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How much does it cost to show a movie in the cinema? Do I have to pay the copyright fee?
It is determined by the following factors: 1. The nature and location of cinemas (region): The main problem is real estate. For example, most of the newly-built "cinemas" are in large-scale shopping and entertainment plazas, so we have to consider "paying rent" and property fees. Some cinemas are independent buildings, and the house is simply "own". There is no need to consider anything in this respect. Of course, since it is an "independent building", you have to hire employees from "security companies" and "cleaning companies" yourself. 2. Opening time: Some equipment is basically a "one-time" investment and will not be replaced for a long time, such as projectors. Therefore, the longer you drive, the more "profitable" it looks. 3. Business area and form of construction and decoration: "Business area" includes "waiting area (lobby, small shop, etc.). ) "and" movie viewing area (cinema) ". The most intuitive thing is that the larger the business area, the more employees are needed and the more "wages" are paid. Whether it is "ticket sales", "service" or "screening". However, the number of employees depends not only on the "business area" but also on the form of "building". Like the new "cinema" now, it is designed to achieve "reducing staff and increasing efficiency". To be more specific, let's assume that there are two cinemas with four halls and eight halls, each with 150 seats, the business hours (film arrangement) are the same, and the screening methods (films or numbers) are the same (just "4" and "8" for short). First of all, it is certain that the number of "ticket sellers" depends on the number of cinemas and has nothing to do with design issues. Then check-in, seating and service after dissolution. Finally, the entrance to the cinema showing "4" is scattered (requiring multiple ticket inspectors), the terrain is complex (requiring the guidance of the waiter to avoid going to the wrong cinema), people are seated in the right place (requiring the waiter to show their seats in the cinema to avoid disorder), and there are two doors in and out (requiring the waiter to open the exit door after the screening). Please note that these situations are likely to happen in two or more cinemas at the same time. The entrance of the "8" cinema is concentrated behind the ticket gate, which feels like "and one person can't force ten thousand people" (only one ticket inspector is needed, and no waiter is needed to guide it, because you can see the cinema directly). If you are sitting in the wrong position (you don't need to take the lead), you must go through one door (just hold the ticket gate) when you enter and leave. Except for the screening, the cinema of "4" is scattered, and the screening room must be scattered (more than one projectionist is needed). The "8" cinema is concentrated, and the projection room is definitely concentrated (not in accordance with the "industry standard" now). If there are many people and the market is big, arrange up to three screenings). Take into account daily meals, weekly rest, etc. Then the number of employees in "4" is definitely much more than that in "8". The cost is obvious. The number of people in business, finance and office is similar. The form of "decoration" is not in advance, but after the theater is put into operation. The most important thing is "light", which is also related to the business area. There is a big lobby with hundreds of decorative lights, dozens of poster light boxes, TV with "trailer" and three-dimensional "wow" singing. Moreover, there is a small lobby with only general lighting, two or three poster light boxes, and there is no "trailer". The cost of the two is definitely different. Not to mention that some cinemas are still "underground", so as long as they are open, they have to turn on the lights. Although the "wall lamp" and "tail lamp" in the cinema are small, they should also be considered. Business hours (sessions): mainly the expenses of "lighting" and "employees working overtime". It is not worth the loss to exchange tickets with tens of dollars for five employees to work outside the legal working hours, but the thinking mode of "business" is not like this. What is certain is that these dozens of gross profits still entered the box office this month. The publisher began to laugh. They didn't consider the profit and loss of the cinema. However, operators should be worried. For example, if they sell ten standard tickets, they will break even. If they sell four tickets in multiple rows, it is equivalent to "picking" six tickets from the time when they sell well and putting them in this time to break even. The words in brackets are my imagination, which is probably incorrect, because what I see may not be comprehensive. 4. The difference between movies: Let's say "release" first, which is divided into "numbers" and "movies". The projection light source is a xenon lamp. Obviously, the greater the power, the more power is consumed. Besides, movie projectors and motors also consume electricity. Simple conclusion-the longer the movie, the greater the consumption. Apart from the film source, some films are "divided" and some are "bought". If you buy it, you can reduce the cost by running the film (two or more cinemas use one set of copies), for example, 200,000 can be shown, two cinemas can run the film, and one can pay 65,438+10,000 (common in cinemas with poor sales, you dare not take the copy yourself) 5.
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