Have you seen the old movie The Wedding Banquet?

However, the person I remember most in the movie is the female artist Wan Wan. She is a woman who dares to wander abroad alone in pursuit of art. She promised Wei Tong to participate in the wedding banquet for a green card, but she fell in love with the man she shouldn't have loved and even got pregnant with his child on the premise of knowing the other person's sexual orientation. She is a strong and affectionate good woman. From the first role-playing to the later fake play, she showed a woman's feelings for her husband to the fullest. Unfortunately, she didn't even have a chance to be jealous of the same sex. She had no money and no family, but she was helpless but could not change the status quo. So she had to cry with her back to Wei Tong. Even when she chose to abort her child, she could only shed two lines of clear tears. But when the tears were wiped away, she still chose to be a young mother. From the standpoint of a woman, I sympathize with her. I am thinking how good it would be if Wei Tong's sexual orientation is normal. Unfortunately, reality is always much more cruel than imagination.

Wei Tong's father is a main line of the ups and downs of the movie. He has been a soldier all his life, but he can only end up with the ending sentence "I see, I listen, I understand", which has become a secret kept by him and Simon (a homosexual of Wei Tong). The most special thing is that Ang Lee deliberately designed a plot in which Wei Tong's father raised his hands when he passed the security check. This picture passed lightly, but it was pungent to allude that what the old culture could do when encountering the new culture was to raise his hands without reservation.

In the last scene, when I saw three young people watching the old couple help each other to leave the back, I felt an indescribable emotion stabbing the softest part of my heart. I felt that when I was old, I was overwhelmed. I thought of my parents, and I was worried that I would stand in their position and watch their back one day. Even if I thought about it more, I would feel like being swept by a sharp knife again.

Ang Lee's only appearance was the phrase "This is the repressed sexual liberation in China in 5, years". His words are true, but when sex developed to this day, I suddenly felt that the original repression was not necessarily a kind of beauty. The arrangement of the first half of the film may make people feel that it contains enough gunpowder primers to blow up an ethical system that has imprisoned individuals for thousands of years, and there are many question marks that make people chew and ponder. However, what Ang Lee shows in the face of such complicated problems is not the sharpness of thinking to affirm or subvert any moral values, but his calm narrative ability. ?