How many works does Lu Xun have?

The history of mankind (the first paper published in Japan during 1907)

Collection of foreign novels (1909, translated with Zhou Zuoren)

Ancient Novels Hooked with Sink (theoretical monograph, 19 19, a collection of novels before the Tang Dynasty)

A Brief History of Chinese Novels, 1923, 1924, published by Beijing Xinchao Society.

Nostalgia (19 1 1, the earliest work, a classical Chinese novel set in the Revolution of 1911)

(1) Three collections of novels: two realistic works, Scream and Wandering, and one historical work, A New Story.

1. The Scream was published in 1923, *** 14:

19 18 The Diary of a Madman written in New Youth is the first vernacular novel written in modern style in the history of modern literature. One of the three novels written before the May 4th Movement.

Kong Yiji 19 19, Kong Yiji, Seeing/Being Seen, one of the three novels written before the May 4th Movement.

Medicine 19 19, Seeing/Being Seen, one of the three novels written before the May 4th Movement.

"Tomorrow" single fourth sister-in-law, "See/Be seen"

A little thing 19 19, "I" and the coachman

The Story of Hair "Seeing/Being Seen"

Storm 1920, 7 kg

Hometown soil improvement 192 1

The true story of Ah Q 192 1, 12, serialized in The Morning Post Supplement, Ah Q's Seeing/Being Seen.

Dragon Boat Festival

Chen Shicheng, an intellectual image in white light.

Rabbits and cats

Duck's comedy

Social drama 1922.

B. Wandering was published in 1926, with * * *1/articles.

Blessing 1924, Sister Xianglin, Seeing/Being Seen.

Go to the restaurant (Lv Fuwei) 1924,

happy family

Four inscriptions on soap

The ever-burning lamp "sees/is seen"

Show "see/be seen" to the public

High and high.

Lonely man (Wei) 1925,

Memories of Time Past 1925, Juan Sheng and MICHELLE, Lu Xun's only novel with the theme of youth love life.

brothers

Divorce 1925 Being in Sri Lanka and Caring for Gu is also Lu Xun's last novel with real life as its theme.

C "New Stories" 1936, ***8 articles published by Shanghai Cultural Life Publishing House:

foreword

The original name of "mending the sky" is "not Zhoushan".

Moon Shots

Managing water resources "see/be seen"

Picking Wei 1935, 12, Seeing/Being Seen

Casting sword 1927, formerly known as eyebrow ruler, "see/be seen"

Through customs

Nonaggressive

From death 1935, 12,

The characters in Homesickness are called Yan Zhiao, and Yan Zhiao is the pseudonym of Lu Xun.

(2) Prose collection consists of three parts: Weeds, Morning Flowers and Two Books.

1. Weeds: a collection of lyric prose poems, ***23. Another group of prose poems, Monologues (19 19, * * 7 articles), was published in 19 19, and started a "monologue" prose.

Kite 1925

Farewell to shadows

tourist

Such a warrior

She took revenge.

beggar

posthumous

snow

Autumn night

Laye

The trembling of decay line

Yijue

Good story

B flowers in the morning: a collection of narrative memories, *** 10, published in 1928. 1926 When Mangyuan Weekly was first published, it started the tradition of "gossip" prose with the title of "Coming Back to Life".

Baicaoyuan Road San Tan Yin Yue 1926.9

Mr. Fujino 1926.38+00

Achanghe "

Fan Ainong.

changeable

Twenty-four filial piety pictures

Wuzanghui

Dogs, cats and mice

C, the collection of letters 1933 published by Shanghai Guangqing Bookstore, corresponding to Mr. Xu Guangping.

(3) 16 composition.

Hot air 1925, Beijing Beixin Bookstore, with random thoughts.

Ji 1926, Beijing Beixin Bookstore.

Tomb 1927, published by Unknown Society, including:

On Cultural Deviation (1908, Henan Monthly, special theoretical issue)

On Moro's poetic power (1908, Henan Monthly, theoretical special issue)

My intense views on festivals (19 18, New Youth).

How to be a father now (19 19, new youth).

Eight trigrams in late spring (1925, Mangyuan).

Essays under the Light (1925, Mangyuan)

About opening eyes (1925, Yu Si).

On "Feuerbach should go slow" (1926, Mangyuan).

"sequel" 1927, Beijing beixin bookstore, including:

A little metaphor (1926, Mangyuan)

"In memory of Liu Hezhen Jun" (1926, "Yusi")

"Gang Ding" 1928, Shanghai Beixin Bookstore, including:

The relationship between Wei and Jin demeanor and articles, medicine and wine (1927)

On the face of China people (1927, Mangyuan).

Saint Ji Xian 1932, Shanghai Beixin Bookstore.

Collection of Two Hearts 1932, Shanghai Guangqing Bookstore, including:

"Hard Translation" and "Class Nature of Literature" (1930, budding)

Views on the League of Left-wing Writers (1930, budding).

"Desperate lackeys of capitalists" (1930, Germination).

On "Frightened Friends" (193 1, crossroads)

The pseudo-free book 1933 published by Beixin Bookstore under the pseudonym Guangqing Bookstore includes:

Modern History (1933, Talking about Freedom of Declaration)

Articles and topics (1933, declaration and free talk)

"The Art of Two Domains" (1933, "Declaration and Free Talk")

South-to-North Transfer 1934, published by Shanghai Wentong Bookstore and former Lianhua Bookstore, includes:

Forgotten memory (1933, modern).

Quasi-romantic talk 1934,

Waiji 1935, Shanghai People's Book Company.

Lace Literature 1936, Shanghai Lianhua Bookstore.

Chejieting's essay 1937, in which:

Miscellaneous talk after illness (1935, literature).

Talking about the alley business in ancient and modern times (1935, comic life).

Akin (1936, Haiyan)

Essays on Street Pavilion II 1937

Essays on Qiemoting 1937, in which:

Death (1936, midstream)

Collection of Pinellia ternata (1936, author).

Female hanging (1936, writer).

Episode extract

Unfinished manuscript: "Two or three things that Mr. Taiyan remembers"

References:

/question/776020.html

Interviewee: five clouds and six dusts-top1412-1012: 59

Catalogue of Lu Xun's collected works

Flowers in the morning and evening, new stories and hesitation

Screaming, weeds ...

Essays

Gang Ji, Er Xin Ji and Tomb

Lace literature, episode, episode sequel

Gai Hua Collection, Episode Collection and Episode Collection Supplement.

Addendum to "Essays on Jiji Nanji Beiji Jiejieting"

Wait a minute pavilion essay 2, wait a minute pavilion essay attached, wait a minute pavilion essay final edition.

Hot air, three idle books and pseudo-free books

Quasi-romantic conversation

Other works

Prefaces and Postscripts of Ancient Books, Outline of China Literature History, Literary Prefaces and Postscripts.

A Brief History of Chinese Novels is about Lu Xun's recent visit to Lu Xun Museum.

Li Zehou's talk on the present situation of Lu Xun's research, Lu Xun and movies

The poems of Lu Xun and Zhu An Lu Xun have the same effect.

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Related articles:

Lu Xun was "scolded"

Interviewee: Anonymous12-1013: 00.

Lu Xun wrote more than 8 million words of translation in his life. His works such as Scream, Wandering, Weeds, Morning Flowers, Evening Picking, etc. were reprinted in one edition and translated into English, Russian, German, French, Japanese, Esperanto and other languages, which are world-renowned. The complete works of Lu Xun are the precious spiritual wealth he left to the people of China and the people all over the world.

Lu Xun's works

Shout (collection of short stories) 1923, trendy society.

A Brief History of Chinese Novels (Volume I) 1923- 1924, Xinchao Society.

Hot air (essay) 1925, Beixin

Wandering (short story collection) 1926, Beixin

Gai Hua Ji (Essay) 1926, Beixin

Gai Hua's Chronicle (Essay) 1927, Beixin.

Grave (paper, essay) 1927, unnamed society.

Weeds (Selected Prose Poems) t927. Beixin

Flowers in the morning and flowers in the evening (essays) 1928, unknown society.

Gangji (Essay) 1928, Beixin

San Xian Ji (Essay) 1932, Beixin

Two Hearts (Prose Collection) 1932, He Zhong Bookstore.

Selected Works of Lu Xun 1933, Tianma

Book of Two Places (Collection of Letters) co-authored with Matsui, 1933, Guangqing Bookstore.

Pseudo-Free Books (Essay) 1933, Guangqing Bookstore.

Selected Works of Lu Xun's Miscellaneous Feelings, edited by Qu Qiubai, 1933, Guangqing Publishing House.

Southern accent and northern assembly (anthology) 1934, wentong publishing house.

1934, the collection of He Zhong Bookstore.

Zhuntan (essay) 1934, Bookstore.

Outside the collection, edited by Yang Jiyun, revised by Lu Xun, 1935, People's Book Company.

About Foreign Languages (Thesis) 1935, Tianma

New stories (novel collection) 1936, Vincent.

Lace Literature (Essay) 1936, Lotus Bookstore.

Chejiege Essay (Essay) 1936, Sanxian Bookstore.

Night Notes (essays, later edited as the end of Qi Jieting's Essays) 1937, Vincent.

Two Essays on the Pavilion of Anta (Essays) 1937, Sanxian Bookstore.

At the end, the essay (essay) 1937, Sanxian Bookstore.

Lu Xun's Letters (photocopy) edited by Xu Guangping, 1937, Sanxian Bookstore.

Complete Works of Lu Xun (1-20 volumes, including works, translations and ancient books) 1938, Complete Works of Lu Xun Publishing House.

Extracorpora (comprehensive collection) 1938, Lu Xun Complete Works Publishing House.

Outline of China Literature History (Literature History) 194 1, Complete Works of Lu Xun Publishing House.

Supplement to Complete Works of Lu Xun, edited by Tang Tao, 1946, Shanghai Publishing Company.

Lu Xun's Letters, edited by Xu Guangping, 1946, Complete Works of Lu Xun Publishing House.

Lu Xun's Diary (photocopy) 195 1, Shanghai Publishing Company; Print, 1959, Humanities

Selected Works of Lu Xun 1952, Enlightened.

Lu Xun's Novels 1952, Humanities

Supplement to Complete Works of Lu Xun, edited by Tang Tao, 1952, Shanghai Publishing Company.

Wu Yuankan's Supplement to Lu Xun's Letters, 1952, Shanghai Publishing Company.

Complete Works of Lu Xun (Volume1-LO)1956-1958, Humanities

Selected works of Lu Xun. (Volume 1-2) 1956- 1958, Zhongqing

Historical changes of China's novels (literary history) 1958, Sanlian.

Selected Works of Lu Xun (Volume I) 1959, Humanities

Letters from Lu Xun (to Japanese friend Masuda) 1972, People's Daily.

Poems of Lu Xun 1976, cultural relics; 198 1, Shanghai People's Fine Arts Publishing House

Lu Xun's Letters Collection (one volume and two volumes 138 1 Letters in Two Places) 1976, Humanities.

Lu Xun's lost article 1976, Liberation Army Daily.

Lu Xun's Letters (to Cao Jinghua) 1976, Shanghainese.

Manuscripts of complete works of Lu Xun (8 letters and 6 diaries) 1978- 1980, cultural relics.

Lu Xun's letter to Xu Guangping 1980, from Hebei.

Complete Works of Lu Xun (Volume1-16)1981,Humanities

The Complete Works of Lu Xun Volume I (Hot air shouting at the grave)

The Complete Works of Lu Xun Volume II (New Story of Wandering Weeds Picking Flowers Late)

The Complete Works of Lu Xun Volume 3 (Gai Hua Ji Gai Hua Ji is a sequel)

The Complete Works of Lu Xun Volume 4 (Three Idles and Two Hearts Set North and South)

The Complete Works of Lu Xun Volume 5 (Pseudo-Free Books and Quasi-Romantic Talks on Lace Literature)

The Complete Works of Lu Xun, Volume VI (Also on Introduction to Pavilion Essays, Pavilion Essays II and Pavilion Essays Final Draft)

The Complete Works of Lu Xun Volume 7 (Excerpts from various episodes)

The Complete Works of Lu Xun Volume 8 (Supplement)

References:

Dubai guest

Respondent: aim 10000- Juren Level 412-10/4:10.

Complete Works of Lu Xun (Volume *** 18)

Directory:

The first volume Grave robbing hot air crying

The second volume is a new story about wandering weeds picking flowers in the evening.

The third volume Gai Hua Ji Gai Hua Ji continued only set.

The fourth volume Three Idle Sets Two Hearts Set South Room North Room

The fifth volume Pseudo-Free Books Quasi-Romantic Talk about Lace Literature

The sixth volume introduces pavilion prose and two sets of pavilion prose, and the last part is pavilion prose.

Volume 7, episode by episode, episode by episode

Collection and Supplement of Volume VIII

The ninth volume "A Brief History of China's Novels" and "Outline of China's Literary History"

Volume X Prefaces and Postscripts of Ancient Books Translation Prefaces and Postscripts

Volume 11 Letters between Two Places (1904- 1926)

Letters in Volume 12 (1927- 1933)

Letters in Volume 13 (1934- 1935)

Volume 14 letters (1936 for foreigners)

Volume 15 Diary (19 12- 1926)

Volume 16 Diary (1927- 1936)

Diary of Volume 17 (Reading Notes of People's Books and Periodicals)

Volume 18 Attached Set

Lu Xun's chronology of translation

Complete index

Annotated index of complete works

Complete Works of Lu Xun (Volume *** 18)

Author: Lu Xun

Publishing House: People's Literature Publishing House

ISBN:7020050336

Release date: 2005- 1 1- 1

Pricing: 990 yuan

Personally, I recommend reading Selected Works of Lu Xun, which is of high quality and low price.

Three major changes in the new edition of The Complete Works of Lu Xun attract more attention:

Compared with 198 1 version, the revision of the Complete Works of Lu Xun focuses on three aspects: adding lost letters; Textual collation of the original work; Addition and modification of comments.

Among them, 24 newly discovered Lu Xun's lost articles, 8 newly discovered Lu Xun's lost articles 18, and 68 original books of Lu Xun's "Two Places Books" and "Collection of Questions and Answers in Zengtian" which were not included in the 198 1 edition have expanded the overall scale of the collection. At the same time, the new edition of The Complete Works of Lu Xun has deleted and adjusted four articles, making the collection of the whole complete works more comprehensive and rigorous.

In the collation of the original text, this revision is mainly based on the version reviewed by Mr. Lu Xun, referring to manuscripts, first editions, first editions, etc., the original text has been carefully checked and screened, and the mistakes and omissions of the 198 1 version have been corrected. Lu Xun's unpublished works arranged by handwriting during his lifetime are all checked according to manuscripts. This revision corrected more than 1 0,000 marks including punctuation.

This revision also made a comprehensive and detailed check on the annotations of the Complete Works of Lu Xun 198 1 version, corrected the mistakes and shortcomings, and strived to be objective. More than 0/000 notes were added in the new edition, and more than 0/000 notes were revised in the original edition.

The revised 2005 edition of The Complete Works of Lu Xun *** 18 volumes, including works 10 volumes, letters (4 volumes), diaries (3 volumes) and indexes 1 volumes, with a total word count of about 7 million words.

Lu Xun [188 1 September 25th ~19361October 19], China writer, thinker and revolutionary. Yucai was originally named Zhou Shuren and was born in Shaoxing, Zhejiang. Born in a dilapidated feudal family. Youth was influenced by the theory of evolution, Nietzsche's superman philosophy and Tolstoy's thought of fraternity. 1902 went to Japan to study, originally studied medicine at Sendai Medical College, and then worked in literature and art in an attempt to change the national spirit. 1905- 1907 participated in revolutionary activities and published papers such as Moro Poetry and Cultural Prejudice. During this period, I was ordered by my mother and wife Juan to return to China to get married. 1909 Co-translated the Collection of Foreign Novels with his brother Zhou Zuoren to introduce foreign literature. He returned to China in the same year and taught in Hangzhou and Shaoxing. After the Revolution of 1911, he served as a member of the Nanjing Provisional Government and the Ministry of Education of Beijing Government, and taught in Peking University and Women's Normal University. 19 18 in may, the diary of a madman, the first vernacular novel in the history of modern literature in China, was published for the first time under the pseudonym of Lu Xun, which laid the foundation stone of the new literature movement. He participated in the work of New Youth magazine around the May 4th Movement and became the leader of the May 4th New Culture Movement. From 19 18 to 1926, he successively created and published novels, vagrancy, essays, graves, essays, poems, weeds, essays, hot air, canopy and the continuation of canopy. Among them, the novella The True Story of Ah Q published in19212 is an immortal masterpiece in the history of modern literature in China. 1in August, 926, he was wanted by the Beiyang warlord government for supporting the patriotic movement of Beijing students, and served as the head of the Chinese Department of Xiamen University. 1927 1 month, went to Guangzhou, the revolutionary center at that time, and served as the academic director of Sun Yat-sen University. 1927 10 arrived in Shanghai and began to live with his student Xu Guangping. 1929, son Zhou Haiying was born. 1930, successively participated in China Freedom Movement League, China Left-wing Writers League and China Civil Rights Protection League, resisting the dictatorship and political persecution of the Kuomintang government. From 1927 to 1936, he created most of the works and a large number of essays in the Collection of Historical Novels, which were included in Ji You, Sanxian, Erxin, Mobilizing from the South to the North, Pseudo-Free Book, Quasi-Romantic Talk and Lace. Lu Xun's life has made great contributions to China's cultural undertakings: he led and supported literary groups such as "The Unknown Society" and "Chaohua Society"; Editor-in-chief of literary periodicals such as National New Newspaper Supplement [B], Mangyuan, Yusi, Running, Germination and Translation; Enthusiastic care and active cultivation of young authors; Vigorously translate foreign progressive literary works and introduce famous paintings and woodcuts at home and abroad; Collect, study and sort out a large number of classical documents, compile A Brief History of Chinese Fiction, Outline of China Literature History, sort out Ji, compile Miscellaneous Notes on Old Books in Huiji County, Gougu Novels, Legends of Tang and Song Dynasties, Notes on Old Novels and so on. 19361June19 died of tuberculosis in Shanghai. Tens of thousands of Shanghai citizens spontaneously held public sacrifices and funerals and were buried in Hongqiao International Cemetery. 1956, Lu Xun's body was buried in Hongkou Park, and Mao Zedong wrote an inscription for the reconstructed Lu Xun's tomb. Complete Works of Lu Xun (20 volumes) 1938 published. After the founding of New China, the translated works of Lu Xun have been compiled into Complete Works of Lu Xun (ten volumes), Translated Works of Lu Xun (ten volumes), Diary of Lu Xun (two volumes) and Letters from Lu Xun, and various ancient books edited by Lu Xun have also been reprinted. 198 1 year, The Complete Works of Lu Xun (16) was published. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai, Shaoxing, Guangzhou and Xiamen. Dozens of novels, essays, poems and essays by Lu Xun were selected into Chinese textbooks for primary and secondary schools. The novels Blessing, The True Story of Ah Q and Medicine were adapted into movies.

Respondents: Yi Taoyuan-Senior Manager Level 612-10 20:13.

Brief Analysis of Diary of a Madman

First, the creative intention

"It is intended to expose the drawbacks of the family system and ethics."

From the beginning, the novel arouses the inner fear of "persecutors" by watching, staring and talking about crazy people, which are common in daily life, and gradually leads to the theme. The madman saw Zhao Guiweng's strange eyes, the children's livid faces, people whispering along the way, the open mouth, and the words of women in the street saying "bite you a few times", which was associated with the story of people eating people when the tenants in the prodigal village announced famine. From the eldest brother's usual remarks, he began to doubt the current arrangement. He understood the doctor's pulse as "grasping fat and fattening thin" and "eating quickly" as "eating him quickly", and then came to the conclusion that this society is a cannibal society, and the history of this society has been a cannibal history for a long time. The diary reads like this: "I look at history, which has no age, and every page is crooked with the words' benevolence, righteousness and morality'." I couldn't sleep. I read it carefully in the middle of the night before I saw the words through the gap. The book is full of the words' cannibalism'. " He thinks that cannibals will not be tolerated in the future society, and cries out loudly "Save the children".

This is the first novel in modern literature. This work with the same name as Nikolai Nikolai Gogol's short story was published one year before the May 4th Movement, describing the mental state and psychological activities of a persecutor. Lu Xun used the medical knowledge he learned in his early years to combine the specific description of social life with the unique inner feelings of a madman, and artistically penetrated all the details of the novel. Everything a madman says is crazy, but what a madman says contains many profound truths.

B, the image of a madman

Crazy and not crazy is really crazy or fake crazy.

The Ideological Nature of Diary of a Madman

Through the feelings of persecutors and the predictions written when he was insane, Lu Xun deliberately revealed the nature of cannibalism in the spiritual field from some specific facts, thus making a thrilling summary of the historical phenomenon of feudal society. Borrowing reality leads to deficiency, and proving it with deficiency. After the publication of Diary of a Madman, many readers were refreshed by its profound indignation and sharp criticism. This novel is the first clarion call for marching into feudal society, which reflects the historical characteristics of China Revolution entering a new stage with unprecedented thoroughness.

This is the first novel in modern literature. This work with the same name as Nikolai Nikolai Gogol's short story was published one year before the May 4th Movement, describing the mental state and psychological activities of a persecutor. Lu Xun used the medical knowledge he learned in his early years to combine the specific description of social life with the unique inner feelings of a madman, and artistically penetrated all the details of the novel. Everything a madman says is crazy, but what a madman says contains many profound truths.

At the beginning of the novel, the common people in daily life watch, stare and talk about the madman to arouse the inner fear of the persecutor, and gradually lead to the theme of "to expose the disadvantages of the family system and ethics". The madman sees Zhao Guiweng's strange eyes, the children's livid faces, people whispering along the way, open their mouths, and the words of "biting you a few times" spoken by women in the street, and associates it with the story that people eat people when the tenants in the prodigal village declare famine. From the eldest brother's usual remarks, he began to doubt the current arrangement. He understood the doctor's pulse as "grasping fat and fattening thin" and "eating quickly" as "eating him quickly", and then came to the conclusion that this society is a cannibal society, and the history of this society has been a cannibal history for a long time. The diary reads like this: "I look at history, which has no age, and every page is crooked with the words' benevolence, righteousness and morality'." I couldn't sleep. I read it carefully in the middle of the night before I saw the words through the gap. The book is full of the words' cannibalism'. " He thinks that cannibals will not be tolerated in the future society, and cries out loudly "Save the children".

Choosing a madman as the protagonist in the novel is a very careful arrangement. In a society where the dark forces Chen Xiangyin are pressing on people, everything is taken for granted. Lu Xun intends to further reveal the more common nature of "cannibalism" in the spiritual field by predicting the feelings and insanity of the persecutors, thus making a thrilling summary of the historical phenomenon of feudal society. Borrowing reality leads to deficiency, and proving it with deficiency. The artistic conception of this novel is very clever. After the publication of Diary of a Madman, its profound indignation and sharp criticism made many readers feel refreshed. At that time, Wu Yu also wrote a paper "Eating Man and Ethics" on this basis, which shows the depth and breadth of its influence. This novel is the first clarion call for marching into feudal society, which reflects the historical characteristics of China Revolution entering a new stage with unprecedented thoroughness.

After Diary of a Madman, Lu Xun wrote Kong Yiji and Medicine.

"Kong Yiji" Kong Yiji is a old boys who has never been to school and is down and out. On the one hand, the feudal society cultivated his self-esteem character with the idea of "all people are inferior, and reading is high", on the other hand, it gave him the most cruel treatment, which made this character constantly trampled and trampled by real life. Taking Xianheng Hotel as the background, the novel shows a picture full of local colors as a microcosm of society: a large square counter in the street, a gentleman in a gown strolls into the house next to the store, orders wine and vegetables, and slowly sits and drinks. Outside the counter, workers in short clothes stood drinking. Only Kong Yiji stood drinking, wearing a gown. He has lost the qualification to walk into the house, but he still hasn't forgotten his "scholar" status and won't take off that dirty and torn gown; Even a thief, he is still arguing that "stealing books is not stealing." These typical details clearly reveal Kong Yiji's tragic character. The work criticizes the feudal system through the actions of the character, and at the same time implicitly lashes the character.

There are some kindnesses in Kong Yiji's character: he is not willing to pay for alcohol, he is eager to teach people to read, and he gives his children fennel beans. From these sympathetic descriptions, the harm of the imperial examination system to his spirit is further reflected. The decline of Kong Yiji is inevitable. He lives just to make fun of others, and it doesn't matter if he dies. "That's what everyone else does." The novel is less than 3,000 words, which succinctly shapes a typical image and gives people a very real impression.

Medicine tells the story of a teahouse owner, Hua Laoshuan, who bought human blood steamed bread to treat his son, Xiao Shuan. The feudal ruling class paralyzed the people for a long time and plunged them into ignorance. Lu Xun has mentioned in the Diary of a Madman: "Last year, a prisoner was killed in the city, and a man with consumption dipped his steamed bread in blood." This time, it was "germinal" and written into a novel. Xiao Shuan didn't cure consumption by eating "steamed bread with human blood", and finally became a victim of feudal superstition. The novel describes the murdered prisoner as a revolutionary. Yu Xia, a revolutionary who didn't appear formally, gave his life for the people with the desire to liberate them. But the masses not only don't understand him, but also don't know that he suffered and sacrificed for everyone. Instead, he was fooled by superstition and stained with the blood of revolutionaries. Xiao Shuan's fate is a tragedy, and Yu Xia's experience is an even greater tragedy. Lu Xun not only grieved that the masses were poisoned by feudal thoughts, but also devoted himself to the bourgeois revolution divorced from the masses, which made the structure of the novel contain double tragedies. Based on personal experience and feelings, the writer wrote a truth: if revolutionary ideas do not grasp the masses, then the blood of pioneers can only be used as the material of "human blood steamed bread", and even has no effect on curing consumption. Medicine gives a heavy feeling. This heavy feeling has not overwhelmed people, and people can still get in touch with the ideals expressed in the works from the cruel reality. Finally, the wreath on the revolutionary grave "shows some bright colors", revealing the hope and strength of the revolution representing the characteristics of the times.

Rural life and peasant image occupy a prominent position in Lu Xun's novels. The True Story of Ah Q has made extraordinary achievements in shaping a typical peasant during the Revolution of 1911.

The Revolution of 1911 did not bring real changes to the countryside, which was indirectly reflected in this storm.

The novel "The Storm" shows a moving picture of a country night from the beginning, echoing the storm of the times in the quiet scenery. Seven pounds of punting, I cut my braid in the city. When the rumor that the emperor was going to be restored came, Qijin's family immediately became nervous, and the existence of braids became the focus of the problem. Zhao, grandma and other characters have their own characteristics and expressions. The end of the novel depicts the calm after the storm, suggesting that although the restoration was unsuccessful, life still did not deviate from the original track, which not only satirizes the incompleteness of the revolution, but also shows that the awakening of farmers needs further education.

Hometown depicts the bankruptcy of rural areas in modern China. In a lyrical style, the novel tries its best to render the beauty of childhood. It compares the little hero's leap soil with a steel fork in his hand in the watermelon field by the sea with the leap soil that has been crushed by life in front of him, and writes the profound disaster of China farmers under the pressure of "many children, famine, exorbitant taxes, soldiers, bandits, officials and gentry". In the past, the image of moistening soil was quite common in rural areas. He is simple and hardworking, as silent and heavy as the earth, and has experienced hardships and pains. Too much hardship and pain numbed Runtu. The destruction of the spirit has surpassed the threat of life here, and a hierarchical concept with strict barriers has been injected into the mind that flies across the earth. He acquiesced in the insurmountable boundary between himself and his childhood friends and bowed to the "God" who dominated his own destiny. These 20 years have changed so much. The imagination of the first person "I" was shattered in the face of reality, and the "miracle picture" that was clearly left in the memory suddenly became blurred. The work also uses Yang Er's ordinary citizen habits to contrast Runtu's honest character and twists and turns in writing, which makes the simple plot show ups and downs. "