Huang Xuan Zhang Jiayi's Zu Feng soil is beyond recognition, and it is true that Kong Sheng directed this new play to cry and laugh.

Fast-paced, rich in golden sentences

Minning Town tells the story that since the 199s, under the guidance of the national poverty alleviation policy, the villagers in Yongquan Village, Xihaigu, Ningxia moved from the depths of the mountains to the plains near the water, along the road and near the city, and turned the "dry beach" with sand and stones into a "golden beach" with an inch of land and gold.

The script planning of this drama is Gao Mantang, which brings together many acting schools such as Huang Xuan, Zhang Jiayi, NI YAN, Huang Jue, Yao Chen, Tao Hong actress, born 1969, Wang Kai, Huang Yao, Rayza, You Yongzhi and Hu Ming. The audience has always had high expectations for Kong Sheng's plays, and Minning Town met the public's expectations at the beginning. At the beginning of the play, a scene played by NI YAN as the county magistrate Yang and Hu Ming as the director of the immigration office Zhang Shucheng firmly caught the audience's eye.

director Zhang reported his work to county magistrate yang miserably. the place where he moved in the past was the Gobi desert. when he arrived, there was a sandstorm. the next day, seven villagers in Yongquan village ran back to the mountains. County magistrate Yang immediately replied: "Break your chest beforehand to make a guarantee, and spit afterwards to find a reason." Director Zhang still kept his mouth shut and continued to look for reasons. County magistrate Yang directly "shot him to death": "It was only because you were a soldier that you were transferred to this hard-working post, but I didn't expect to be defeated in the first battle. A soldier who can't fight hard. " The scene of a report work, the dialect lines are full of interest, and the actors perform in place, which is very wonderful.

Minning Town's plot is very full and lively, and the humble little characters are full of plays. The most beautiful scene is the scene in which Huang Xuan plays Ma Defu, a grassroots poverty alleviation cadre, and Director Zhang go to Yongquan Village to persuade "deserters" to relocate Diaozhuang. Yongquan Village is Ma Defu's hometown, and Ma Shoushui played by Zhang Jiayi is his father and temporary village director. When Ma Shoushui met Zhang, he immediately "asked for it": "Let Defu follow you and don't go back to the agricultural machinery station. The Ma family has never been an official, and they all want to be crazy. "

Zhang Jiayi has a bunch of jujube leaves in his mouth, a crooked hat and a stubble face, and even a tattoo on his head is full of acting skills. Running from house to house with Director Zhang, the horse shouted for water to string together this scene, which was very interesting and played seamlessly.

The reasons given by villagers who don't want to go back to Diaozhuang are more interesting. Uncle Wu, who works in his yard, said "I'm not at home" and the reason for not going there is "to improve the food for mosquitoes". The reason why some villagers don't move is that they are so hungry that their throats are almost spit out. Some villagers "three brothers have a pair of trousers, and whoever has something to go out can wear it"; Li Dayou, the leader of the "deserter", ran back because "eating loess" is easier to digest than eating "sand".

Li Dayou doesn't believe that poverty alleviation can help him get rich, because he personally saw the poverty alleviation guinea fowl in Yongquan village being stolen and eaten under the leadership of Ma Shoushui. This scene is wonderful, very vivid, grounded and true. There are various reasons why villagers don't want to emigrate, and Li Dayou's role is very representative. He doesn't want to move his house or go out to work. Working is to be a grandson. Anyway, the government will send relief food, and he will not die of hunger if he lies in Yongquan Village. The villagers are too poor to move, and the conditions of hanging the village are difficult. It is necessary to start from the beginning, "Who will persuade people to suffer?" This drama uses several typical characters and several shots to explain the background of poverty alleviation. The pace is very fast and it attracts the audience to watch it in one go.

The group drama is wonderful

The young actors are brilliant

Huang Xuan's performance is always surprising. It is not weak to play with Zhang Jiayi, Hu Ming, You Yongzhi and other old drama bones, and it can be integrated with the performances of the old drama bones.

The role of Shuihua played by Rayza is amazing, and the actor's performance is smart and natural, and the image of a watery and enterprising rural girl in bad karma stands firm. Shuihua originally liked Ma Defu, but was sold to a neighboring village by his lazy dad in exchange for a cellar, a donkey, two sheep and two cages of chickens. In order to prevent her father from being killed and escape from marriage, she came back to marry. The director gave her a long shot with tears in her eyes looking at Ma Defu, who was wronged and sad to the extreme. This long shot with a long face really needs to be learned by all the big and small stars. However, a few years later, Shuihua's husband was disabled again. Rayza played the transformation from rural girls to rural women in northwest China so aptly.

The teenage children who ran away at the beginning of the play were vividly interpreted by the young actors, reminding the audience of the group scenes of Jiang Weidong and Jiang Weiguo in "Parents' Love", which were wonderful and delicate, but these children in the northwest were more full of the vitality of young people and the vitality of weeds.

Actors have subverted their images and become down-to-earth and native rural people in northwest China. The stories they tell are also stories close to rural life. They are not overly ugly or stereotyped, but use advanced comedy techniques to create a group of lively and interesting people. Judging from the first two episodes, this is a good drama carefully crafted in the real dimension.