How to write a movie review

Introduction: Film criticism is a type of literary criticism. It is an article that analyzes and evaluates various film phenomena. It mainly reveals and excavates the aesthetic value, cognitive value and ideological significance contained in film art. It also explores the rules of film art creation and finds out successful experiences and lost lessons. Therefore, good film reviews can, on the one hand, provide feedback information for the promotion and improvement of film quality, and on the other hand, they can help the audience correctly understand the film, cultivate and improve the audience's artistic appreciation ability and healthy artistic taste. How to write a film review

Mode 1: Multi-perspective analysis

Title: Main title

? Subtitle (no need to mention the angle, just point out what movie to review) )

The first paragraph: movie style (30 words) + movie summary (150 words)

The second paragraph: comment on the theme and idea (if you can’t see the exact theme and idea, you can Use feelings instead, but it must be combined with the plot of the movie, do not write purely as a reflection after watching)

The third paragraph: Comment on the character (you can comment on one or multiple)

Paragraph 4: Comment on artistic techniques (lens, music, lines, images, colors, etc.)

Paragraph 5: Summary, put forward an overall evaluation (to make up for the lack of the central argument in the first paragraph)

Mode 2: Single-angle analysis

Title: Main title

Subtitle (theme, character or artistic technique)

The first paragraph: movie style (30 words) + movie summary (150 words) + central argument (20 words)

The second paragraph: sub-point one

The third paragraph: sub-point Argument 2

Paragraph 4: Summary (sublimate the theme, connect it with reality, and put forward personal reflections)

Mode 3: Essay style

Title: Main title

? Subtitle

You can also use only one title: for example, ? Review of the movie "Hanabi"?

The full text is divided into paragraphs freely, and you can write wherever you think. You can evaluate any part or detail of the movie.

Be careful not to write it as a reflection after watching it, nor to write it as an introduction to the movie. Pay attention to the combination of "narrative", "analysis" and "review". How to write a film review

Passing through the city? Soul pain

? Analysis of Xiaogui in Wang Xiaoshuai's movie "Seventeen-Year-Old Bicycle"

"Seventeen-Year-Old" Bicycle" is a film directed by Wang Xiaoshuai. Xiaogui is a boy who came to the city from the countryside to work as a courier. However, when he was about to get the bicycle, he lost the bicycle that he used to make a living, and then he started looking for it. While looking for the lost bicycle, he found that his bicycle was being ridden by a boy from another city, Xiaojian, so a Bicycles connect two young people with different identities but something very similar. A bicycle carries two burned hearts. The film focuses on depicting the inner pain of two boys growing up. Xiaogui is an image of a young man who strives to integrate into the city, but is constantly hurt.

First of all, Xiaogui longs to integrate into the city and get a chance to survive. For him, the bicycle is more than a means of transportation, it is also a kind of sustenance. When Xiao Gui found the bicycle, he decided to ride on it and "sneak away". Faced with Xiao Jian's pursuit, he ran away desperately. However, the bicycle was still stopped by Xiaojian and his friends. So he did not give up, continued to track Xiaojian, and went to Xiaojian's house to steal the bicycle. When he was lying at the door of the courier company with his bicycle in his arms, and when the manager decided to keep him, Xiaogui finally got the opportunity to continue working in this company.

However, the good times did not last long, and the bicycle was snatched away by Xiaojian and his friends again, but Xiaogui directly told Xiaojian's father that he wanted it back through Xiaojian's father. However, Xiaojian and his buddies did not give up and continued tracking.

When Xiaojian and his buddies were about to snatch the bike away again, Xiaogui hugged the bike and let out a howl. This heart-breaking, heart-piercing cry made people feel that what Xiaojian lost was not a bicycle, but a bicycle. It is a piece of flesh and blood in his body and a spiritual position that he sticks to in this city. Without the bicycle, it means that all his job opportunities will be lost, and he will not be able to integrate with this city. In order not to lose this city, he must have something Qiu Ju has the courage to litigate. Xiaogui's heart-wrenching cry forced Xiaojian and his buddies to stop and discuss with him how to solve the problem. They finally came to an agreement: one person would use the bike for a day.

Xiaogui is a stubborn and persistent child. Finding a lost bicycle is almost impossible in the eyes of ordinary people, but Xiaogui is persistent in searching. The repeated failures have not let him down. He stopped. His stubbornness and persistence come from his inner desire to integrate into the city and get a chance to survive.

Secondly, Xiaogui suffered neglect and harm in the process of integrating into the city. Xiaogui's hurt comes from the unintentional erosion of his soul by this alienated city. At the beginning of the film, the group of young men from the countryside in the camera are children who have not been contaminated by modern civilization. They appear very simple in front of the camera. Leng, honest and honest. The off-screen recruiter's tone seemed to be pressuring, as well as the appearance of the courier company manager, and when Xiaogui asked the accountant Sister Liu for his salary, Sister Liu ignored him and talked about the sugar daddy problem with another woman. , highlighting the indifference of urbanites to vulnerable groups such as foreign cultural intruders.

In the bathing center, before entering, there was a group of old ladies dancing in front of the door, and an old man was beating a big drum. The sound of drums began to accompany him in the off-screen space from the time he entered the bathing center, until after he took a bath, when he was forcibly caught and humiliated because he had no money to pay the bill, the sound of the drums sounded alternately strong and weak. When we saw Mr. Zhang after he escaped and was forcibly caught by two security guards, we only took a partial shot of Mr. Zhang from the back. In the picture, we could not see Mr. Zhang’s facial expression. Finally he left the bathing center and found that his bicycle had been stolen. This makes us feel that this city seems to be incompatible with the little people. On one side, there is a lively scene of loud gongs and drums and dancing, but on the other side, we are frightened, insulted, and then panicked when we discovered that the bicycle was stolen. In the alley, these teenagers chased and fought violently and violently. At the same time, there are often very peaceful scenes in the camera, including people practicing Tai Chi, teasing children, chatting about household matters, and playing chess. The director strives to capture or find some detailed and quiet scenes, which form a contrast and contrast with the restless and even cruel world of teenagers, revealing a feeling of almost indifference among people.

At the end of the film, when Xiaogui saw his bicycle being ruthlessly smashed, his soul was hurt the most. This kind of hurt was the most acute and painful, because it was not a simple matter. Smashing a bicycle is a blow to his ideals and chance of survival. When others harmed his body, he did not resist. However, when his bicycle was mercilessly smashed, Xiaogui resolutely picked up the bricks and smacked the person who smashed the bicycle hard. Xiaogui, the person who was hurt the most, also became a tragic figure. Finally, he walked on the streets of Beijing carrying his beloved bicycle. His figure looked very lonely and desolate in the crowded city. We felt a kind of pity at this time.

In this film, Wang Xiaoshuai emphasized his concern for the lower class people like Xiaogui, and the choice of lens language clearly revealed a very healthy humanistic care in the director's mind. In terms of the use of lenses and the selection of space, we have a respectful and understanding mentality towards this group of "foreigners". When filming this group of candidates from a foreign land, the director chose a head-on frontal camera position to give them a sense of self-examination and dignity in front of the camera. For young people from rural areas, the city may be a temporary visitor, or it may be their final destination, but no matter what, in the process of integrating into the city, they will always be hurt in various ways. This kind of hurt leaves a deep impression and is difficult to heal. .

How to write a film review

I only have eyes for you

? A brief analysis of the theme of Xu Jinglei’s movie "Letter from a Strange Woman"

"Letter from a Strange Woman" "" is the second work of director Xu after "My Dad and Me". Different from the latter, this work is adapted from the well-known Zweig novel of the same name, which gives it a broad spiritual connotation. . So can Lao Xu interpret this story vividly? The answer is yes. In a piece of crisp classical music, the film unfolds this poignant love story with Peking as the background of the Republic of China. The tone of the entire film is always gray. It looks like it is spliced ??together from yellowed brown photos. The fragments of time are displayed in front of the viewer at a glance, creating the feeling of an old photo. Under the dim light and sad music, the writer man sat in the dark and read a letter. The letter triggered all the stories, narrated by the dying woman. A woman used her life to explain to us a sacred and great theme? That unique and pure blazing love.

I love you and it has nothing to do with anyone else. The snitch who specializes in stealing big houses is caught by the wanted team, and a writer moves in. At this time, the man had not appeared yet, but his breath hit her face. Boxes of books were placed in the yard. The housekeeper was humble and polite. The sound of Peking opera and laughter came from the room. As a result, mystery and speculation enveloped the girl. , the surge of youth is rippling in my heart, and the girl's feelings are growing in anticipation. Finally one day, she was playing at the door, and the writer man appeared, riding a motorcycle, and he appeared like a prince's white horse. This was the first time he met her, and she was attracted to him like a devil. Suddenly, the man occupied the girl's entire space. The second time he met her was at the door again. As she ran out, she bumped into him who was about to enter. When their eyes met, she almost melted. He glanced at her, his eyes warm, soft, and affectionate, as if he were caressing her. He smiled at her and said only one sentence: SORRY. But her heart already belonged to him. ?From this second, I fell in love with you. I know, women often say this to you, a pampered person. But please believe me, no woman has ever loved you as wholeheartedly as me. I have never changed my heart for you. It was like this in the past, and it has always been like this after so many years. Because there is nothing in the world that can compare to the love that a child carries secretly and unnoticed. Because this kind of love has no hope, is groveling, flattering, surrendering, and passionate. This is completely different from the passionate, unconsciously insatiable love of an adult woman. Only a lonely child can gather all his enthusiasm. ?To her mother, the girl becomes a stubborn and rebellious girl; to outsiders, she is an ignorant child; to the housekeeper, she may be a well-behaved child? However,?Only a lonely child can gather all his enthusiasm Get up?, a girl loves with concentration, obsession, and purity. Her love for that man has nothing to do with interests, foreign objects, distance, or others.

I love you and it has nothing to do with you. Goethe once had such a famous saying: "I love you, but it has nothing to do with you." I love you, I love you so much that I don't care about how you feel about me, or what you do to me, or even about you and other women. Coming and going. At the beginning of the movie, as soon as the man entered the house, he asked the housekeeper if Miss Cai and Miss Zhu had been here. We knew what kind of life this man lived. When a man enters a girl's life, there will never be a woman around him. The girl is stationed in the alley, guarding the man every day. Even if she only sees his back passing by in a hurry, her heart is so sweet. One day, the girl and the man rubbed shoulders, but they got this rubbish. The man pulled his woman and bypassed the girl while sliding on the roller. The girl finally realized that no matter how much she loved him, she never entered his sight or his life. However, love does not stop for this, on the contrary, it becomes more passionate and unrestrained. Finally one day, the man finally noticed her. She watched the man approaching her from a distance, getting closer and closer. But the road is very narrow and it is impossible for two rickshaws to pass. The man chose to let her go first. The man's casual eyes glanced at her involuntarily, and immediately turned into the kind of eyes that specifically deal with women. This gaze awakened her for the first time before, transforming her from a child into a woman and into a lover.

After she passed, the man looked back, but did not recognize her. He took her to a small restaurant for dinner, and then took her back to his home as a matter of course. That North Room, that place that had haunted her so many times. When he invited her, she agreed without hesitation. After one night, he transformed her from a girl into a woman. However, a man should care about the war and current affairs. After only a few days, the man said that he was going out of town for a while and that he would look for her when he came back. But when the man came back, he could no longer remember her. ?Soon, I found out I had your child. I decided to move away, what do you want me to tell you? You will never believe that a girl has been and will always be loyal to you, a person who is not loyal. You will never admit without any doubt that this child is your biological son. You may also think that I have other intentions, you will be suspicious of me, and there will be a shadow between you and me, a faint shadow of suspicion. And I have self-respect. I want you to have no sorrow in your heart when you think of me for the rest of your life. I would rather bear all the consequences alone than become a burden to you. I hope you will always think of me with love and emotion. At this point, I would like to be unique among all the women you meet. Of course you never thought of me, you have completely forgotten about me. ?In this way, the woman took the initiative to leave the man. Although she had sufficient reasons to choose to stay, she could go to the man, let the man take on the responsibilities he should bear, and let the man take care of herself, but she still decided to leave, not because of love. Disappeared, but because of maintaining the purity of love, interpreting Goethe's famous saying: "I love you, but it has nothing to do with you."

I love you, it has nothing to do with me. The heroine is forced to fall into the world of prostitution in real life. However, even if she falls into the arms of other men, her heart still belongs to the writer man. She sells her body but insists on love. Her body can be played with by different men, but her spirit The world maintains eternal love. A woman gave birth to a child in a small town by the river in Sichuan. Eight years later, her child had grown into a beautiful child. The woman's beautiful child passed through the dance floor and stopped in front of a white pillar. He drank soda and looked at the restless dance floor with his little eyes, while the woman exchanged her body for the child's happiness. Poor woman, poor mother. She has some rich boyfriends and lavish lovers, but I am not willing, much less willing, to let my child, my smart and lovely child, grow up in a garbage dump in a back alley, in the dirty air. Can't let his delicate lips speak those rude and slang words, can't let his fair body wear shabby clothes? Your child should have everything and have a life equal to yours, so I am with others, with those Be with someone who can provide me with such a life. No matter young or old. ?A woman in a ballroom, facing this man who is a writer who deeply loves but deeply hurts her, simply agrees to his romantic request,? What are friends? What is self-esteem? I will do this again next time, your voice There is a mysterious power that makes me unable to resist a woman's love, which has left my body and penetrated deep into my soul. My love is deep in my soul, but what does it have to do with my body?

If it is sung in modern songs, "I only have eyes for you", it conveys an unswerving and dedicated love. , if Goethe's phrase "I love you, but it has nothing to do with you" explains a kind of raging and unstoppable passionate love, then the love expressed by the theme of the movie is not only unswerving and single-minded, not only turbulent and unstoppable. Fiery, unique and pure love that is divine and great. For a man, he can forget the passing of a girl, he can also forget the budding desire of a young woman, and he can forget the passionate entanglement of a promiscuous woman. He has experienced countless women's bodies, and his perceptual cells will only change in an instant. The suspicion seems familiar; but for a woman, from the time when she was pregnant, to the encounter in youth, then to the fall of the world, and finally parting sadly, she always persists in that unique love. When a woman leaves the man's room again, the housekeeper's words "Good morning, miss" bear witness to the vicissitudes of time and the longevity of love?