Do you feel that all TV dramas nowadays are the same?

When I was young, I used to watch TVB and Taiwanese dramas, and then the popular Japanese dramas. Later, I followed Korean dramas and American dramas. Now I find that even people from other countries come to watch mainland TV dramas. Since last year, Wuxin Master, Nirvana in Fire, Ghost Blowing the Lamp, Then the Snail, Three Lives, Three Lives, Ten Miles of Peach Blossoms, The Fox's Summer Season 1, plus the recent In the Name of the People, Surgical Affairs, each one is a blast to watch, I can't stop watching the drama every day, Sleep insufficient. . .

I used to turn on the TV as a background, and watch some of them if they had one, but now I don’t dare to turn it on, and I’m hooked as soon as I watch it. .

Back then, Southeast Asia was once the main battlefield for the export of Chinese dramas. The main export product is costume dramas, which were once very popular. Producers who film costume dramas will calculate their overseas income. But the bad radio and television limited the production of costume dramas in a certain year, and now domestic dramas in Southeast Asia are not as good as before. It's normal. Korean dramas have taken away all the lost ground.

It is worth mentioning that Vietnam is a country that loves domestic dramas, from "Desire" to "Four Masterpieces", Jin Yong's martial arts, and even our main theme TV series. Vietnamese officials also welcome domestic dramas, believing that they defend their ideological position. . . . If there were crowds of people, it was achieved when "Desire" was played in Vietnam. The so-called crowds could only appear in the early TV drama market. At that time, people had too few choices and could only watch TV, so it is impossible now. In North Korea, I heard that "Bright Sword", "Latent" and "Secret" were broadcast there, and "Latent" and "Secret" were particularly popular. . . . In South Korea, "Huan Zhuge Ge" once achieved high ratings in South Korea. Since then, South Korea has placed great restrictions on the import of foreign dramas.

Japan likes to buy domestic historical dramas, especially those about the Three Kingdoms.

When will we bring the TV series that China loves to watch to the United States? Go to the UK first and then go to the US to promote? How about it? In order to cater to the aesthetic requirements of Americans, we can choose ethnic minority actors to film TV series, such as Kazakhs, Tajiks, etc.

You can find American screenwriters to help shoot the types of TV series that Americans and British people like according to the story logic that Americans like. What do you think?