Love me, don't go. Introduction to plot diversity

The story diversity of Love Me, Don't Go is as follows:

1 to 10 set:

In a small restaurant, Kumquat and Zhao Xi, editors of the novel department of Yao Bo Group, disguised as little girls from the countryside who washed dishes, secretly entered the kitchen, in fact, in order to collect evidence that the restaurant used waste oil. On this day, the boss Wang Jingjing asked Kumquat to receive the goods. Kumquat is similar to takeaway brother. He lied that he wanted to open a restaurant to cooperate with him in the future and successfully obtained the address and evidence of the waste oil refining workshop.

And then record the evidence when everyone is not looking. However, when Kumquat showed Zhao Qian her achievements, the proprietress Wang Jingjing noticed something was wrong with them and insisted that they hand over their mobile phones.

1 1 to 20 episodes:

Don had no money to pay the liquidated damages, so he had to discuss with Murphy whether he could drop the lawsuit. Murphy is determined not to drop the lawsuit, but to sue Don.

Tang had no choice but to tell his father about uremia at home, hoping to be lenient. It never occurred to me that she would not sympathize with Tang's experience, but would continue to sue, and she would read Tang's jokes when she was depressed.

2 1 to 30 episodes:

The property urges kumquat to pay the property fee. Kumquat went to Wang Cuifen's room to find the bill of payment, and accidentally found the certificate that she didn't tell herself when she secretly gave Wen Hao and Lele a paternity test.

Kumquat felt that instead of being trusted, she was insulted and immediately rushed to Wang Cuifen to make a statement. At this point, Wang Cuifen had decided in her mind that Lele was not Wen Hao's child, and confidently said that she had seen Mu Chen's childhood photos from Murphy, and Lele looked almost exactly like him.

3 1 to 40 episodes:

Mu Chen learned from Wenna that this was Kumquat's long-lost sister, so she found Kumquat and invited her to work in her own company. Kumquat didn't want Wen Hao to misunderstand, so he asked him for advice. Wen Hao knew that Kumquat's parents were heartbroken because of Kumquat and Murphy's work. He said that he absolutely believed in Kumquat and Mu Chen, and agreed that Kumquat would work in a company in Mu Chen.

When Wen Na learned that Kumquat was about to become his immediate boss, he immediately called Wen Hao to complain, hoping that Wen Hao would call Kumquat back, but Wen Hao said it was the result of their husband and wife's consultation, so that Wen Na could focus on his work.

4 1 to episode 45:

Lele grew up healthily, and he kept calling his mother. Everyone hopes kumquat can come back to this family again. One day, Wen Hao took the initiative to find Kumquat, expressed her deep love and asked her to return to her family. Kumquat was moved and the two embraced happily.

On the beach under the oblique light, Lele held hands with Wen Hao and Kumquat, and the family played by the sea. Happy laughter drifted away with the sea breeze. This happy family of three, with their kindness and courage, turned life into honey. If you don't love me, please leave. If you love me, don't go.

Drama evaluation

The play not only describes the traditional marriage life and the relationship between mother-in-law and daughter-in-law, but also discusses and thinks about marriage and love. Combining the elements of youth and fashion, it shows the love, career, values and outlook on life of contemporary youth in front of the audience, bringing different feelings and thoughts to the audience.

The play not only describes the marriage life and the relationship between mother-in-law and daughter-in-law, but also discusses and thinks about marriage and love. Combining the elements of youth and fashion, the love, career, values and outlook on life of urban youth are presented to the audience, which brings different feelings and thoughts to the audience.

The crew of "Love Me, Don't Go" has made great efforts in the actor's costume modeling and scene art. According to the different positioning of the roles, makeup artists and makeup artists have designed different styles of costume makeup for each role.