Job Recruitment Website - Ranking of immigration countries - The development of "Xiaoqu" music in Tongwei not only shaped several generations of old folk artists, but it was also these old artists who enriched and developed Tongwei Xiaoqu. They gradually transf

The development of "Xiaoqu" music in Tongwei not only shaped several generations of old folk artists, but it was also these old artists who enriched and developed Tongwei Xiaoqu. They gradually transf

The development of "Xiaoqu" music in Tongwei not only shaped several generations of old folk artists, but it was also these old artists who enriched and developed Tongwei Xiaoqu. They gradually transformed the original "a cappella" accompaniment into another A form of performance - stage accompaniment, has since added a new color to local Han folk cultural activities. In the middle of the Qing Dynasty, before Qin Opera spread to Tongwei and in the initial stage when Qin Opera was introduced to Tongwei, ditty music was often performed on the stage of "temple fairs" in the form of stage accompaniment. Later, with the vigorous rise of Qin Opera, old artists began to In Taiwanese opera, Qin Opera music and Xiaoqu music are often used together, and Qin Opera singing and Xiaoqu singing are used interchangeably. They call this singing method of using different tunes together "wind stirring snow". After the Jiaqing period of the Qing Dynasty, with the increasing enrichment and perfection of Qin Opera singing and accompaniment music, Qin Opera artists no longer used the two singing methods together, but instead used Qin Opera to replace the traditional Chinese opera that had been performed at "temple fairs" for many years. ditty music. The ditty has since returned to its original form of existence - a cappella singing. However, Xiaoqu, as a kind of Han folk art, has a huge audience and has great vitality. It is still the main cultural and entertainment content that people play in courtyards, beaches and villages after dinner and celebrations. It brings people's lives with them. It has a real sense of authenticity that never fades and is loved by the broad masses of the people.

The long development process has enabled it to continuously absorb the nutrients of local folk songs. At the same time, it has undergone fundamental changes in terms of music melody, rhythm changes, speed slowdown and intensity changes, and gradually has the characteristics of Its own regional characteristics have become today's "Tongwei Xiaoqu".