The main contents of Yu's "Jiangnan Town"

This is a cultural essay full of strong Jiangnan flavor. Different from Taoist pagodas and Mogao Grottoes, Jiangnan towns can make people feel the vicissitudes and helplessness of history. Jiangnan tastes like drinking tea. You should sit down quietly, drink slowly and taste carefully. Sometimes the pipa jingles in the alley. Jiangnan town is the unity of Jiangnan scenery and Jiangnan customs. Journalists should carefully taste the feelings between the lines of the author. The full text is naturally divided into four parts. The first part can be understood by grasping the following words: "However, if we all avoid them, we will avoid an intimate humanistic culture, an ecological environment that skillfully constructs nature and human feelings, the sufferings and hopes of countless China literati, and the starting point and end point of the difficult journey of life ..." The above words are a cultural orientation made by the author for Jiangnan Town, and also the crowning touch of the full text. "Brilliance is fleeting, and noise is another name for short life." This sentence is followed by the above article. In the article, the author shows us a picture of the smooth and moist daily life of a small town in the south of the Yangtze River. Small stone bridges and awnings are intertwined with dancers with a strong taste of the south of the Yangtze River, and the breath of the south of the Yangtze River comes to us. Small towns in the south of the Yangtze River are not "grand and noisy", so they are "simple and durable, long and narrow" and "indifferent and steady". For those who want to get rid of the troubles and noise of the city and avoid "political wrestling", Jiangnan town is the most ideal hiding place to let life return to nature. "Busy people in contemporary metropolises, who occasionally come to Jiangnan town on holidays or other opportunities, will immediately purify the usual administrative hustle and bustle, personnel clamor, fame and fortune, intrigue and intrigue, and hear their heartbeat in the hollow sound of shoes stepping on street stones. Soon, they will enter an empty consciousness and linger." This passage is followed by the above article. Based on his own experience, the author expresses the infinite yearning of China literati for the most normal life in a particular historical background in a small town in the south of the Yangtze River, which is turbulent day and night. This sentence is a further interpretation of the first part, "The sufferings and expectations of China literati". "This difference will eventually return, back to that kind of noise and noise." This is the contradiction between ideal and reality. In the first part, Chen Yifei's Memories and San Mao's rolling tears all show his yearning for the small town in the south of the Yangtze River. In the second part, the author went to Zhouzhuang by boat. A river without a boat is equal to a night sky without a crescent moon, a stringed piano and a woman without hair, so a boat is essential for a small town in the south of the Yangtze River with a small bridge and flowing water. The ship's long swing and slow progress are completely in tune with the steady rhythm of life in Jiangnan. The author compares the boats in the south of the Yangtze River to the cradle, and the mysterious bridge is the Waipo Bridge, which represents the best memories or thoughts of China literati in the past six months. Childhood is the first stage of life, so the author regards Jiangnan town as "the starting point of a hard journey of life". People walk out of the cold and quiet Jiangnan town, but they are everywhere. Shen Wanshan's painful lesson made Jiangnan towns more aware of cherishing and observing their own ecology. The prominent official voice is always opposed to the normal civilians, so the towns in the south of the Yangtze River are becoming more and more "Lao Zhuang", and their ambitions and spirit disappear into the long flowing water of the towns in the south of the Yangtze River after hitting a wall everywhere. This is the understanding of "the end of a difficult journey in life". The third part, the author went to Tongli Town. Tongli gives the author a strong sense of belonging, because: "Jiangnan town is not only indifferent to the fame and fortune of officialdom, but also deeply understands the righteousness of the world." It just stays where it is on weekdays. In fact, even the old people sitting by the stone bridge who are doing nothing have the ability to judge current social events. This is really a critical moment in history. Jiangnan town has always been indifferent. " Obviously, in the second part, the author wants to show the indifferent side of Jiangnan town to officialdom fame and fortune, and this part shows the profound understanding of righteousness. Jiangnan town is not a paradise, isolated from the world, but a lot of bold men and women who are eager to "shoot when it is time" and pay attention to the rise and fall of China. The organic combination of the two is the essence of Jiangnan town. In the first three films, the author splashed ink, showing the special significance of Jiangnan town to China literati-countless China literati found their spiritual home here. The fourth part, from the perspective of cultural development, the author thinks that the small towns in the south of the Yangtze River "lack a real cultural wise man, a comfortable study hidden in hidden rivers and lanes, and an artistic soul that can make these small towns have an attraction beyond time and space". The author hopes that "the towns in the south of the Yangtze River will be enriched again in cultural sense" and that "landscape tourism and people's visits will be integrated", which needs to be described by literati and future generations who are struggling in the metropolis. -Excerpted from the National Talent Online Network.