Appreciation of Zhou Quan's poetry collection "The Red Rhyme of Manjiang and Shao Benchu Climbing Fuchun Mountain"

Shao Benchu climbed Fuchun Mountain in the second rhyme of Man Jiang Hong.

The board roared and continued, Haimen Xiubi. Rendu, Jiangshan highland, Han Dynasty relics. Since Yun Geng people went there, tobacco has condensed the colors of autumn several times. Any day was lifted, the waves rolled up the silver hill, and jiaozi shed tears.

Worldly things are like weaving. The outer diameter of the cloud is long and upright. How many people are comfortable? * * * clap dry shout white, want to pour a breath for hao. Leaning against the east wind, worrying about unlimited guests, playing the flute in the setting sun.

The first sentence "climb Fuchun Mountain" means "climb Fuchun Mountain" from the beginning of the day. Whistling at heights is a gesture of arrogance expressed by the ancients. In particular, "Climbing High and Roaring" often contains the literary meaning of using the allusion of "Su Men Xiao" in poetry and prose. According to "Biography of Ruan Ji in the Book of Jin", Ruan Ji once swam to Sumen Mountain (in Huixian County, Henan Province) with a famous scholar Sun Deng, but Ruan Ji left after a long whistle and went to the ridge, when he heard the voice of husband and wife, like a rock valley. This word implies the fact that the poet and Shao Benchu climbed the top of Fuchun Mountain together, which not only omits the explanation and transition of the original singing situation, but also shows their luxury and generosity when climbing the mountain. Fuchun Mountain overlooks Fuchun River (Zhejiang). The ancients used to call the open water surface in the lower reaches of the river "sea" and the place where the river began to widen "Haimen". "Endless, Haimen Xiubi" is a panoramic view after boarding the ship, trying to expand the spatial background and satisfy their broad hearts when they are "in the mountains and rivers".

In the next two sentences, the word "crossing the road" is almost certainly the word "yes". Through the memory of the legend, Yan Guang's secluded "remains of the Han Dynasty" was brought out, and the homesickness related to Fuchun Mountain was cut into. The poet did not stop at praising Yan Guang's integrity, but went further and expressed his feelings of benefiting from heavy vicissitudes. Gao Shi, like Yan Guang, is dead, only autumn grass can be seen, and the tide surges every year. In the passage and change of time, history and personnel always seem so pale and helpless. The description of the river scenery at the foot of the mountain is inevitably exaggerated, but it is a natural expression of the poet's surging emotions. The dynamics of "lifting" and "rolling" are in sharp contrast to the stillness of "autumn colors condensed by smoke", which also reflects the author's confused and surging thoughts and feelings.

The next movie turned into an emotional explosion. In the first four sentences, I inherited Yan Guang's admiration and exclamation, and described the poet's love and hate in a comparative way. The rise and fall of the world's honor and disgrace, chaos and nausea; The mountain road outside the cloud is leisurely and leisurely, leading all the way. "Cloud Outer Diameter" is a real scene, but it also contains symbolic meaning of independence and detachment, which reflects the disdain of the poet and Yan Guang. The lyrics are followed by a question: "How many people are comfortable?" There are only a handful of high-quality students like Yan Guang in history, and it will be rare in the future. Therefore, the author pinned the available comfort on fellow traveler Shao Benchu and wrote down his wild feelings with friends. Although these two sentences are suspected of rudeness, they are two people's grievances and resistance to all kinds of repression and frustration in the world. Unfortunately, this kind of pleasure can only last for a while, "leaning on the east wind, worrying about infinite guests, playing the flute in the setting sun", and finally can't get rid of the melancholy and sadness of reality.