Wang xingming's life

In the first year of the Republic of China (19 12), Sun Famao introduced him to Wu Changsheng, a famous actress of Qiongju Opera, as an apprentice (both Wu and Sun are famous for performing operas). Under the guidance of Wu Changsheng, Wang Xingming has made great progress in technology. In the fourth year of the Republic of China (19 15), Wu Changsheng introduced him to the egg class as a southern martial artist. In seven to eight years of the Republic of China (1918 ~1919), he was hired as a small martial artist by Wen Huanban. In the Republic of China 10- 14 (192 1~ 1925), he participated in the 14th consecutive class and performed in Nanyang. In the 16th year of the Republic of China (1927), he was hired as a wusheng by 15 class. In the 17th year of the Republic of China (1928), the famous Hua Dan Chen Xueyan took a fancy to him in Nanyang and hired him as a martial artist. In the 19th year of the Republic of China (1930), he joined Nanyang Jianyue Class. In the 23rd year of the Republic of China (1934), he returned to China to join the famous Cheng Gui class. In the autumn of the 25th year of the Republic of China (1936), Joan Xue Meiban, who joined Zheng Changhe, performed abroad again with her class. He has performed in Singapore, Bangkok, Phnom Penh, Saigon and Haiphong. Because of his outstanding skills and handsome appearance, overseas Chinese call him "Jing Xingming". 1937 During the July 7th Incident, he met Hua Dan and Chen Xueyan in Singapore. Chen Xueyan still loves Wang Xingming. She wants to be a partner and manage the troupe together. He decided to return to China, because he had been away from home for a long time, so he politely declined Xueyan. In the midsummer of the 27th year of the Republic of China (1938), he went to Bangkok, was taken in by a large group of Thai squad leaders, hosted many banquets and invited him to join the league, but he refused on the grounds of returning home to visit relatives. After he returned to China, he was immediately employed by Zheng Changhe and Ban. During the fall of Hainan, Lin Guisen and Zheng Qixian, Japanese traitors in this county, asked him to come out to form a troupe, but he refused on the grounds of weakness and illness. After the Japanese surrender, he participated in various performances of Qiongju classes in Fuhai and Wen Qiong.

After the founding of People's Republic of China (PRC), he performed in Haikou He Qiong Troupe. 1953, Tunchang Nanqiang Opera Troupe hired him as a martial arts master. 1954, he and Mao Fuchang (a believer) initiated the organization of Qiong Troupe, and with the support of the county people's government, they set up Lingao Yixin Troupe, recruiting famous artists Feng and Lin Shuzheng from Wanning Troupe. Every performance of the troupe was praised by the audience. 1956, as the artistic director of Yixin Troupe. 1958 was admitted as a member of the Chinese Dramatists Association in Guangdong Province; Participated in the county model worker conference and the first generation congress for many times. 1962, dramatist Tian Han visited Gao and proposed to explore traditional plays. He devoted himself to research, sorting out traditional repertoires such as "Fan Lihua Points Soldiers" and "Yang Jinhua Seizes the Handsome Seal". 65438-0965 Deputy Director of Hainan Artists Welfare Committee.

During the Cultural Revolution, he was forced to leave the troupe and go home to live in seclusion. After smashing the counter-revolutionary clique of the Gang of Four, in his eighties, he asked the county party committee and the cultural department to contribute to the reconstruction of Lingaoqiong Troupe. From 1977 to 1978, he went to various places in Hainan to find actors, personally taught his disciples, and spared no effort. 1979, hospitalized due to illness. After leaving the hospital, he was hired as a traditional art consultant of Qiongju by Hainan Provincial Cultural Bureau. He patiently guides students to practice basic skills. 198 1 year 1 month 16 died at the age of 86.