Analysis of widower's real estate introduction appreciation

A Brief Analysis of the Foreign Literary Works of A Widower's House

British playwright Bernard Shaw's three-act play (1856-1950). Qu, a noble son, and Gao Kan, a middle-aged friend, met sartori Asi, a rich man, and his only daughter, Blanche. The two young people fell in love at first sight and then got engaged in private. When sartori found out, he readily agreed and instructed Qu to write to his family on the same day, seeking their consent. Gao Kan also tried his best to serve both sides in this marriage. A month later, when Qu and Gao Kan came to the villa in Saskatchewan with good news, Li Keqi, the rent collector in sartori, was reprimanded and fired for spending 20 shillings on the repair. When Confucius was away, Ricketts asked Qu to intercede for him. Trench realized that all the wealth of the Sa family was extracted from the poor tenants who rented their dilapidated houses. Shocked, Trench not only refused to intercede for the renter, but also asked his fiancee not to benefit from her father. Blanche refused this request, mistakenly thinking that the other party was using the excuse of playing and not fulfilling the engagement, thus making a big fuss. The angry old landlord pointed out the economic relationship between Qu and him: he mortgaged the rented property to Qu's aunt, and Qu's income came from the high interest on those mortgages. This made Trench realize that they were all the same. A few months later, Li Keqi, who turned into a nouveau riche, came to Zazhai and proposed to partner with Sartorius and Qu in the speculative business of slum real estate. Under the repeated threats and inducements of Saskatchewan's father and daughter, Tranche decided to join and marry Blanche. At the end of the play, both sides got money and money, and everyone was happy.

Qu, the hero in the play, is a simple and kind young man. At first, he was indignant at the criminal behavior of the old landlord. But in the face of the facts, he found himself equally hateful. Although he tried to live a clean life, the real life and the nature of the exploiting class finally decided that he could neither be a "kind rich man" nor give up his comfortable parasitic life. His combination with Blanche is a symbol of the combination of nobility and bourgeoisie. This mutual compromise and collusion between the old and new dignitaries is to help them oppress the people and seek huge profits, which is the need of their common interests. Sartori Asi is a visionary exploiter, and from the beginning, he longed for this kind of union through marriage. He exploited and squeezed the poor by all kinds of despicable and cunning means. Slightly different from some misers, although he is insatiable and extremely stingy with his tenants, he still does whatever it takes to live a luxurious life and squeeze into the upper class. He is hypocritical, arrogant and rude in front of the inferior, but he tries his best to flatter the nobility.

The play tore the skins of the "decent" bourgeoisie and aristocrats, exposed their nature of exploiting and squeezing civilians for nothing, attacked these vampires, and mocked aristocratic fans like Gao Kan and sartori Assi. The playwright also used a lot of puns and specious or specious language in this play, forming a pungent style, thus making the theme and its expression form reach a harmonious and unified state.