-round and three-dimensional systematic learning growth solutions for basic beginners, and has been committed to online education and electrical industry in China for many years.