The emergence and development of the palace

The Generation and Development of Gong Family in Zi Ling Wang Nv (1864— 19 19) is the founder of Gong, a coolie, and a native of Quwo County. In the 20th year of Guangxu in Qing Dynasty (1894), he performed in Liang Meilong doll class founded by Liang Shengtai (nicknamed "Mellon") in Xinjiang. He is famous for his crisp voice and handsome appearance. He plays Lu Bu in The Little Banquet, trying to portray Lu Bu as a story of teasing and playing with a feather of Diusim. So, he secretly practiced feathers without telling the troupe. Although the feather was only four or five feet at that time, he finally learned to go up and down and bend straight. He pulled the feather with his hand and swept the corner of the story near Diusim's mouth with his tail, which made Lu Bu coquettish and enchanting. During this period, Huang, the second generation of Gong, received training. Then there is Shu Quanguan (also known as Shu), both of which have the same origin, but each has its own development. Huang (1888- 1926), a worker, is from Nanhe Village, Wanrong County. /kloc-when he was 0/2 years old, he was named as a juvenile Jia Xue opera with his brother Hongxi. He is the second generation descendant of Gong. Yellow hangs forward, left and right, and then swings backward, forward and vertically. He studied in "Eight-stick Class" in Houma and "Laicheng Class" in Jia Cun, south of Fencheng, during which he passed this skill on to Qi Junmei. 1926 Performance in Danzishan Village, Yicheng. Because of his serious illness, the monitor forced him to take the stage at a high price, but he didn't show up after putting on makeup and died backstage at the age of 38. Qi Junmei (1897— 1967), a young worker, was born in Laiwu, Shandong, and later settled in Yicheng. He is the third generation descendant of Gong. Handsome, both civil and military, with small range of performance, quick and agile, and endless strength; His singing voice is clear and there is no noise. He can play a lot. According to Feng Yiting and Xiao Yan, Lu Bu was arranged in a compromise. He wore an embroidered robe and a feathered helmet. He swung from side to side, with a feather upright. Feathers sometimes spread their wings with a single phoenix, and sometimes with two winds and Qi Fei. He has a great figure. The vivid description of Lu Bu depicts Lu Bu's heroic, arrogant and lewd character. Especially Lu Bu, pretending to sleep at the table. When Deusim's story came forward, his feathers naturally stood up from the back of his head, and the audience at this time all cheered and marveled. "Shan Zhi Xi Volume of Chinese Opera" contains: "Qi Junmei's ability to shoot scorpions in Xiao Yan is unique". After being handsome, he passed on his stunt to his eldest son Jian Jiansheng. During the period of 1959, Jinnanpu Theater held a stunt training course of "Zi Ling Palace" in Yicheng Opera Troupe. Attending the training course were Liu Shengzhi, former head of the Second Puju Opera Troupe in Linfen, his eldest sons Jian Jiansheng and Lin Yongmin, Xue Dongyuan, head of Pugang Opera Troupe and Ruicheng Puju Opera Troupe in Wanrong County, and Cui, head of Xiaxian Puju Opera Troupe. Jian Jiansheng (194 1—200 1). Workers, civil servants, young students, the fourth generation Gong. Under his father's example, he gained the true meaning. Through long-term hard study and study, he has removed weeds from his art, preserved seeds, and constantly innovated and developed, forming a unique and successful art. He skillfully used a pair of feathers in The Little Banquet and made various beautiful movements such as single vertical, double vertical, vertical change, rotation, hook bending, big tail swinging and small tail swinging. In this way, the anger, anxiety, sadness, trouble, joy and other emotions of the people in the play can be expressed. Wang Yun invited Lu Bu to drink and asked her daughter to accompany her with the story of losing Sim. Lu bu waited for a long time, but he didn't see the story of diusim. He was very anxious. The feathers on his head show various wonderful programs such as "Fine willow branches", "Swallows spread their wings", "Carp wagging its tail", "Agkistrodon dance", "Flying clouds flowers" and "Phoenix circling branches". Suddenly, Diusim's story coughed behind the screen and followed Lu Bu to look up and visit. At this point, the story of diusim came out, and Lu Bu was ecstatic to see the peerless fairy. The feathers on his head changed from double vertical to vertical, left side down, right side up, right side down, left side up. In particular, Lu Bu's love for the story of Diusim is subtly revealed through the feather pendulum. Later, the story of Diusim secretly picked Lu Bu, and Lu Bu accurately threw a feather into Diusim's mouth. He smoked a feather at random, which happened to be touched by the story of Diusim's lips. What's more strange is that this also belongs to Jian Jiansheng's original trick. In the fast swing, Zuo Ling suddenly stood up, and then, after the fast swing, Right Feather suddenly stood up. Then, with a wave of his hand, Shuangyu instantly stood up. 1995 10 in Beijing, the students took part in the first national peony award for middle-aged and elderly people with a little banquet, and the audience applauded warmly for more than ten times in just ten minutes. As Ye Shaolan, a famous Peking Opera performer, praised, "Pu Opera has a long history, and the seven schools of Zi Ling are a must". Jian Jiansheng was never conservative, "I would rather put out the candle than the flowers in the pear garden", and passed on his badminton skills to the fifth generation without reservation. His direct disciples are Cui Yongrong, Qi, Wang Meng and Xin Huihe, and his direct students are He Lei. Jian Peijun, born in 1983, held a training course on "Zi Ling Gong" in Yuncheng. Participants in the training course include Hebei Bangzi (now an actor of Beijing-Hebei Bangzi Troupe) Lang, Jiangxi Ganju Anhua and Puxianpu Troupe Liu Haijian. Later, he also taught Zi Ling Palace to Cheng Fengying, Hokuriku Bangzi and Shaanxi. Qi also trained Guo Ancun (Yuncheng Taizipu Troupe), Wang Pengze (Shibupu Troupe), (Shibupu Troupe), (Yuncheng Taizipu Troupe), (female, Yuncheng Taizipu Troupe), (Xiaomeihuapu Troupe), (female, municipal art school) and so on. Shu Quanguan (also known as Shu, whose birth and death are unknown, is a young worker), a native of Hongtong County, a second-generation descendant of Huang Tonggong, is Shu Minggui's uncle. Zi Ling of Shu Quanguan was straight at first, throwing backwards or vertically, and performing at will. Shu Minggui (1905— 1970), a native of Hongdong County, was born as a coolie, and Tong Junmei was the third generation descendant of Gong. /kloc-When he was 0/2 years old, he studied drama with his uncle Shu Quan. Take more troupes in your life. After the founding of New China. He performed in Linfen People's Pu Opera Troupe, with solid foundation, comprehensive skills, generous modeling and delicate performance. He is famous for playing badminton acrobatics, especially playing Qin Jin in Little Banquet. His unique skills include the story of the phoenix nodding, the wind sweeping away the snow, the feather sticking into a small handleless wine cup and sweeping away Sim's lips. His hair is also unique, and he is especially good at expressing his feelings and expressing the inner activities of the characters in the play. After the founding of New China, he studied hard, improved his art and took part in the work of directing. He is a well-known old artist of Linfen People's Pu Opera Troupe. Xu Anren, 1935, born in Hongtong County, is a coolie. Tong Jiansheng is the fourth generation descendant of Gong. 1948 works in Linfen People's Theatre. 1957, Bai Shuming studied badminton as a teacher, 1959 performed a small banquet, 1960 participated in a regional performance of a small banquet, and then transferred to Linfen Youth Pu Opera Troupe. In 65438+ 1970, due to the separation of Linfen and Yuncheng, he was assigned to Pu Opera in Yuncheng. 1973 transferred from the troupe and worked in Linfen transformer factory, regional printing house and regional industrial and commercial bureau successively. He retired on 1982.