Recruit a part-time job to do the problem

Part-time recruitment (French: Le Dé jeuner sur l&; AposHerbe) is an oil painting on canvas created by French realistic and impressionist painter Manet from 1862 to 1863. Originally called "part-time recruitment" (French: Le Bain). There is an overturned basket in the left foreground, and the food rolls out of the basket. In the background, by the lake pool, there is a picture of a woman wearing only a shirt, leaning over and standing in the water. In this painting, the artist asked her to sit naked on the grass by a stream in the forest, keeping company with two gentlemen in clothes (Ferdinand and Manet's brother-Eugene Manet). She is a prostitute brought back from the street by Manet. She is a painter who imitates the composition of Qiao Erqiao's "Part-time Recruitment" (also known as "Pastoral Ensemble") in the Louvre. Critics are divided into two camps. The two sides fought hand to hand. This is an elaborate "picnic" and a bold experiment for the painter to seek color contrast. But after all, it is not/kloc-the pastoral painting of Venice in the 0/6th century. The naked woman in the painting is the model in Moran's early painting Victor Lena Moran in a matador costume. This composition annoyed many leading figures in the painting world. This painting around MANET has long been a model for painters.

1924, at the Great Berlin Art Exhibition, Miss exhibited his country brick villa in the form of painting. This scheme has the shadow of Wright's open plane and mondriaan's abstract composition, but its significance is far more than these two. This plane breaks the traditional closed space, and at least two of the four corners of the indoor space are open, resulting in the effect of mutual flow between spaces.

1929, Mies designed the German Pavilion for the Barcelona World Expo, which is the concrete embodiment of the concept of mobile space. This work embodies the essence and principles of Mies style: horizontally extending composition, clear structural system (slender steel columns and independent isolation culture), exquisite joint treatment, noble and fluent materials, flowing space and the concept of "less is more".

Smith was the first designer who really understood and skillfully used modern technology. His belief that "less is more" must also rely on high-precision products and construction technology provided by modern technology. The purity of his building as a whole depends more on the accuracy of the nodes, so he said, "God is in the details." Smith's works have a beautiful proportion, and the works of Sinkel, Bahrens, Wright and others have deeply influenced him, but he can integrate them into his own unique language. Like the artist in de stijl, although his works are full of personal colors, he tries to suppress personal impulses, express eternal truth in the most abstract form and express the spirit of the times.