Goddess should be safe. What does the goddess mean on earth?

The goddess should be safe when she is surprised. The goddess of the world refers to the goddess of Wushan.

Wushan Goddess in China Mythology. The daughter of Heaven Emperor or Chi Di (Yan Emperor), named Yao Ji, died before marriage and was buried in the sun of Wushan. Her spirit is consistent with the grass, and she is actually Ganoderma lucidum. At the end of the Tang Dynasty, she was absorbed by Taoism as the 23rd daughter of the Queen Mother of the West.

Goddess is a combination of the high god of Wushan in Chu and the ancient goddess of Gushan in Shan Hai Jing. In fact, the king of Chu went to worship Gao Yun in order to protect the country's political clarity and personal physical and mental health. The image of the goddess is dignified, elegant, beautiful, affectionate, pure and amiable, which is a symbol of the wise.

Song Yu used it to express his desire to be reused by the monarch but not to be confused by the monarch. Wushan goddess is often used as a metaphor for beautiful women, and Wushan sex spread by eroticism has gradually become a code for men and women to enjoy each other. People use "eternal amber" as a metaphor for loyalty to love, indicating that there is only Iraq and love is nothing else.

Image influence:

1, Goddess Fu, the goddess in the middle, with beautiful posture, gorgeous clothes and natural beauty. In terms of its appearance, it is "beautiful", and even beautiful women like Mao Tong and Shi are ashamed. Draw his heart, and he will "look at the curtain and delay, if the waves are stormy" and "the meaning seems to be near and far, if the future turns."

Delicate and vivid portrayal of a quiet and implicit, beautiful and holy goddess. However, it can only be seen from a distance, not from a close distance. Want to get close, can't, can't give up. "The ileum hurts and it is upside down." (Hu Xiaoming's Selected Works and Reading)

2. The goddess of prostration is the beauty orientation of the goddess in later generations. Fu described the beauty of the goddess, which made most of the fairies described in later novels appear in this mode. In the Spring and Autumn Period, the image of the goddess has not yet appeared, and the image of the goddess in Zhuangzi Xiaoyao Tour is more vivid and the divinity is also very prominent. "Reserved advantage solitary luxury mountain, a melting person, skin if ice and snow, if a virgin.

Don't eat whole grains, suck the wind and drink dew. Riding a cloud, riding a dragon, swimming beyond the four seas, "this goddess can transcend time and space and be at ease." She is a quiet and refined beauty. The Goddess in Goddess Fu is more meticulous than the Goddess in Zhuangzi Xiaoyao, seducing the King of Chu and highlighting the beauty of the Goddess.

Because the description of the goddess in Goddess Fu is the earliest and most complete, it plays an exemplary role in the image of the goddess. During the Three Kingdoms period, Cao Zhi's Ode to Luoshen was written in imitation of this kind of ode.