Please tell me the prices of second-hand houses in various communities in Hohhot!

Abstract: This article stands on the threshold of the new era, starting from the strategic perspective of fully analyzing the importance and status of the development of pictures in the era of picture reading, and through carefully analyzing the current situation of news photography in the new era, Further examine the problems existing in the overall quality of our photojournalist team - photojournalism reports lack individuality; photojournalism reports are not substantive and in-depth; photojournalism reports are not timely; photojournalists lack the awareness of high-quality products and blockbusters. This finally concludes that the quality of our photojournalist team needs to be further improved. Identify problems, aim to solve them, and put forward constructive suggestions to guide practice. In the process of extensive discussion and verification, this article puts forward the central argument very clearly and distinctly - while photojournalists achieve external contentment, they must also pay more attention to internal contentment. In response to this central argument, this article takes materialist dialectics as the guiding ideology, and focuses on the main body of photojournalism - photojournalists. It discusses it from the perspective of the ontology (audience) served by newspapers (photojournalists), that is, the five types of audiences. Psychological characteristics: curiosity psychology, benefit psychology, knowledge-seeking psychology, approach psychology and comparison psychology. In order to further deepen the argument of the central argument, in the process of developing the discussion, this article puts forward nine insights without any presumption: photojournalists must first improve their political quality; photojournalists must establish a sense of learning at all times; photojournalists must be good at Summarize and study interviewing techniques; photojournalists must strive to cultivate their character for doing great things; photojournalists must make full use of the advantages of network resources to enhance communication and strengthen learning; photojournalists must strengthen the study of legal knowledge; photojournalists must be proficient in modern digital networks technology; photojournalists must improve their artistic accomplishment; photojournalists must stand on the shoulders of giants to work and innovate. In order to write this article, the author has made great efforts several times, but with only one purpose - I hope my friends will gain something from reading the article.

Key words: Cultivation of photojournalists’ quality in news photography in the era of picture reading

Introduction:

To those who are engaged in photography activities in major news media, I want to express my gratitude to you pay tribute! Because you are working endlessly, it is not easy for photojournalism to develop to the present. Now, how to march into the future, the world has been constantly exploring. The team of photojournalists started late, and the team has always had different levels. Many of the journalist comrades are native-born. In today's era, it seems that the development of this team is relatively difficult. As age increases, there is a risk of being eliminated. We know that the 21st century has entered the age of images, which the world also calls the age of reading pictures. In this era, people are no longer satisfied with boring words. Readers are much more interested in looking at pictures than in words. As the modern British art historian E.H Gombry said, "Our era is a visual era, and we are invaded by pictures from morning to night. The evocative power of images is sometimes better than language." Today, photojournalism has emerged The news follows the pictures and has a good development momentum of paying equal attention to pictures and texts. But we must be soberly aware that even today, our newspapers and photojournalists are under varying degrees of threats. This threat comes from modern online media. It is precisely because of the speed, convenience and intuitive image of online media that they are constantly beating newspapers. But none of them can replace the other, and each of them survives and thrives in competition. The boom of the Internet will inevitably lead to the hot sale of pictures and the increase in royalties, which will further prompt the emergence of many freelance writers, which is fully reflected in the photojournalism enthusiasts. Of course, there will also be fierce competition within newspapers, such as the emergence of amphibious reporters now, which can be said to be another big challenge for photojournalists. When the 21st century arrives, what new situations will photojournalism encounter and what new changes will occur? As a photojournalist, you need to think first and prepare first, because opportunities always favor those who are prepared. Looking back at history, we know that there are two states in the development process of photojournalism: one is from quantitative change to qualitative change, and the other is from daily accumulation to rapid change. The leap in science and technology brought about the advancement of photographic equipment and technology. Glass negatives were replaced by film, twin-lens reflex cameras were replaced by single-lens reflex cameras, and magnesium lights were replaced by electronic flashes...until the advent of point-and-shoot cameras and digital cameras. Advances in equipment have led photojournalists to continuously advance technologically. Changes in people's concepts have brought about innovation and prosperity in photojournalism.

Especially today, the competition among newspapers is becoming increasingly fierce. All major media have invested heavily in equipping photojournalists with advanced weapons and equipment. With the advent of the era of picture reading, the importance of photojournalists and pictures has been further affirmed, and their status has been rising and stabilizing year by year. With the improvement of people's living standards, people's expectations for pictures are also gradually increasing. Therefore, it has become a mainstream trend for photojournalists to take high-quality news pictures. It is very realistic that high-quality pictures require high-quality photojournalists. Therefore, it is the requirement of the times for photojournalists to pay attention to content. How do we photojournalists stay afloat in the current times? This is an urgent issue, which is related to the development of our country's newspaper industry and the survival of photojournalists. So this is a very serious topic, and it is gratifying that many, many people today are thinking about it and constantly exploring it. In this turbulent wave, I am a drop of water, but we must also understand that in order to export a drop of water, we must first accumulate a bucket of water. Here, I offer my own insights into this contemporary issue.

1. To solve the problem well, we must first consciously admit the problem, face the problem squarely, and do not avoid the problem. As far as I know so far, my country's photojournalism industry, mainly in terms of newspapers, currently has the following major problems:

(1) Photojournalism reports lack individuality.

The business philosophy of many newspapers is still too traditional. Under such a system, photographers cannot relax their hands and feet when reporting news. Therefore, there are many things that reporters dare not report, and even if they are reported, they will be blocked. This has greatly dampened the enthusiasm and creativity of photojournalists. On this issue, I think we should learn more about the advanced concepts of some foreign newspapers. Encourage photojournalists to dig out some news facts that have never been reported before at all levels of social life. Collect the fresh news that photojournalists have discovered over and over again to make a series of photo reports. Do not waste every photo easily, and establish and improve an incentive mechanism for personalized news photos. Since then, I believe that photojournalists will be exhausted and still enjoy it. Since then, I think the editor can create many pictures with vivid personalities and different styles to offer to readers. I think this can better satisfy people's desire to read pictures in the picture age, and competition will naturally increase. Photojournalists' news photos will have vitality, and the overall quality will be improved. In the future, they can show their talents in this great environment. .

(2) The photojournalism report is not substantive and the report is not very in-depth. Photojournalism is no different than television cameras, which can record the entire event in a continuous manner. But photojournalism has its own moments of unique image charm. Photojournalists report news by capturing the most representative moments of news events. It is not an easy task to capture several wonderful and charming moments of news events well. This largely depends on the skill of the photojournalist. There are many reasons for the weak substantive nature of photojournalistic reports, but the following are not the only ones: (1) Photojournalists are not sensitive to news. In many breaking news events, either photographers did not arrive at the scene in time, or even when they did, they were unable to capture typical moments well. (2) Unable to penetrate deeply into the events being interviewed. Many photojournalists have no preparation at all before the visit, and just follow up and ask questions. It is no wonder that interviewees are frustrated. If we collect a large amount of information about the interviewee before the interview and have a general understanding of the interviewee's preferences, our photojournalists will be able to interview smoothly, and the news reported will be more in-depth. The more in-depth we get, the closer we will get to the essence of the news event, that is, the essence. feature. Only by going deep into the events being interviewed and making complete, truthful and detailed reports will the reports be moving, the pictures more powerful, and the exclusive reports stand firm. Since then, the benefits of the newspaper have come.

(3) News photo reports are not timely. When it comes to this old question, I think many people will have something to say. Many of them will complain that the newspaper office is not equipped with advanced transmission tools. This is indeed a real problem that needs to be solved urgently. In addition, I think the hard work of the photojournalists themselves is also a reason. Another reason is that the newspaper has not yet established a rapid response mechanism. This question is worth thinking about for newspaper bosses. I personally feel that this internal mechanism for responding to fast news events should be implemented as soon as possible. Because this is so important, just like modern warfare cannot be without electronic command systems.

Another reason is that the relationship between photojournalists and editors within the newspaper is not handled harmoniously enough. This greatly reduces the timeliness of reporting and the efficiency of picture utilization.

(4) Photojournalists lack awareness of high-quality products and blockbusters. In the era of picture reading, photojournalists need to think carefully about how to present high-quality products and blockbusters to discerning readers. I think we can think about it from these aspects: (1) We should set the goal of pursuing high-quality products and blockbusters. The pursuit of quality and blockbuster goals mentioned here does not mean that we photojournalists should have such a misunderstanding in our minds every day - that is, we should not take news photos that are not high-quality or blockbusters. In fact, in real work, as a photojournalist, it is unrealistic not to take photos. What this means is that we photojournalists can keep this idea firmly in our minds and don’t give up easily when we have the opportunity to take better pictures. (2) Understand the concepts of what kind of films are high-quality films and blockbusters. The high-quality products and blockbusters here are masterpieces of news photography that use visual language to reflect the essential characteristics of the times through instant news images and have strong impact. (3) If you want to shoot high-quality products and blockbusters, you cannot just sit around and wait. Obviously, a lazy person cannot be a photojournalist. To shoot high-quality products and blockbusters, you have to plunge into social life, go deep into life, and concentrate on thinking. Only then can you shoot " Blockbuster".

(5) The quality of the photojournalist team needs to be further improved. In fact, the problems mentioned above in newspaper photojournalism are largely related to the construction of the team of photojournalists. Because photojournalists are the main body of news photography reports, if the problem of the quality of the photojournalist team is solved, other problems will be solved. It can be seen that this is a core issue. This is also the topic of this article. Newspaper offices should actively establish talent training institutions, focus on cultivating the comprehensive quality of talents, and build a strategic platform for high-quality talents.

2. Identify problems, aim to solve them and use them to guide practice. In the above process of selecting several major problems that are common in our news photography industry, we have clearly put forward the central topic to be discussed in this article - in the great background of the era of picture reading, it is precisely when we photojournalists are facing great development opportunities. At the same time, there are various challenges. In order to better seize the opportunities and meet the challenges with confidence, I stand at the threshold of the times and put forward my own insights without overestimating my own capabilities - while photographers achieve external satisfaction, they must also pay attention to internal satisfaction. It's a very realistic and harsh idea, because what I mean here refers to the comprehensive quality of photojournalists under ideal conditions. This will undoubtedly take a photojournalist’s lifetime to practice. But what I want to say is that the critical eyes of readers in the age of pictures require us photojournalists to work in this way. Next, I would like to elaborate on my thoughts from these aspects:

(1) Photojournalists must come from the masses and return to the masses. I wonder if we have ever thought about who we photojournalists are busy for. I want to mention this point. Many people will definitely think that they are busy for the country, the party, and the people. In fact, it is right to think so from the perspective of the overall situation. But can we be more specific? At this time, we will quickly think, oh, of course we are busy for life and survival. By the way, it's so realistic. In real life, photojournalists always have to deal with the people. Because ordinary people are the source of our news photography and reporting. Having said this, I believe everyone can understand this truth. This is the first, and the second is, I wonder if you have thought about it, our news photography reporting, take the newspaper office as an example, who are its service targets? Don't think so much. In a very simple word, it is to serve the people. Therefore, we must first find the right target for service. In terms of shopping malls, it is the same as finding the right target for the product. Therefore, the guiding principle for our photojournalists is to come from the masses and return to the masses. Only in this way can our news photography career be kept alive.

(2) Carefully study the psychology of the audience. Audience is the target of our newspaper. Without the audience, our journalistic work loses its meaning. It has been mentioned above that the audience is the source of journalism, and the issue of the audience should be studied first. In order for us news photographers to go deep into the audience, it is necessary to first understand the audience's preferences. Once we understand the pulse of the audience, we can continuously report more good news. Through careful collection of information, I have now been able to gain a deeper understanding of this psychological science.

We know that audiences generally have five psychological characteristics: curiosity psychology, benefit psychology, knowledge-seeking psychology, approach psychology and comparison psychology.

aThe curiosity of the audience is our weapon to win over readers. From a psychological point of view, the audience's curiosity refers to the orientation and exploration reflex produced when an organism encounters new stimuli or environments. To put it bluntly, the audience's curiosity is a psychological direction that people naturally pay attention to and be interested in. After understanding this, I think we photojournalists should pay attention in practice. In fact, if we think back to photojournalism, the events we report in photojournalism all have this characteristic. But let’s not be careless. I wonder if you have noticed that the audience’s curiosity is not temporary. It is related to the freshness of things and the number of times new things appear. Going back to photojournalism and reporting, take the Iraq War in the past few years as an example. If you are a war reporter sent by Xinhua News Agency, when you send back the first picture to report on the US military troops entering the Iraqi border, needless to say, this picture is very fresh, and it can satisfy the curiosity of the audience. , as the war progresses, the war photos you publish in newspapers again and again do not lose their freshness, because the number of times increases, and they can still satisfy the audience's novelty psychology. To give another simple example, if you take a news photo of a thousand-year-old tree in a village, the public will naturally be interested in your photo report. When you dig deeper into the report, The audience will still pay urgent attention to the follow-up photo report after discovering that there is a forest of such thousand-year-old trees growing elsewhere in the village. Therefore, we should pay more attention to these psychological knowledge, which will come in handy in the future.

b The audience’s profit psychology gives us a wide range of subjects to shoot. People living in this world are collecting information and disseminating information all the time. People are very concerned about information closely related to their own interests. Sometimes it’s for safety, sometimes it’s for more benefits. And these all reflect the audience's profit psychology. Therefore, we photojournalists must understand these needs of people, and then use our lenses to provide people with various valuable information. Once we understand this, we should stop complaining that there is nothing to photograph. For example, a microwave earthquake suddenly occurred early this morning. Then you have to make this news an exclusive report as quickly as possible. Don’t hesitate, breaking news like this is bound to be worth buying. Because from the perspective of the audience's profit psychology, this is must-see news.

cThe audience’s curiosity for knowledge is the magic weapon for competition among our fellow photojournalists and even newspapers. In today's era, people have higher requirements for newspapers. When people read newspapers, they must not only satisfy their desire for news, but also their thirst for knowledge. The so-called thirst for knowledge means that readers hope to learn new knowledge from newspapers to enrich and improve themselves. News itself can satisfy people's desire for news, but to further satisfy people's desire for knowledge puts forward higher requirements for reporters and newspapers. Therefore, we reporters, whether we are text reporters or photojournalists, must pay attention to learning at all times. Because only by learning new knowledge all the time can we keep up with the tastes of readers and the pace of the times. On the contrary, if a reporter does not have the spirit of learning, he will fall behind or even be eliminated. The same goes for newspaper competition. I have seen such an article before. The article was about a student from the Department of Journalism at Fudan University who wrote a report about "Visiting a Mechanized Chicken Farm" when he was interning at "Changsha Daily". After the article was published, it caused a stir It is valued and favored by major chicken raising professionals and many amateur readers. His success lies in the fact that his reports cover new topics and news in animal husbandry, and the latter section also touches on the long history of Chinese chicken farms, all of which can satisfy readers' thirst for knowledge.

The audience’s proximity psychology is the filter for our photojournalists to select materials. This proximity psychology refers to a psychological direction in which people within a certain geographical range care more about the information closest to them. It is mainly reflected in the spatial distance between the news place and the readers and the distance and intimacy of the news event's interest in the readers. Readers pay more attention to and are more interested in news that is psychologically and spatially close to readers. On the contrary, readers' interest is weak. Therefore, every piece of news has a certain pattern of attention groups. Therefore, we photojournalists must fully consider this in selecting materials before shooting news reports. After you understand the audience, you need to pay attention to what aspects you should pay attention to.

For example, the language and length must be considered in advance to avoid misleading readers or other errors. It is important to ensure that the report is targeted.

The comparative psychology of the audience is the forefront of our newspaper’s characteristics. Today, as we enter the era of picture reading, people in the world are becoming more and more critical when reading newspapers. In my opinion, this is a good thing, because this itself is a continuous pursuit and progress. Whether our newspaper can hold on to this unique position is a matter of life and death for us. To successfully fight this positional battle, newspapers cannot do without reform, and the best way to use the comparative psychology of the audience as a touchstone in the long process of reform is. Reform must first recognize its own strengths and weaknesses. Once a newspaper office turns a newspaper into a distinctive and exclusive brand, it will no longer be afraid of the audience's pickiness. As long as it can withstand the test of the masses, we will have peace of mind. In this way, we We will be able to work more solidly and boldly reform and innovate. Since then, the development prospects of newspapers will be bright. Faced with this situation, what should we photojournalists do? In order to analyze things better, I want to first face the fact that today photojournalists have been threatened by photography enthusiasts. Under this situation, we photojournalists must fully arm ourselves, improve ourselves, and fully demonstrate our professional standards to readers. It is necessary for readers to deeply realize that a professional is a professional and an amateur is an amateur. Only in this way can we photojournalists firmly maintain our status and not be eliminated by the times.

(3) Photojournalists must fully arm themselves in work practice, enhance their strength, and enhance their competitiveness. As the saying goes, "Know yourself and the enemy, and you will be invincible." We have studied our "customers" carefully and in detail before. Only by knowing the character and preferences of the "customers" can our work be targeted and the news photography we produce Only "products" can be marketable and we can generate benefits. With benefits, we can gain a better foothold. Regarding the issue of improving the overall quality of journalists, predecessors have made many incisive and powerful discussions. I don't want to waste any more words here. My idea is mainly to make supplementary arguments based on some detailed issues:

First, photojournalists must first improve their political quality. As one of the public opinion tools for my country's specific national conditions, photojournalists, whether you are a party newspaper photojournalist or an evening newspaper photojournalist or a photojournalist for other newspapers, you must first serve politics and learn the party's principles and policies so that you can maintain a high degree of consistency with the Party Central Committee. , Only in this way can we timely report on major events happening in the party and the country and good news events in all aspects. In real-life photojournalism, some of our photojournalists may make mistakes if they are not careful in this regard. Here, I think it is necessary to remind our photojournalists that they should strengthen their study in this area. Because this is a very serious issue of political principle, if it is not handled correctly, it may lead to self-destructive consequences.

Second, photojournalists must establish a consciousness of learning at all times. It is a recognized fact that journalists are miscellaneous. But I want to say that news photographers should be more of a miscellaneous person. What is a miscellaneous family? In fact, to put it bluntly, you need to know a little bit about all aspects of knowledge, such as: international events, political current affairs, science and technology and military affairs, culture, education and sports, industrial and agricultural production, daily life and other aspects of knowledge that are closely related to people's work and life. So why do we need to know and learn so much? Does it help with photography? The answer is of course yes. The more knowledgeable you are, the more knowledge you will accumulate. When you are shooting and interviewing on site, you will not be in a hurry. You can seize the opportunity calmly, choose the appropriate angle for news presentation, and press the shutter at the right time. Only the news photos taken in this way can well grasp the essence of the event, and the news produced will be more readable. Besides, if a reporter has profound knowledge, the interview will go more smoothly. Because you have a wide range of communication, it will be easier to get close to the interviewee and gain the trust and respect of the interviewee. In fact, judging from the current development trend of newspapers, the emergence of amphibious reporters is inevitable. Therefore, photojournalists should always remember to learn.

Third, photojournalists must be good at summarizing and studying interview techniques. The timeliness of journalism is one of the attributes of life, which requires photojournalists to improve their work efficiency in order to truly maintain timeliness. To improve work efficiency, we must pay attention to summarizing and researching methods and techniques.

For example, you need to collect relevant information before the interview, so that you have a good idea, so that the interview can be targeted; pay attention to the first impression before the interview, and don't be like some reporters who originally went to visit the health and epidemic prevention station, but ended up doing it because of their own mistakes. The interview failed due to spitting before the interview. While not delaying the timeliness of the news, try to let the interviewees set their own time. This will make the interview more profound and smooth. We should also be good at studying the psychological induction rules of interviewees, such as: the impact of "own-person effect" and "other-person effect" on interviews. The so-called "own person effect" means that once the photographer and the interviewee quickly find a topic that is most common to both parties, the interview will be conducted in a cordial manner and the interview will be successful. On the contrary, it is the "alien effect". What I want to say is that these interviewing skills and methods require photographers to think more, summarize and research more. Doing so will be of great help to future interviews.

Fourth, photojournalists must work hard to cultivate their character for doing great things. I don’t know if you have ever noticed that the reason why many successful journalists have made great achievements in their careers is largely related to their personal personalities. For example, Robert Capa, a war photojournalist who dared to smile in the face of death, Eugene Smith, who had a sense of justice, and so on. They have cultivated their character of doing great things since childhood, have a high sense of responsibility in the treatment of journalism, and have shown fearless heroism in the face of death. In fact, the personal will of the photojournalist also has a great influence on the photojournalism reporting. Once you control your will and emotions, you will bring great power to the journalism industry. In materialism, "correct consciousness will promote the development of things." This is the truth.

Fifth, photojournalists should make full use of the advantages of network resources to enhance communication and learning. Today is an era of information sharing. No one can rest on their laurels, but must maintain regular interactions and exchanges. This includes communication and learning with peers; communication and learning with the world; and communication and learning with the people. While everyone communicates and learns together, we make progress together and improve together. This is a very happy thing. I have another suggestion here - we photojournalists should each establish their own dedicated photo website to facilitate communication and learning. The purpose of doing this is to shorten the gap between us and the world. In view of the backward situation of domestic photojournalism, I think this has practical significance.

Sixth, photojournalists should strengthen their study of legal knowledge. It is often seen that a certain media or reporter is appealed for infringement. The main reason is that reporters have weak legal awareness and always think that reporters can film and write about anything. As a result, they may infringe and become defendants. Therefore, it is very necessary to learn more legal knowledge. At least you must know what personal privacy is, what is a business secret, what is a military technology secret, what are criminal suspects and criminals judged by the court, and what are the interview and filming Sometimes it will not be ignored and cause passivity and mistakes at work.

Seventh, photojournalists must be proficient in modern digital network technology. We mentioned earlier that photojournalists should make full use of online resources to learn and communicate, and what we want to say now is a little supplement to the above proposition. This is a very real problem. To learn on the Internet, photojournalists must first be proficient in modern digital network technology. Only under this premise can it have practical significance. We also know that "fast" is the life of news, and fastness can enhance the timeliness of news. We have mentioned this many times before, which shows its importance. But on this issue, I would also like to say that digital photojournalism is clearly superior to traditional photojournalism. Digital networks are really powerful for photojournalists, but they also pose new tasks and requirements for photojournalists. As a photojournalist, you must keep making progress, strive to learn modern scientific and technological knowledge, and master and use network digital technology proficiently, so that you can transmit pictures and texts to the editorial department through the network anytime and anywhere to enhance the timeliness of news photography. On the other hand, if photojournalists cannot keep up with the development of digital networks today, they will fall behind others in the field of photojournalism tomorrow.

Eighth, photojournalists should improve their artistic accomplishment. Maybe many friends will blame me. As long as photojournalism captures the most expressive image moment and includes relevant information, then there is still time to pay attention to artistry. But what I want to say is that if we photojournalists think from the perspective of striving for excellence in our careers, this is necessary.

Furthermore, to take a step back, we all know that good photos are inseparable from certain artistic accomplishments and expressions of formal beauty. Everyone knows the importance of photojournalism for newspapers to market, and how important a good news photo with great visual impact is to the selling point of a newspaper. How can we produce such shocking and powerful news photos? In terms of composition, you have to extract the essence, remove the dross, highlight the theme, and provide a good environment. This is really not easy. But when capturing social news, sometimes you don’t have the opportunity to think that much, because the unpredictability of events can catch people off guard. Under this premise, taking good photos depends on your usual artistic accomplishment. Should you use telephoto or wide-angle? Is it vertical or horizontal? Is it a panoramic shot or a close-up shot? Is it better to use a large aperture or a small aperture? The shooting techniques and expression methods must be determined according to the needs of the news event. Therefore, learning more about art and accumulating some composition knowledge will be of great help in photojournalism.

The last thing I want to say is that photojournalists must stand on the shoulders of giants to work and innovate. The "Father of Photojournalism" Erich Salomon once said: "If a photojournalist does not want to be just a craftsman, then he must make unremitting efforts to create images and should think repeatedly about how to obtain a 'unique' 'Photos. " Some time ago, I wrote about my views on how to treat the works of masters. One of the important points is that when dealing with these masterpieces, we should not blindly imitate the surface of other people's paintings, but We need to explore the essence of other people’s photos more deeply, and we need to ask ourselves more about why people can use photography so skillfully to express large and profound themes. After absorbing the essence, we can boldly learn from the creative ideas of the masters to explore a deeper photo value chain. To innovate, we must first have a broad vision and integrate the essence of all things; gather a certain amount and seek qualitative changes in quantity; we must also reach a considerable height and depth to ensure the three-dimensional sense of ideology. For photojournalists, they need to effectively strengthen their self-cultivation in all aspects, go deep into life during the news shooting process, keep a clear mind, dare to break conventions, dare to innovate, and strive to shoot excellent news photography works that are worthy of the times.

Postscript: Photojournalists are a leading team in our newspaper. They are always active in every corner of the world, reporting and defending everything in the world with their wisdom, sweat and even their lives. It should be said that they have been silently contributing to world peace and development, so at the beginning I was eager to shout: I want to pay tribute to the journalists who engage in the sacred profession of photojournalism! In this era of picture reading, I firmly believe that the historical mission of our photojournalists will become even more prominent. Finally, I want to appeal: Let us all participate in and pay attention to the cause of photojournalism together. I think that the photojournalism career in the new era will definitely become more prosperous and prosperous! In order to write this article, I thought about it for a long time and was depressed for a while. Due to my limited ability, I was very overwhelmed when learning to write this article. But there is only one purpose - I hope my friends will gain something after reading the article.