Cultural Poetry in The Book of Songs

1. Cultural Inheritance Poems in The Book of Songs

Poetry about cultural inheritance in the Book of Songs 1 Poetry about inheritance

1. Yesterday became today's fruit, but it was cool after the predecessors planted trees.

2. Talented people have come out of Jiangshan generation, each leading the way for hundreds of years.

3. Living together, there is sweetness in bitterness, and the poems passed down from generation to generation are full of brilliance.

4. Ice green is taken from blue, green is blue, and water is cooler than water. The waves behind the Yangtze River push the waves ahead, and people in the world are better today than in the past.

No one has died in life since ancient times, so take care of your heart and shine on your history.

6. Hsinchu is taller than the old bamboo branches, supported by veteran cadres.

7. The Red Army is not afraid of the expedition, and Qianshan is just idle.

8. But as long as you climb a flight of stairs, you can broaden your horizons by 300 miles.

9. Ignorance and dissatisfaction are not gentlemen?

10. Since God has given talents, let them be used! , spin one thousand silver, all back! .

1 1. Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! .

12. The weather is not as good as the geographical position, and the geographical position is not as good as people.

13. What's so clear about the canal? Because there is inexhaustible living water for it.

2. Sentences about China's traditional culture

1. Guan Guan Luo Gui, in Hezhou. A beautiful and virtuous woman is a good spouse of a gentleman. ("The Book of Songs Nan Zhou Guanju")

2. I often go, Yangliu is Yiyi; The road is muddy and difficult to walk, and people are thirsty and hungry. ("The Book of Songs Xiaoya Cai Wei")

If you know me, it means that I am worried. If you don't know me, that's what I want. ("The Book of Songs Feng Wang Shu Li")

4, such as cutting, such as grinding. ("The Book of Songs Feng Weiqi is proud")

5, a day, such as Sanqiu Xi. ("The Book of Songs, Feng Wang Picking Songs")

6, green scorpion, leisurely in my heart. ("The Book of Songs Zheng Feng Ji Zi")

7. The so-called Iraqis are on the water side. (The Book of Songs Qin Feng Jia Jane).

8. Smile and expect. ("The Book of Songs Feng Wei Shuo Ren")

9. Hands are soft and skin is like jelly. ("The Book of Songs Feng Wei Shuo Ren")

10, what is immortality without instrument? (The Book of Songs, Wind and Mouse)

1 1, the speaker is innocent and the speaker is warned. (preface to the book of songs)

12, the mountain starts and the scenery stops. ("The Book of Songs Xiaoya Che Xia")

13, others have a heart, think about it. (The Book of Songs Xiaoya)

14, the high shore is a valley, and the deep valley is a mausoleum. (The Book of Songs Xiaoya)

15, stones from other mountains can attack jade. ("The Book of Songs Xiaoya heming")

16, decadence has no beginning and freshness has an end. ("The Book of Songs")

17, give me a peach and a plum. ("The Book of Songs, Elegance and Pity")

18. If you commit a crime in heaven, you can still violate it. You can't live if you commit iniquity yourself. (Shangshu)

19, Man Cang loses money and gains moderately. (Shangshu Dayu Mo)

20. It is better to defend Sichuan than to defend the people. (Mandarin Zhou Yu)

2 1, from good to bad. (Mandarin)

22, many lines of injustice will be hanged. (Zuo zhuan)

23, the auxiliary car depends on each other, and the lips are cold. (Zuo zhuan)

24, the skin does not exist, the hair will be attached. (Zuo zhuan)

25. If you want to add a crime, why bother to resign? (Zuo zhuan)

26. Words without words are not far away. (Zuo zhuan)

27. If you don't celebrate your father, Lunan will be finished. (Zuo zhuan)

28. Don't abandon the enemy if you raise it externally, and don't lose your relatives if you raise it internally. (Zuo zhuan)

29. Be prepared for danger in times of peace. (Zuo zhuan)

30, people are not sages, who will make mistakes? It's hard to change after that. (Zuo zhuan)

3. Ancient poems about China traditional culture.

Ancient poems about China's traditional culture

Wang Anshi's January Day in the Northern Song Dynasty: firecrackers are one year old, and the east wind sends warmth into Tu Su.

In the sound of firecrackers, we ushered in the new year and sent away the old year. People are drinking Tu Su wine, and the spring breeze is blowing in their faces.

Wang Anshi's January Day in the Northern Song Dynasty: Every family has to exchange new peaches for old ones every day.

Every household hangs a new peach symbol and removes the old one.

Song Xin Qi Ji's Yuan Xi Jade Box: Thousands of trees bloom in the east wind night, and the stars are raining. BMW carved cars full of incense, the phoenix moved, the basin lights turned and the fish dragon danced all night.

Just as the east wind blows away thousands of trees and flowers, it also blows fireworks like rain. The luxurious carriage is full of fragrance. The melodious sound of the phoenix flute echoed everywhere, the moon like a jade pot gradually tilted westward, and the fish dragon lantern danced all night.

Song Ouyang Xiu's "Birth Outline Yuan": Last year's Lantern Festival, the flower market was full of lights. At the end of the month, it is about dusk.

Last year's midnight snack, the lights at the flower market were as bright as day. Beautiful people meet, at the time of the willow branches on the moon, after dusk.

Song Ouyang Xiu's "Birth Outline Yuan": This year's Lantern Festival, the moon lights are still the same. I will never see my old friend last year again, and my tears are soaked through my clothes.

This year's midnight snack, moonlight and lights are still bright. But I didn't see the beauty of last year, and the tears of acacia wet the sleeves of the spring shirt.

Tang's "Living in the Mountain to Sacrifice the Shandong Brothers": Being in a foreign land, I miss my relatives every festive season. When I think of my brothers' bodies climbing high, I will feel a little regret for not being able to reach me.

When a person is a guest in a foreign land, every time he meets a good festival, he always misses his relatives in his hometown more. Although I am in a foreign land, I have long thought that today is the Double Ninth Festival, and my brothers in my hometown should climb high and look far. I think when they put on dogwood, they will find that I am gone.

4. What cultural traditions are revealed by using the poems in The Book of Songs in The Analects of Confucius?

For excellent traditional culture, we should inherit and carry forward, take its essence and discard its dross.

Examples of The Analects of Confucius quoting The Book of Songs.

1. 15 Zigong said, "poor without flattery, rich without arrogance?" Confucius said, "If you are not poor, you will be happy, and if you are rich, you will be polite." Zi Gong said, "Poetry says,' If it is incisive, if it is polished.' What does this mean? "Confucius said," If you give me a gift, you can tell me that the Book of Songs is over. "

From Cher, we can talk about the Book of Songs, which means that we can finally discuss the Book of Songs with you.

2.2 Confucius said, "There are three hundred poems. In a word, it says' thinking naively'. "

From politics, it can be summed up in one sentence that the Book of Songs is true. The Book of Songs is primitive, pure and simple, and you can really sing if you want to.

3.8 Xia Zi asked, "What do you mean by smart smile, beautiful eyes, and always thinking it's gorgeous?" Confucius said, "Painting is afterwards. Confucius said, "What about after the ceremony?" Confucius said: "The person who gives is also a businessman! Only in this way can we talk about this poem. "

3.20 Confucius said that Guanju is a novel that is happy but not lewd, sad but not hurt. "

7. 18 Zi's elegant words, poems, books and gifts are all elegant words.

8.3 When he was ill, he called his younger brother and said, "That's enough! Yu Kaishou! " Shibo said, "I'm afraid, walking on thin ice. "Occasionally, I know I can avoid my husband! Boy! "

8.8 Confucius said, "Being happy in poetry, standing in ceremony and being willing to do things."

8. 15 Confucius said: "From the beginning of the teacher's piety, the chaos of the management bureau resounded through the sky."

9. 15 Confucius said, "I will defend myself from Lu, and then I will be happy, elegant and praise."

13.5 Confucius said: "Recite the Poetry for 300 times, and teach it to be political, but not up to it; Make it everywhere, not just right; Although a lot, what do you think? "

16. 13 asked: "Does Zi also have different opinions?" Said, "not yet. If you taste independence, carp will rush to court. Say,' How about learning poetry?' Yes:' Not yet.' If you don't learn poetry, you won't say anything.' Carp retired to learn poetry. One day, when he was independent, carp rushed to court. He said,' How about learning manners? Yes:' Not yet.' If you don't learn manners, you can't stand it.' Cyprinus carpio retired to learn etiquette. I heard that there are all of them. After retiring, Chen Kang said, "If you ask one question, you will get three." . If you hear poetry and etiquette, you will hear that a gentleman is far away from his son. '

This article is more interesting. Apollo is Kong Li, the son of Confucius.

17.9 Confucius said, "Boy, why did Mo Xuefu write poetry? Poetry can be appreciated, watched, grouped and resented; Your father is a thing, and your father is a distant thing; Learn more about the names of birds, animals and plants. "

17. 10 my son called Apollo and said, "Can a woman be Nan Zhou or Zhao Nan?" People disapprove of "Nan Zhou" and "South Call", but they still stand on the wall? "

5. Inheritance of China's classical poetry.

Development history of ancient poetry

1. China's classical poetry originated from folk songs, and labor created poetry. The Book of Songs is China's first collection of poems. It contains 305 poems from the early years of the Western Zhou Dynasty to the mid-Spring and Autumn Period, also known as "Three Hundred Poems". The Book of Songs is divided into wind, elegance and ode according to its content, in which "wind" is a folk song and its essence. The Book of Songs is mainly characterized by Fu, Bi and Xing. Some people summarize the "wind, elegance, praise, fu, comparison and glory" in the Book of Songs into six meanings. The Book of Songs is the glorious starting point of China's realistic literature.

2. During the Warring States Period, the first literati poet based on Chu Ci appeared in the history of China literature. They were Qu Yuan and Chu Ci. Because the representative work of Chu Ci is Li Sao, Chu Ci is also called Sao poetry. The characteristics of Chu Ci are: the length of sentences is different, the form is fleXible, and the word "xi" is often used. "Sao" is often called "Sao" together with "Feng" in the Book of Songs, which is often used to represent literary works or the creative tradition of realism and romanticism.

Qu Yuan, the first great patriotic poet in the history of China literature, initiated the romanticism of China's poetry. Li Sao is his masterpiece. Li Sao is the longest existing political lyric poem in ancient China, and it is also a masterpiece of romanticism. His works include Nine Songs (nine are imaginary and eleven are * * *), Tian Wen and Nine Chapters (nine are true).

3. The highest achievement of poetry representing the Han Dynasty is Yuefu poetry. Yuefu, first of all, refers to the music organ of Han Dynasty, whose main task is to collect songs and train musicians. During the Wei, Jin and Six Dynasties, the poems sung by Yuefu were called "Yuefu", so Yuefu evolved from an official name to a name with a musical poetic style. The most basic artistic feature of Han Yuefu is narration. Masterpiece Peacock Flying Southeast.

Peacock Flying Southeast is the earliest and longest narrative poem in ancient times and the highest peak of the development of folk songs in Han Yuefu. It is also known as "the double wall of Yuefu" with the northern folk song Mulan Ci. Peacock Flying Southeast is selected from Yutai Poetry edited by Xu Ling in the Southern Dynasties, and Mulan Ci is selected from Yuefu Poetry edited by Guo Maoqian in the Song Dynasty.

4. During the Wei and Jin Dynasties, the five-character poems of literati began to flourish. Its representative figures are Jian 'an poets represented by San Cao and Tao Yuanming in Jin Dynasty. Tao Yuanming, who calls himself Mr. Wuliu and Mr. posthumous title Keisuke, is called "pastoral poet" or "recluse poet" by poetic theorists. Nineteen Ancient Poems is the representative of literati's five-character poems, which marks the development of five-character poems from their emergence to their final maturity. It formed a unique implicit style with the attitude of complaining without anger, vivid language and metaphor, which had a direct impact on lyric poetry in later generations.

5. Tang poetry is the highest peak of China's ancient poetry. Li Bai and Du Fu respectively represent the highest achievements of romanticism and realism in China's classical poetry, and are known as the "Gemini" of Tang poetry. Li Bai has the reputation of "poetic immortal", and his poems are fresh and elegant. Du Fu is known as "the sage of poetry", and his poems are gloomy and frustrated, which is called "the history of poetry", such as "three officials" (Shi Haoguan, Xin 'an official, Tongguan official) and "three farewell" (newly married, homeless, leaving the old). Bai Juyi is another famous poet in the Tang Dynasty, a famous Buddhist in Xiangshan. His literary proposition is that "articles should be combined with the times, and songs and poems should be combined with each other". He is an advocate of the new Yuefu movement.

The famous schools of poetry in Tang Dynasty are pastoral poetry and frontier poetry. Landscape pastoral poetry school is characterized by seclusion, sentimental landscape and singing pastoral life. Representative writers are Wang Wei and Meng Hao. Most of the works of the Frontier Poetry School describe the wonders beyond the Great Wall, showing the optimistic and heroic spirit of soldiers and the complicated and contradictory feelings in their conscription life. The poetic style is bold and unrestrained. Representative writer Gao (Shi) Cen (Shen).

6. Ci originated in the late Tang Dynasty and flourished in the Song Dynasty. As far as style is concerned, the most outstanding representatives of the uninhibited school are Xin (abandoning illness) and Su (stone); The representatives of graceful and restrained school are Jiang (Kui), Liu (Yong) and Li Qingzhao.

7. Yuanqu, including Sanqu and Zaju. Sanqu is a kind of song that rose in the Jin and Yuan Dynasties, and degenerated from "Ci". Its style is similar to words, and it is more free. You can add lines to the number of words and use spoken English more. Sanqu has two forms: poem and set number. Poetry uses only one song, and the number of sets is one set of many songs in a song. Divertimento, also called divertimento, is a coherent group of songs in China traditional opera or Sanqu. There are as few as two songs and as many as twenty songs, and there is no fixed number limit. Each set of numbers takes the name of the first song as a complete set of names.

6. Who has information about the cultural spirit of the Book of Songs?

As China's first collection of poems, The Book of Songs shows us the historical features of Yin Shang society and even ancient society with its rich life content and extensive creative themes.

It can be said that 305 works in The Book of Songs are interwoven into a multi-level and multi-angle three-dimensional picture scroll, which shows the social history of the Yin and Zhou Dynasties from many aspects. Each of its works contains countless cultural contents that can be carried forward.

Therefore, for The Book of Songs, we not only need to understand its greatness from the overall classification of themes, but also need to grasp the cultural spirit of the Chinese nation as a whole. In this respect, its significance is infinite. Below, we briefly summarize it from several aspects.

Rooted in agricultural production, China is an ancient agricultural country. Agricultural development, on the one hand, made China people get rid of the way of relying on natural gathering and fishing and hunting for a living long ago, and had a more reliable food source, which promoted the progress of civilization; On the other hand, it also changed the lifestyle of frequent migration due to gathering, fishing and hunting, and formed a settled farming culture higher than that of neighboring ethnic groups.

Therefore, the strong nostalgia of China people rooted in agricultural production has been cultivated for a long time. The Book of Songs is an art with strong local feelings.

Not to mention, the "national style" in the Tenth Five-Year Plan exudes a strong local cultural atmosphere. Even in the lyrics of Ya and Ode, there is a deep affection rooted in agricultural culture. This is not only manifested in Zhou people's concern for agriculture, worship of agricultural gods and creation of agricultural poems, but also in most works in The Book of Songs, which show that nostalgia for their homeland is the common feelings of all ethnic groups.

Agricultural production cultivated the cultural character of Zhou people's relocation, and the destruction of agricultural production by war and corvee was the poet's most painful event. When we open the Book of Songs, the most profound thing we feel is the deep homesickness of the national style, such as drumming, the water of the sun, the bandits' style, Dongshan, axe breaking, driving, ear rolling, powder rolling and so on.

Although so many works have their own unique artistic expression and emotional expression in different situations, they all point to homesickness for their homeland, which is a special national emotion cultivated by agricultural civilization. The Book of Songs is an art rooted in China's agricultural civilization, and the agricultural society has shaped the agricultural cultural mentality of China people.

In a sense, The Book of Songs is a collection of poems that fully embodies the spirit of China's agricultural culture. This is not only reflected in the strong homesickness in thoughts and feelings, but also in the creative attitude, expression, writing purpose, aesthetic concept and so on.

All these have been generally recognized by the collective cultural psychology of agricultural society, thus becoming the aesthetic norms of creation and appreciation, and forming the basic characteristics of traditional poetry as an agricultural cultural form, which can be confirmed more or less in the Book of Songs. It is these that make The Book of Songs become the model and model of China's poetry creation in later generations, not only in the theme and content of the work, but also in the cultural spirit, and become the most intimate and favorite work for China people to read.

Second, people's humanistic spirit is the master of culture, colorful social life is the creation of people, and the rich content of literary works can be expressed with people as the center, which should be the basic representation of literature of all nationalities in the world. Therefore, all human activities in the world are arranged by God. The greatest works in ancient Greek literature, the Iliad and Ode written by Homer, a blind poet, are said to be based on praising clans and tribes and historical facts in the past.

Homer's epic and all the myths-this is the main legacy of the Greeks from barbarism to civilization. In ancient Greece, it was an important feature of ancient western literature to regard God as the master of mankind, and to think that God and the gods always controlled human life and destiny, and to create art with this concept and emotion.

However, in China culture, there is no "God" who created the universe and human beings like Western Christianity and has been intervening and guiding human life. "Heaven" (or "God") in China culture mainly refers to the natural force of the universe. The domination of "Heaven" over human beings can only appear in a subtle way, rather than being commanded by a will god, and the fate of human beings is mainly controlled by human beings themselves.

There is also a so-called "destiny" in China ancient culture, but this "destiny" is only the inevitable result of people's own journey of good and evil. The fate of people, or the fate of a country, depends on the people themselves. It is precisely because of this rational spirit of facing people directly that China culture can really be called humanistic culture, and China literature can really be called human literature instead of divine literature.

The Book of Songs, as the first collection of poems in ancient China, shows distinctive people-oriented national cultural characteristics. Here we can't see the footprints of all gods, nor can we see God's judgment and prediction of personnel.

People-oriented rather than God-oriented, which made China people get rid of the witchcraft religion concept in primitive society very early, and also made poetry as a literary genre get rid of witchcraft religion very early. Therefore, in the Book of Songs, there are few poems with the concept of religious witchcraft in the poems of elegance and style, and they account for almost nine tenths of the total works, except that sacrificial songs are described as "praising goodness and telling God about its success".

In fact, even in Zhou Song and other sacrificial poems, Zhou people did not entrust everything to God in the face of the invisible ancestors of heaven. The more important significance is to remember the moral achievements of predecessors and express their thoughts of "striving for self-improvement", respecting morality and protecting the people and seeking long-term stability of the country. There is no place like the gods on Olympus. They can't believe that God can control their own destiny and decide their own lives. Here, man is the master of his own life, the whole content of poetry and the whole direction of emotional projection.

They are so sure of themselves, trust themselves and express themselves happily. With their own creative practice, they really put forward the eternal proposition that "literature is a study of human" in modern western society 2500 years ago, which was fully expressed and laid the foundation.