The little nun was 28 years old, and her hair was cut off by the master when she was still young. What is behind it?

The second section of "Si Fan", "Si Fan" is a section of Kun Opera "Nie Hai Ji".

Every day, I burn incense and exchange water in the Buddhist temple.

I see a few disciples playing games under the mountain gate.

He looked at us,

We looked at him.

He and us, we love him,

We are worried about each other.

How can enemies achieve marriage?

It is up to him to die in front of the Hall of the King of Hell.

Crush it, pound it, saw it, grind it,

put it in a frying pan and fry it, ah, it’s up to him!

Then see the living person suffering,

Have you ever seen the dead ghost wearing the shackles?

Ah, let him,

It is urgent to look at the present.

(Bai) If you want me to become a monk here, I won’t be afraid of doing other people’s things!

(Tea Picking Song Tablet) Because my father is fond of reading sutras and my mother loves to recite the Buddha's name, she prays in the evening and pays homage to the Buddha, and burns incense in the Buddhist temple every day to offer sacrifices to the Buddha.

I had many diseases when I was born.

So I gave up my slave family and lived in a Buddhist home to live with a nun.

Watching for the dead with others, I kept chanting Amitabha,

I could only hear the sound of bells and chants, and I kept beating chimes, ringing bells, beating drums and blowing conch shells,

Working with the underworld in vain.

Extended information

"Sifan" writes that the little nun Se Kong was sick when she was young, and was sent to Xiantao Temple by her parents to live as a living. Se Kong couldn't bear the lonely life of worshiping Buddha and chanting sutras, so he escaped from the nunnery privately.

The whole play is played by one person, with heavy figures and changeable postures. The first half of the play focuses on the process of delicate singing and the transformation of thoughts, while the second half of the play focuses on body skills, covering the fields of boudoir dan and tie dan. Generally speaking, if you are a tie dan, you must have the implicitness of boudoir dan. There is a saying in the opera world that "men are afraid of running at night, and women are afraid of thinking about the world", which shows how difficult the play is.