How much is a recording engineer in the studio a month?

But it also depends on whether you are a novice, an old hand or an expert.

The master will not mention it.

Generally speaking, the audio work of film and television is usually the work of repairing the same period/stripping lines/supplementing dialogue/inserting materials/mixing.

Generally speaking, if you are doing TV series, the basic salary of beginners is very low, ranging from 1000-2000, and the commission is set as a unit, such as mixing 300 episodes and recording 200 episodes. Novices usually get six or seven thousand a month. A mature moon, 10 thousand to 20 thousand. If it is a director, it will be more.

Movies pay more. But after all, only a few people can make movies, and they need considerable level and experience.

Novices in music generally have no money, and it is not bad to be an apprentice in a shed. Even those with a certain level can't get any decent treatment. Most music works are given in the form of cooperation and division of labor.

There is an obvious reason here. The sound effect work of film and television is an assembly line operation, which requires a lot of manpower. The average level is low when there are many people. Many people have been doing TV dramas for several years and can't even use pro tools. They are also very vague about many concepts, such as side chain, which is unheard of by TV drama workers. The relative technology is similar, but it can make money.

Music doesn't need a lot of manpower, such as arranging music, just one person. You don't need an assistant to hang out. And the technical requirements of music production are relatively higher. Music and technical ability to a certain extent, may not be able to earn enough money. Because there is little demand, there are many practitioners.

If there is a prospect, I am optimistic about film and television mixing from the perspective of economy and development.

But as far as personal pursuit is concerned, it is another matter.