/kloc-in the autumn of 0/928, with the help of the underground party organization in China at that time and A Ying and others, she fled from Nanjing to Shanghai. At first, she taught in a primary school in Pudong. In the same year 10, Wang Ying joined the "Shanghai Art Drama Club" led by A Ying, Xia Yan and others, which was the first drama club established in Shanghai by the producers of China. Wang Ying was initially dragged by them to play a supporting role in Fudan Drama Club, but because she has a certain foundation and hobbies, she is also courageous. So in this case, she gradually became a supporting role and protagonist, and finally embarked on this road. /kloc-joined the * * * Youth League in 0/930, joined the China * * * Production Party in the same year, actively engaged in revolutionary activities, and was arrested four times. /kloc-in 0/930, he participated in the performance of Tan Keng Fu by Shanghai Art Drama Club, and later joined Fudan Drama Club to perform Miss Fan and Drunk. 1932 participated in the left-wing drama movement and performed on the same stage with famous actors such as Yuan. In the same year, he joined the Star Film Company and starred in Woman's Scream (1932), Red Tears on Iron Plate (1933) and Qiu Tong (1934). These three films were the classics of Shanghai Star Film Company at that time. Dissatisfied with the decadent phenomenon in the film industry, he went to Japan to study after 1934 published the article "out of the dark Film Circle". After returning to China, Dentsu 1935 successfully played Chen, a new woman who ran out of the feudal family, in God of Freedom. In his memoirs, Zhao Dan, a film artist, described watching Wang Ying's performance-"When I went to see her performance, the whole scene was quiet after the performance. Soon after, the applause was like a storm. I am deeply impressed. " 1936 starred in Xia Yan's national defense drama "Golden Flower in the City", which became a miracle of China's drama in 1930s. After the outbreak of War of Resistance against Japanese Aggression, he participated in the organization of the second national salvation drama team and toured 15 provincial anti-Japanese war dramas. 1939 served as deputy head and main actor of New China Drama Club. 1939, according to Zhou Enlai's instructions, Wang Ying and Jinshan led literary and art workers to Hong Kong, Singapore, Malaysia and other places to raise money for performances, and publicized the anti-Japanese and national salvation, which was well received by local overseas Chinese. With the help of Chen Jiageng, he bought medicine to support War of Resistance against Japanese Aggression. In Singapore, Xu Beihong wrote an inscription for Wang Ying's Put Down Your Whip: "Wang Ying, the heroine of China", which was collected by Chen Jiageng and is now in the Taipei Museum. 1940, Wang Ying and others were expelled from Singapore and Malaysia under Japanese pressure. 194 1 joined the Hong Kong Dramatists Association. In order to cooperate with the propaganda of anti-fascist struggle all over the world, Wang Ying participated in the performance of Professor Mamlock (also known as Hitler's Masterpiece), and got the help of Soong Ching Ling, the leader of's "Grand Alliance for the Defence of China" and foreign friends. Soon, the Governor surrendered to the Japanese army and left Hongkong, while Wang Ying, Xia Yan, Jinshan, Cai Chusheng and Huimin moved to Chongqing. 1942, Wang Ying left Chungking for the United States, and Zhou Enlai met with her alone, telling her to constantly seek art and publicize War of Resistance against Japanese Aggression in China to the American people. In July of the same year, Wang Ying and her husband Xie Hegeng went to the United States to study in the name of "sending overseas students" by the Kuomintang government. Wang Yingxian studied literature at Yale University and then went to Duncan Dance School. She often associates with American writer Nobel Prize in Literature winner Pearl Buck, famous American dramatist Brecht and American writer Smedley, and helps Smedley draft the biography of General Zhu De. Wang Ying served as the director of the East-West Cultural Association, an American non-governmental organization, and the director of China Drama Department, and organized China literary and art workers in the United States to perform anti-Japanese war dramas all over the United States to introduce China's anti-Japanese war. 1943, at the invitation of the American government, Wang Ying performed the drama Yuan Pei and the street drama Put Down Your Whip in the White House in pure and fluent English. Paralyzed US President Roosevelt came to watch with his wife and children in a wheelbarrow. Vice President Wallace, senior White House officials and diplomatic envoys from various countries in the United States also watched the performance. Ms. Pearl Buck announced that Wang Ying introduced the program in English, and then performed some folk songs, such as Going Behind the Enemy Line and March of the Volunteers. When Wang Ying performed the drama "Put Down Your Whip", the audience was deeply infected and burst into thunderous applause. After the performance, Wang Ying took a group photo with President Roosevelt. Years later, her performance was called "the first China actor in China to perform in the White House".
From 65438 to 0946, Wang Ying began to write the autobiographical novel Bao Gu. It took more than two years to write this novel with more than 300,000 words. In this novel, she described the local conditions and customs of her hometown Wuhu in detail with delicate and warm brushstrokes, and vividly told stories different from those of her grandmother, mother and other three generations of women. During this period, she also translated the novel into English. After the founding of People's Republic of China (PRC), in order to prevent Mr. and Mrs. Wang Ying from returning to China, the then US Immigration Bureau arrested and imprisoned them. After the solemn representations of the Chinese government and the care of the Prime Minister, they finally returned to Beijing from 6: 438 to 9: 55 on New Year's Eve and were cordially received by Vice Chairman Dong. Premier Zhou said: "You and your wife have gloriously fulfilled the mission entrusted to you by the Party and made important contributions to the revolutionary cause." 1956, she returned to China, transferred to Beijing Film Studio, and moved to Xiangshan in the western suburbs of Beijing to write novels. At the same time, she finished writing Two Americans, which was Wang Ying's last concern for the world. When the National Literary Congress was held in Xiangshan in the 1960s, Premier Zhou found that he was absent, so he invited him to attend the meeting and said in front of so many delegates, "You are in the United States,
Wang Ying is knowledgeable and versatile, and has enjoyed a high reputation in the literary world since the early 1930s. With her fresh and meaningful writing style, she wrote many essays, travel notes and film reviews, which were appreciated by her bosom friends and were praised as "literary stars". Xia Yan praised Wang Ying's "bookish, studious, thoughtful, delicate writing, euphemistic and affectionate narration". Wang Ying and Chen Boer are considered as female writers in the film industry.