Architectural design: what is the significance of new localism architecture?

New localism is a design trend of thought that emphasizes local characteristics and folk customs, local flavor and nationalization. It has no fixed rules and design patterns, but uses local materials as much as possible in the design, adopts local practices, and shows the characteristics of adapting to local conditions, so that the overall style is integrated with the local environment and has a strong local flavor. The modernization of indoor equipment ensures the requirements of functional comfort, and the indoor furnishings emphasize local characteristics and folk customs, highlighting national cultural characteristics.

Buildings, especially houses, are more important to be regional and local. Because architecture can not be separated from the local region and climate, architecture is extremely regional. In Shenzhen, the largest immigrant city, seeking roots and reversing sentences have become two major overtures. This design scheme with the concept of seeking roots has a strong western rural color. Rough fabrics, old-fashioned sofas, classic fireplaces and strong country music.

In recent years, the mainstream things abroad have been emphasizing new localism, or new localism, and some are called new localism. Buildings, especially houses, are more important to be regional and local. Because architecture can not be separated from the local region and climate, the architecture is extremely regional, and the habits and climate of each region are different, so localism, nativism and localism are emphasized. The word "new" is added, which is a very important concept, that is, it emphasizes its modernity, conforms to modern life, uses modern technology and materials and has a sense of the times. In fact, it is the new localism that leads to the sustainable development of housing, not the simple state form.

In fact, this kind of vernacular architecture has two ways of thinking: the return and inheritance of ancient and modern Chinese and foreign traditions. One idea is to completely copy or symbolize the local architectural form and put this symbol on modern architecture. There is also a big category that does not start from the form, but puts aside the burden of this form and studies the reasons for the formation of the original traditional architectural form from the connotation of architecture, starting from these internal reasons.