What is the translation content of the story about a trip to Beishan in Xincheng?

It is 30 miles away from the north of the new town. The deeper you go, the deeper the mountains are, covered with weeds, trees and spring rocks, and the environment is getting quieter and quieter. At first, you can ride a horse on the stone road. Next to the big pine tree, the loose trunk is bent like a car cover, straight like hanging a simple banner, standing like a man, lying flat like a horned dragon.

There are springs in the grass under the pine trees, which appear and disappear in low-lying and humid places. The spring water clanged into the stone well. There are dozens of feet of vines between pine trees, bending like a big snake. There are birds in the tree, with black feathers like myna, red top, long mouth, bending over and pecking, making a squeaking sound. Further west, there is a high mountain peak, and there is a narrow path at the foot of the mountain, which is enough for people to walk.

Everyone tied the reins of the horses to the sharp corners of the rocks and helped each other climb up. The bamboo forest is so lush that you can't see the sun. After walking about four or five miles, I heard a rooster crow. A monk wearing a cloth robe and pulling shoes came to meet him and talk to him. He looks at you in surprise, as inaccessible as an elk.

There are dozens of houses on the top of the mountain, all built around cliffs and with railings. They have to crawl like snails and crawl around like mice to get out, and the door of this house faces the window of that house. After sitting down, a mountain wind blew and the bell rang in the hall. Everyone looked at each other in panic, not knowing where they were. It's getting dark, and they all sleep on the mountain.

It was September, the sky was high and the clouds were light, and the mountains were empty and the moon was bright. Looking up at the stars, they are all big and bright, as if they were just overhead. There are dozens of bamboo poles between the windows, which are rubbed against each other by the wind and constantly make a rapid sound. Plum trees and palm trees in the bamboo forest stand like ghosts, with prominent sideburns. Everyone looks at each other in horror and can't sleep. It's dawn. They're all gone.

A few days after returning home, I still vaguely remember the scene on the mountain, so I remembered these. Later, I didn't go to Beishan again, but I often think of this mountain tour.

Extended data

In the third part of the article, I wrote what I heard about Jingshan Temple in the dead of night. At the beginning of writing, I introduced the following two sentences: "The sky is high and clear, the mountains are empty and the moon is bright", and a beautiful and quiet poetic artistic conception was constructed with concise words. After this overall description, the writing immediately turned to the detailed observation of the specific scenery: First, "Looking up at the starry sky, everything is clear, as if it were suitable for people."

These three sentences seem inconspicuous, but they contain rich meanings in essence. Chao feels that the stars are especially "bright" and "suitable for people", indicating that the height of the mountain temple seems to be connected with the sky, and the air in the mountain is clean, so the stars are bright and big. Secondly, "dozens of bamboo poles in the window are close at hand, and the smell turns pale", which creates a special psychological atmosphere for readers by virtue of its hearing.

It is also "the plum blossom in the bamboo is looming, like a ghost leaving the temple", which leads to the gloom of psychological feelings from the specific seeing and hearing, so it ends with a sentence: "Two or three sons care for each other and can't sleep. Chi Ming, let's go ",the first two paragraphs focus more on describing the objective scenery, and this paragraph focuses on writing its subjective feelings and psychological experiences.

The scenery described in the third section is characterized by the unity of scene and scene. This not only describes the mountain temple's high terrain and secluded scenery, but also describes people's spiritual activities. Therefore, from the perspective of both form and spirit, this passage can be described as the most chewy charm and fun.

In the last paragraph of the article, the aftertaste after visiting the mountain is endless. This is actually a supplementary and enhanced description of the beauty of Beishan and the joy of traveling in the mountains. "I have been home for several days, and I am still in a trance." I said I was impressed and the situation remained unchanged. "I won't come back, but I often want to see it." This is a subtle change after the end of Tao Yuanming's "Peach Blossom Garden", which still emphasizes that the trip to Beishan is always haunting and unforgettable.