What poems is Wu good at writing?

Wu (1609 ~ 1672) was a poet in the late Ming and early Qing dynasties. Word,no. Meicun. My ancestors lived in Kunshan, and my grandfather moved to Taicang (now all belong to Jiangsu). When I was young, "being good at learning the history of Han Dynasty and making my writing good" ("Zhenyang County Records") was appreciated by Zhang Pu and accepted as a disciple. In the fourth year of Chongzhen (163 1), he was a scholar and was awarded the editing by Hanlin. Later, he worked as a lecturer in the East Palace and a secretary in imperial academy. In the Southern Ming Dynasty, he was at the Axe King and worshipped Shao Zhan. Due to disagreement with Ma Shiying and Ruan Dacheng, he resigned after only two months in office. After ten years of Shunzhi in Qing Dynasty (1653), he was forced to go to Beijing to be an official. At first, it was taught by the secretariat, and later it was promoted to imperial academy for a drink offering. Three years later, Ben's mother died in the south. She lived in seclusion in her hometown until her death. Wu lived in the Ming and Qing Dynasties, hated the peasant rebels and had no affection for the rulers of the Qing Dynasty. He is modest and upright, and has always been regarded as a regret of "missing his life", which is often revealed in his poems.

There are more than 65,438 existing poems by Wu, who, together with Qian and Gong Dingzi, is also called "the three outstanding poets in Jiang Zuo". The General Catalogue of Sikuquanshu commented: "Most of its few works are brilliant, full of romantic feelings, flowers, wonderful thoughts and beautiful sleep." "Even in the event of a funeral, the ups and downs experienced have made Chu desolate, and the strength of character has increased." It can summarize its characteristics and changes. Most of his poems are mourning and full of sense of the times. Masterpieces of modern poetry include Feelings of Crossing Wujiang, Feelings of Crossing Huaiyin, Misconceptions of Yangzhou, Misconceptions of Reading History, Nostalgia for Hou Chaozong and so on. Among them, four poems of Yangzhou are his masterpieces of seven laws. And his seven-character song is even better, with excellent syllables and carefree feelings, such as Yuan Yuan Qu satirizing Wu Sangui's Qing Dynasty; He Yong Palace Ci and Xiao Shi Qing Men Qu describe the life experiences of Tian Fei and Princess. The downfall and depravity of artists in "Two Lives of Chu" and "Listening to the Piano Music of Yujing"; "Linjiang Joining the Army" praises the generals who fought against the Qing Dynasty; Song Ai Shan satirizes Hong Chengchou's Qing Dynasty, which has profound content and is known as "the history of poetry". He also has some works that reflect people's sufferings, such as Lin Duner, Jin Shaner, Ma He and Catch a Ship. However, there are too many useful classics in Wu's seven-character metrical poems.

Wu's poems are few, but they are widely circulated. Chen Tingzhuo commented: "Although Wu Meicun's ci is not special, its unfathomable height is also made by the sense of life." He added, "The tall man in Meicun is mentally similar to his wife." (White Zhai) Its style is similar to poetry, beautiful and sad. Such as [Man Jianghong] and "Garlic Mountain Nostalgia", praising Zhenjiang government affairs with tragic feelings; [He Xinlang] Feeling in Illness is full of self-pity, full of sadness and touching.

Wu's works include Mei Cun Ji, Mei Cun Shi, Mo Ling Chun, Zaju Tongtiantai, Lin Chunting, Shicheng Sui Koulue and so on.

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Wu, one of the "Three Masters of Jiangzuo"

Among the influential poets in the early Qing Dynasty, Qian, Wu and Gong Dingzi were "three outstanding poets in Jiang Zuo", and only Wu Caizhen was qualified to stand side by side with Qian, a poet leader who was "famous all over the world" (Qian Yong's Garden Collection). Qian Zun Song and Wu Xuetang. Since then, various schools of poetry in the Qing Dynasty have failed to reach their portals, which shows their far-reaching influence on poetry in the Qing Dynasty.

Qian highly praised Wu's poetry, and once described the elegance and beauty of Wu's poetry as "splendid as the liver and intestines, jade as coughing and vomiting" (preface to Mei Cun's poems by Qian Qian). Emperor Kangxi personally wrote an imperial poem entitled "Wu Meicun Collection": "Mei Village is full of romantic feelings, and I can't find it again and again. Autumn waters are fragrant and snow is fragrant, and Quincy thinks Ling Du is sad. Cut into Shu brocade to be beautiful, thinner and more smoked than spring silkworm. How many poems are popular for you when the cold night is short. " Wu's poems were highly praised, which established the position of Wu Poetry in Qing Dynasty.

First, "Call Wu to drink and write his own poem"-Zong's "The Portrait of Mr. Timei Village"

Wu, the word, is called Meicun. Ming Shenzong was born in Taicang, Jiangsu Province on May 20th in the thirty-seventh year of Wanli (1609). When Wu was born, his mother dreamed that an emissary in red had taken him to Huiyuan Square. Therefore, her parents have high hopes for Xiaoye Wei. Ye Wei started studying at home at the age of seven and became a scholar at the age of fourteen. Jaco, a famous scholar, saw Ye Wei's article and sighed: "The article is printed in this book!" So, he took Wu into the study room and taught him about the past and the present.

In the fourth year of the Apocalypse (1624), Zhang Pu founded Fu She, and Wu became a disciple. In the fourth year of Chongzhen (163 1), Wu took the exam and was framed by party member of Wucheng, who was accused of favoritism. Fortunately, Emperor Chongzhen read Huiyuan's paper and personally approved Wu's paper as "fair, open-minded, full-fledged and mysterious", so that he won the second place in high school and was awarded the editor of the Hanlin Academy. In the same year, Wu Fengzhi was married and achieved great success. Describing the grand occasion at that time, Chen Jiru said: "Young Zhu Yi is a horse, and Chunwei won the first place as Xiang. The clay paste is stored in the golden house, and the jade species belongs to Bai Yutang. " ("Send Wu Bangyan to Marry Poetry") Zhang Pu was also happy to praise his disciples: "All good things in the world belong to children, worthy of the name of Confucianism." ("Send Wu to Marry Poetry")

In the tenth year of Chongzhen (1637), Wu moved to the East Palace to give lectures, and had a fierce struggle with the Party members of the Cultural and Sports Institute. Twelve years (1639), and then transferred to Nanjing imperial academy company. In the thirteenth year (1640), I was promoted to the middle school and promised to be virtuous (a crown prince). Sixteen years (1643), promoted to illegitimate child. During this period, Wu's official career was flourishing and ambitious, all of which were closely related to the special experience of Emperor Chongzhen. He thanked Emperor Chongzhen from the bottom of his heart.

In the first year of Shunzhi (1644), Li Zicheng peasant rebels invaded Beijing, and Emperor Chongzhen hanged himself in Jingshan Park. "Mr. Li lived there, heard the letter, hanged himself, and his family felt the same. Mrs. Zhu Shutai held her arm in tears and said,' If a child dies, what is it like an old man?' It is already "(Gu Shishi's Chronicle of Mr. Meicun). Out of his attachment to the Ming Dynasty, especially his gratitude to Emperor Chongzhen, Wu tried his best to vilify and attack Li Zicheng and Zhang Uprising in Sui Kou Ji Lue.

In the second year of Shunzhi (1645), the court called Wu Wei as a small official, and he only served for two months. Because of disagreement with such dignitaries as Ruan Dacheng, he thanked the official and returned to Li.

Wu began to take a negative and uncooperative attitude towards the Qing regime. After Ming Taizu's death, he stayed in the village for ten years and remained famous.

In the tenth year of Shunzhi (1653), when the imperial edict issued a legacy and recommended it, the company repeatedly urged it, and Wu accused it four times, and two relatives cried for help. As a last resort, he wanted to enter Beijing by imperial edict, give lectures to the secretariat, and seek to promote imperial academy's wine festival. In the 14th year of Shunzhi (1657), Wu resigned and asked for leave to return home on the pretext of being ill.

Wu is deeply ashamed of this history. His good friend Hou Fangyu (Chaozong) made an appointment for a book in the ninth year of Shunzhi (1652), but he was finally hidden in Linquan, and his entrance was blocked. After Hou Fangyu's death, Wu blamed himself in "Poem of Mourning for Hou Chaozong": "Life and death always bear Hou Yingnuo, and tears are full of respect."

In the summer of the tenth year of Kangxi (167 1), Jiangnan was very hot. Wu's "old illness is a masterpiece, phlegm is like a saw, and his chest is moving" ("Adventures in Frontier fortress"), and he foresaw that he would soon die, so he left his last words: "My life is at stake, and I have never experienced difficulties and hardships. After my death, I was buried near Deng Weiling Rock in monk's clothing. In front of the tomb stood a huge stone that read' The Tomb of the Poet Wu Meicun'. " On December 24th this year, the great poet Wu died of illness and was buried in the north of Suzhou Mountain.

From this point of view, Wu deeply regretted his shame of being an official in his later years. He doesn't want others to be commensurate with his official position of "making a toast without eating and drinking", but sets himself up as an ordinary "poet". The article "Wu" in the Dictionary of China Scholars holds that "it is extremely inappropriate to classify the biography of the Qing Dynasty (Wu) into the biography of two ministers." Essentially, he is different from money. Later generations' comments on "Wu Xianjiu, self-titled poet" can be described as remarkable achievements.