Kneel down and beg for the second grade level of "The Great Cause of the Founding of the People's Republic of China" (supporting originality) to be fast!

Yes, yes ... I have to say that Han Sanping won. This movie will also win the box office.

Let me talk about the overall feeling: sadness, self-blame and a heavy sense of mission. Why do you say that? Because they make movies, we watch movies. No matter how much we criticize them, accuse them and insult them, it is in vain. People may not hear it at all, and even if they do, they don't care. With the box office, the scene has been done ~ go back and find some experts and film critics to put in a good word to calm the audience ~ anyway, the money is in their pockets, so what are you afraid of ~

Therefore, I can only be sad, sad that I am a warm-blooded young man but can only sit here quietly; So I can only blame myself for being an open person, and the new generation of young people have no strength, no performance and no ability to kick those so-called big names aside. To put it bluntly, China Film is a group of people who are half buried and still playing the residual heat on the screen. Of course, it's not that they stick around, but that there are no young people to replace them. No young people's film can shock all audiences and make them realize the new power of China. This is a pity, because the development of a nation needs new vitality.

Too many digressions. I guess some post-80s and post-90s are impatient ... then I'll get down to business.

I just finished reading it, so I shouldn't forget too much. Of course, this is an excellent film. If a movie can't make the audience remember the plot, then it's best not to take it to the cinema to see shame. So I try to remember now, and ignore what I can't remember.

First of all, the background of the story began with the 45-year Chongqing negotiations, which really made people feel excited, because both Hu Jun and Jet Li appeared, especially Jet Li's lines, which were not few, but made people happy: "China people beat China people, I wouldn't do such a thing."

Later, the negotiations broke down. This part feels hasty and there is nothing to say. On Chiang Kai-shek's side, Chen Kun appeared. The performance was average at first, but it got better and better later. There is a scene in which Feng Yuxiang (played by Chen Kaige) shoots in the street. This scene is the scene in the promotional film, which is very classic. Then another scene in Chen Kaige is also brilliant, holding lanterns to meet Chiang Kai-shek (played by Chiang Kai-shek and Zhang Guoli). Line: "The world is too dark, I'm afraid I can't see it." On Mao Zedong's side, the appearance of Fan Wei makes people feel happy. A short story is told that Fan Wei, as a chef, was moved by Mao Zedong, and at this time he also met a spy (played by Zhang Hanyu). Later, Mao Zedong's whereabouts were reported to Jiang Zhongzheng, so it was staged. At this point, Mao Zedong was sleeping, and Huang Xiaoming, as his guard, carried him out on a stretcher, but remembered that he was still in the pot.

This part, although a short episode, is unexpectedly dull and unattractive. You can't cry where you should cry. I don't know what director Han Sanping wants to show ... and the spy gave an account in the form of words, saying that he was killed on 5 1, and it was over. ...

I don't know what to say. ...

At this time, I remembered a scene in which Wen Yiduo was indignant at the murder of Mr. Li () by a spy. I don't think it can arouse the feelings of the audience. I have a feeling that I am just a bystander, and I can only be a bystander. Later, Wen Yiduo was also killed. (Li Gongpu died in July of 1 1, and Wen Yiduo died in July of 15. )

The next scene that comes to mind is Mao Renfeng (played by Jiang Wen). This role is very emotional, including his dialogue with Chiang Kai-shek and Chen. This is impeccable, and Chen's acting as a Kuomintang officer can be said to be shocking. However, due to the complexity of the whole film, it is really rare to introduce him. People who are not familiar with history seem to be a little confused about the part where he suddenly rebelled against Mao Renfeng's instructions and helped Zhang Lan escape. Of course, this is the writer's problem.

I remember most of Chen Kun's scenes, including three, no, four. First of all, as the son of Chiang Kai-shek, Jiang Jingguo went to stabilize the Shanghai economy. This is a big event in itself, but he only used Chen Kun to answer the reporter's words, "I only hit tigers this time, not flies." Turning to the appearance of Xiaogang Feng's Du Yuesheng, this drama triggered a tit-for-tat between two great figures, and also made Jiang Jingguo make up his mind to rectify the Kongjia industry. Although there are not many scenes, the turning point is still wonderful, and the whole picture makes people breathless, but as said, it would be better to add a shot of Du crutch landing. What a pity. Go back to the second scene of Chen Kun, and Kong Lingkan, the king of Confucius. (David) Both of them thought it was good, but they felt a little cumbersome, and they didn't get a decent result in the end. The third scene is a father-son play. The dialogue between father and son was well rendered in The Dove, but Chen only did it to the extreme. I said the last scene, in the following plot, some of it is also a father-son scene. I admire Chen Kun's posture, and I hesitate to be quick, showing my awe and respect for my father.

After Chen Kun finished, I thought of two more people, Fu and his daughter (played). Fu himself is a very contradictory figure. For his portrayal, I think there should be a narrator to describe his psychological struggle in order to make the audience understand. After all, it's a little difficult to fight psychologically only by actions, words and demeanor. The expressive force of this part is not perfect. First of all, Fu's earlier boasting: "If I win, I will lead the horse to whip him" is repeated back and forth in the mouth of the father and daughter, which makes people somewhat confused. Fu Dongju personally persuaded his father to become a * * * party member, but rarely spoke. Personally, I think Chen Hao's lines at this time can't be too direct, but they are too few. It should be said that it is difficult to accept words that basically don't express those meanings. At least we should beat about the bush more. Finally, after meeting Chiang Kai-shek, Fu suddenly figured it out and wanted to contact him. I really don't know if the director really has only one bowl of stew left in his heart. ...

Regarding the incident in Beiping City, Fu remembered two people, Ge You and Wang. One of them went to treat Beijing as a high-walled compound, and the other paused to remember the report. He has arrived in Beiping.

Let's talk about people outside the Kuomintang and the * * * production party. Among the representatives of democratic organizations, there are four outstanding figures, Zhang Lan, Li, Cai Tingkai and Soong Ching Ling.

Tang Zhanglan's scenes really have nothing to say. This is the feeling of being a good person. The antithesis of Li and Cai Tingkai is really worth mentioning, saying that Li should be regarded as an important figure of the Kuomintang. Cai Tingkai is also an outstanding general and national hero. But the scenes of the two people at this time are concentrated on which side to take refuge in. Cai Tingkai has been persuading Li to cooperate with the producers of * * *. At this time, I did a good job of innuendo, and Li's performance was also many. Anyway, he also killed the producer and fell out with Chiang Kai-shek. It is difficult for both sides to walk now, so be careful, so it is right to hesitate. And the acting is in place. ...

Soong Ching Ling, I don't want to comment much now, and I don't want to say much. There are fewer women in this scene, and most of them are male plays. It is not easy to perform in itself. There are many feelings that I want to play, such as the deep affection when I see the sleeping faces of soldiers in the street, the firm but tactful refusal of Li Zongren, and the invitation of invited Deng ... Frankly speaking, people feel that this role is too empty.

Although there are many scenes in my mind, such as the scene in which Feng plays his assistant, such as going to the United States for help, such as Li Zongren's talk about secession ... these scenes all feel far-fetched and too complicated.

If we want to talk about the back, it should be a relatively open scene in which Chiang Kai-shek stepped down.

Several people in Mao Zedong were drunk, but they were also very happy. I crossed the Yangtze River and liberated all China. I called directly without announcing it. In a word, China will be unified.

Then came the China People's Political Consultative Conference (CPPCC), where the stars made a splash. The first is the choice of the national flag, and Tian Han (played by Donnie Yen) is more active. Then there is Feng Gong, who is an interesting character, but also very expressive. After all, there should be some cheerful atmosphere after liberation, although Feng Gong has only one line, which stands out among the bitter rivals behind. The rest, such as Zhao Wei, Zhang Ziyi, nursery, etc., are just a line, nothing. It's really a walk-on As for Degang Guo, Tony Leung Ka Fai is even more so. I don't know why they went. ...

After these discussions, the people of China and People's Republic of China (PRC) were founded, and the bombing of Peiping happened in this part. The Kuomintang officer played by Andy Lau finally appeared. Unfortunately, the United States did not provide a place to refuel, so Chiang Kai-shek had to give up. To say that Andy Lau's understanding is really good, he is domineering towards his subordinates and respects Chiang Kai-shek. Finally, he turned back and gave himself a positive face, and then turned to the next shot. Chiang Kai-shek's back is regarded as Chiang Kai-shek.

Mao Zedong reviewed the troops (Liu Ye's passionate report is really cool at the moment. ) held a meeting ... that's what I want to say. Finally the tail didn't fight. I think the main problem is music ... what background music is more beautiful, solemn and exciting than the climax of the national anthem?

If there is anything else in the whole film, I can still remember a little, but it's really sad. This is cheating the box office. After reading all my descriptions just now, I suddenly found that I didn't think of any plot. I just thought of the stars, and then I remembered their scenes.

Frankly speaking: I reviewed myself in the middle of the movie, and I want to adapt myself to this kind of movie. This is not an idol drama. I should pay more attention to the plot and history. But obviously this goal cannot be achieved. Because there are many stories in such a long period of 45 to 49 years. A movie wants to play him all over. It's impossible.

Now briefly summarize.

First of all, it's not the actor's fault. There are no wrong actors, only directors with no vision!

The movie "1" was set as a gift, but the director said it wanted a box office. From the beginning, it was expected to reach 65.438+0.8 billion, and now it is 450 million. It's really unacceptable

The director himself has no talent for making political films, so don't touch them if they are not in his own field!

The 172 stars promoted by the director affected the expectations of the audience who bought tickets, and there were not so many people who went in. I'm hardly interested in counting!

The director has no specific clue about the complexity of the script. He watches too much, too complicated. He wants to represent each character, but each character has only a few simple shots.

The music team the director is looking for is rubbish, and so is he. He didn't render the atmosphere as it should be, and it was very low. But you can't live without the feeling of openness and grandeur!

The director's own editing and the requirements for the lens are not good. There are still many places to improve! No expressiveness!

Of course, there are good places, but I can't think of them ~ leave them to experts.

All I know is the sigh from the audience ...

After reading the great cause of the founding of the people's Republic, I have to say.

In the future, I will be strict with my team. If you can do it, you can go If you can't, just go! From now on, I will be strict with myself. The script I wrote is ok, but I must do what I can't delete and rewrite!

Movies and media affect not only people's entertainment time. But people's values and world outlook. If our film level can't be improved any more, it will become a joke and will be looked down upon by other countries!

Speculation, box office! It really makes me sick! What a good reputation!

All the above are personal opinions, and many places may be a little extreme. Personally, I suggest you go to the cinema and evaluate my feedback. If you think it's a waste of money, donate your heart to the 60th birthday of the motherland. ...

The last thing to declare is!

I am not arrogant and look down on the older generation of artists. I just think that young people born after 1980s and 1990s should be more thoughtful and energetic! We can't let the old-timers stand in front of us all the time. It's time to step on them This is our courage. We should inherit and carry forward the Chinese spirit, step on the shoulders of our predecessors and let the five-star red flag float higher!