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Ask for a 600-word composition with the theme of "people-oriented"
Material 1: The word "young and dangerous" is often used to refer to gangsters in the underworld. If a written language is used instead, "rogue" will be the first. Recently, Tan, a doctor of ancient literature in Peking University and a lecturer at the College of Literature of Capital Normal University, sensationally put forward the argument that "Li Bai was the first dangerous teenager in the Tang Dynasty" and specially wrote a book "A Record of Li Bai, the first dangerous teenager in the Tang Dynasty".
In this regard, the writer Lu Tianming said that this behavior of playing with knowledge and opportunism deserves people's suspicion and deep thought. "I think it's time for someone to stand up and speak." . Lu Tianming was even more surprised when he heard the person who put forward this view say that he was actually a doctoral student in Peking University. "His approach is no different from Sister Furong's, which is very deceptive. It is a shame to break ground on his ancestors. "
Material 2: Recently, yanggu county City and Linqing City are competing to play the cultural brand of Jin Ping Mei, and both places have made great use of Ximen Qing, Pan Jinlian and other figures to develop the form of Jin Ping Mei. In Lion Building Tourism City, yanggu county, "Pan Jinlian" was openly recruited by the Tourism City, and its identity was "the ambassador of the scenic spot"; Opposite Wu Dalang House is Wang Po Teahouse. In the teahouse, the wax figure of Pan Jinlian in Ximen Qing's first tryst was vividly shaped. In Linqing Cultural City, there are also programs such as "Wu Da Caught Rape", which invite tourists to participate in the performance and make them into CDs.
After reading the above materials, what kind of association and thinking do you have? Please choose an angle and write an argumentative essay on the basis of accurate understanding of the materials. Make up your own mind and draw up your own topic.
Writing instruction
Subvert classic texts, rewrite frivolous stories, and develop tourist signs by using obscene literary images. The two have one thing in common: seeking a "selling point"! In terms of culture itself, this is a gold rush from garbage, a cultural degeneration and a cultural crisis. In terms of social influence, it is not only a betrayal of traditional cultural heritage, but also the lack of ideals and beliefs of young people to spoil famous works and mislead the world. Pursuing the popularization of literature and economic benefits, we can't trample on national traditional culture.
Idea 1: While promoting "ecological environmental protection", we should vigorously advocate "cultural environmental protection"
Water pollution, sharp decline of vegetation, land desertification, loss of biodiversity, greenhouse effect and climate warming, deterioration of natural environment and ecological environment have awakened us, but the pollution of cultural environment seems to have not attracted enough attention. Therefore, while carrying out ecological environmental protection, we should advocate cultural environmental protection and create a green cultural environment and healthy living space for our future generations.
Idea design 2: fear history and culture. Cultural heritage is full of vivid and personalized lifestyle, which is the most basic identity of the nation and the spiritual driving force of national development. With the rapid development of industrial civilization and global economic integration, strong culture erodes weak culture, which will lead to the extinction and evolution of national culture. Therefore, cultural heritage is the lifeline to maintain national development. Classics are a microcosm of the spirit of the times, and together with the nation, city and creator who gave birth to them, they form a cultural complex. We can't understand the classic ideas superficially, let alone make a face-lift with a hasty attitude. The protection of intangible cultural heritage is an educational project. We can neither treat it as an antique nor expect it to increase your material wealth in a short-sighted way.
Idea 3: Don't use garbage as a "selling point"
Every nation has its own unique cultural memory. This memory is vividly expressed through the image of cultural symbols. "Ximen Qing" and "Pan Jinlian" also have their own places in the cultural system of the Chinese nation-they are synonymous with lewdness and lewdness. Recognizing the literary achievements of Jin Ping Mei as a whole does not mean that the special culture reflected in this literary work needs to be carried forward today. The cultural carrier of tourist attractions in tourist areas is not only to provide tax sources for landlord finance, but also to inherit culture and carry forward social virtues. "Guide people", "inspire people" and then "shape people". Of course, it is to find a "selling point" to develop cultural resources and cultural industries, but don't seek gold in the garbage of history!
Sample text
Culture is moaning.
"Stop it!" I heard the cry of a national conscience.
At the other end of the eye, the Taoist king clumsily carved the wall of Dunhuang Mogao grottoes-beautiful to pieces, soft to stiff-that was more than a century ago.
We once accused Taoist Wang of being greedy for petty gain and criticized his ignorance. But from the point of view of destroying culture, a little Taoist accelerated the weathering of several reliefs in desert dust, and also scratched several scars on the splendid Dunhuang culture. Today, compared with the king of Taoism, the world really abuses culture even more.
Different from the Taoist king, modern people have better means to destroy culture and more grand reasons. Now there is a very classic saying, which is called "culture sets the stage, economy sings opera". Verbally, it vowed to revive culture. In essence, it is to find the selling point of economy in cultural inheritance, and culture has become an accessory of economy!
Modern people are not just Taoist Wang who sells art treasures at low prices. Nowadays, people can rely on their own imagination to "seek gold" from the classic culture, without spending a lot of money to sponsor prime-time advertisements or striving for perfection in product quality. As long as there are a few more quaint words familiar to the world on the packaging bag, the unsalable goods will be in short supply. Why not? As for those cultures, what does it have to do with our factory? We are mercenary businessmen. What is this? Therefore, Wang Xizhi lost the elegance of Lanting and gave his name to a cheap pen for free; Cao Cao also faded from the heroic spirit of a generation of heroes and quietly posted it on the "one-in-one crisp" of the desk; Zhuge Liang became the spokesman of feather fan, and Qu Yuan became a big zongzi. Because Tao Yuanming returned to his hometown to work personally, he was robbed by the fertilizer factory and the farm tool factory. Driven by commercial interests, it burns like a huge fireball, using those fragile cultures as dry wood to help the fire, and the essence of culture turns into a wisp of light smoke, which floats with the wind.
An ancient nation is bleeding, the water of a thousand years of civilization is being polluted, and the profound cultural heritage we are proud of is being diluted and dissolved bit by bit, leaving only a few nouns dried up in the strong commercial wind.
Economy is the soil for cultural growth. Far from it, we can rationalize the relationship between economy and culture by looking at the richness of emblem and the development of emblem culture.
At the beginning of doing business in Huizhou, it was undoubtedly difficult. "I was born in Huizhou when I was thirteen or fourteen years old and lost it abroad." Many famous Huizhou merchants have left their homes since childhood to study abroad and work hard. Huizhou merchants finally succeeded, and there was a prosperous scene of "no town and no emblem" in the world. Huizhou merchants left us not only material wealth, but also a kind of "shining cultural thing in front of us", "being sincere to others", "benefiting from righteousness" and "people-oriented". Huizhou merchants created Huizhou culture. The rise of Huizhou culture has branded the originally ashamed Huizhou people as "Confucian businessmen".
John Fiske, an American scholar, once said that excessive and shallow are its two characteristics when explaining similar cultural development. Our current cultural development is not only "excessive", but also superficial!
"Stop it!" I heard the groans and wails of national culture again.
Simulation score 20 points+expression 20 points+development 19 points = total score 59 points.
Grading is based on the author's broad cultural vision, and the article naturally feels heavy to read. Destroying culture will be spurned, and Taoist Wang has provided us with a negative mirror; Creating culture and publicizing civilization will surely go down in history, and Huizhou merchants have set up a spiritual banner for us. One is against the other, in stark contrast. The author has a high language literacy and explains the truth in the language of prose culture. When we read it, we can get both ideological enlightenment and artistic enjoyment.
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