Guo Da, who was dumped by Cai Ming, didn't go to the Spring Festival Gala?

Edit | Cao Fang

20 17, the film "Speed and Passion 8" was released.

During the publicity in Jason Statham, someone took out a photo of Guo Da and joked, "Do you know that you have a brother in China?"

Jason smiled and said, "It won't be a comedian, will it?"

After receiving the photo, the actress on the side directly exclaimed, "He really looks like you, Jason! But more charming and sexy than you! "

The matter immediately went on a hot search, and Guo Da liked to mention the title of "Guo Da Statham".

It was also at this time that some netizens found that Guo Da, once the nail house of the Spring Festival Evening, seemed to have not appeared in everyone's field of vision for a long time.

Once upon a time, Cai Ming's classic partner was not Pan Changjiang, whose "concentration is the essence", but Guo Da, a great man.

Compared with "degenerate" Pan Changjiang who sells wine, Guo Da seems to have a lot of low profile, so low profile that he can hardly "find such a person".

So, where did Guo Da, the former nail house of the Spring Festival Evening, go?

Why did he "break up" with Cai Ming?

Today, I want to tell the story of an old artist, Guo Da.

In Guo Da's sketches, he often speaks authentic Shaanxi dialect, which makes the audience feel more cordial.

In real life, Guo Da is also such a simple and kind person.

From 65438 to 0955, Guo Da was born in an ordinary family in Xi, Shaanxi.

Unlike other children, Guo Da is a "posthumous child", and his father died before he was born.

Later, when Guo Da was born, she left a big green bag on her head. According to the doctor's analysis, it is the mother's excessive sadness and malnutrition during pregnancy.

Guo Da was brought up by her mother and sister.

Without his father as a pillar, the Guo family lived a very poor life.

Fortunately, Guo Da inherited his father's tall and burly figure and was recruited as a railway worker at the age of 15.

People on the railway saw that Guo Da was young and couldn't bear to let him do heavy work, so he was asked to raise pigs in logistics.

Raising pigs is not easy. In summer, the pigsty is smelly and dirty, and Guo Da has to go back and forth to feed the pigs and pick up dung, which often makes the pigsty smelly.

Fortunately, he still has some rest time.

During this period, Guo Da often listened to cross talk and storytelling on the radio and became interested in it.

In fact, being a worker is not Guo Da's dream. In Guo Da's cupboard, there is a gray octagonal hat and violin, which was left by my father.

Looking at the violin with smooth lines, Guo Da planted an artistic dream in his heart.

He works during the day, reads books at night, gets up early and is greedy for the dark, hoping that this artistic dream will come true one day.

1974, 19-year-old Guo Da finally received the admission notice from Shanghai Theatre Academy.

He cheered, packed his bags and began a three-year professional drama performance training.

As a matter of fact, Guo Da didn't start performing skits as soon as he graduated. At first, he was assigned to Shaanxi Theatre and became a drama actor.

After all, he was born in an ordinary class, and Guo Da was good at learning, so his acting skills were recognized by the drama theater and began to emerge.

A director in the theater likes Guo Da very much. He thought he was burly and excellent in acting, so he was silently assigned to play the play.

Unexpectedly, this decision attracted the dissatisfaction of other actors in the theater. They feel that Guo Da was entrusted with an important task when he first came, which makes them look incompetent.

Amid all the opposition, the director had to replace Guo Da.

Guo Da felt wronged and angry, but he endured it and made up his mind that he must achieve something by himself.

In the next 10 years, Guo Da devoted himself to improving his acting skills and made a qualitative leap.

He appeared in more than 30 large and small stage plays, and gradually became the "pillar" of the theater, leaving other actors convinced and speechless.

So when did Guo Da start acting as a sketch?

This starts with the wonderful programs that Peisi Chen and Zhu Shimao brought to the audience.

Starting from 1984, Peisi Chen and Zhu Shimao staged a wonderful sketch in the Spring Festival Evening.

The sketches of "eating noodles", "making a movie" and "mutton kebabs" left a deep impression on the audience and inspired Guo Da.

Why can't I develop into comedy?

So in the next period of time, Guo Da focused on sketching.

Hard-working and excellent people are easy to succeed in whatever they do. A few years later, Guo Da was recognized by the sketch circle, and an excellent opportunity came to him.

1987 An actor of the Spring Festival Evening sketch "Before the Delivery Room" was temporarily absent, and the director finally chose Guo Da among many actors.

At first, the director worried that Guo Da's performance would be unsatisfactory. Unexpectedly, after Guo Da came to power, he was natural and graceful, and his smile was just right, which vividly interpreted the comedy image of a wife who waited for her to have children and preferred sons to daughters.

This performance made Guo Da shine in the sketch world.

The following year's Spring Festival Evening, Yang Lei once again performed the sketch "Honest Officials Don't Break Housework", which greatly increased his fame.

However, just as Guo Da was preparing to show his talents in the field of short stories, he met with "Waterloo".

It turns out that Zhao Benshan, the "king of sketches", suddenly emerged at this time, bringing a new atmosphere to the Spring Festival Evening stage with his northeast comedy style.

However, Guo Da's works were frequently stifled, and fell into the trough of his career.

This trough lasted for many years until a woman appeared, and that person was Cai Ming.

At that time, Cai Ming was not a "mean old woman". With a handsome face and lively personality, she was introduced to Guo Da by a friend.

The contrast between two people, one "earth" and the other "foreign", makes the audience feel very fresh.

1993 They boarded the Spring Festival Evening cooperative product "Loess Slope", and made use of cultural and language differences between China and foreign countries to shake their burdens frequently, which made the audience laugh and left a deep impression on everyone.

This success opened the cooperation between Cai Ming and Guo Da for more than ten years. During these ten years, Guo Da and Cai Ming became husband and wife, father and daughter, and sometimes became salesgirls and customers.

They also brought many wonderful works to the audience, such as Overseas Telephone, Funny Story of Robot, Biography of Sister Ma, Dream Home and so on.

Because of their close cooperation and their constant appearance in the camera, some viewers mistakenly think that they are husband and wife.

In fact, the two are just cooperative relations, and each has its own home in reality.

Apart from performing skits, Guo Da has not given up his acting career in other fields.

In 2005, he also participated in the film "Hands Up", playing the simple and clever donkey driver Uncle Guo.

Uncle Guo, who speaks authentic Shaanxi dialect, cleverly deceived the traitor translation and the Japanese search, helped the Eighth Route Army annihilate the Japanese detachment and successfully protected the national cultural relics.

This small-budget comedy movie is full of suspense and jokes, and the co-starring of Guo Da and Pan Changjiang makes the audience smile.

Until now, CCTV movie channel is still playing this movie frequently, no matter how many times it is watched, it can always make the audience memorable.

According to this development trend, Guo Da is now another "king of comedy" in the sketch world, but why has it disappeared?

There is a lot of news from outside. Some people say that Guo Da was banned for offending people, while others say that Guo Da and Cai Ming have different ideas and parted ways.

So what is the truth?

It turns out that Guo Da is a serious person, and he is very concerned about the evaluation of the outside world.

After the Spring Festival Gala every year, Guo Da will read the comments of netizens on the Internet, make changes if there is anything, and then encourage him.

However, with the appearance of "Cyber Keyboard Man", they began to demote Guo Da to nothing, and even made personal attacks, saying that Guo Da was old and his jokes were old. Seeing Guo Da made him feel sick and bored, so he was in no hurry to step down and make way for the young people.

Guo Da is also an ordinary person. After reading such comments, his heart was very bad and his spirit was greatly hit.

Plus, with the growth of age, his body is a little overwhelmed.

You know, rehearsals have to be reviewed repeatedly every Spring Festival Evening, and actors are under great pressure because they are at risk of being killed at any time.

Sometimes when Cai Ming and Guo Da rehearse, they think Guo Da's face is simple. At first, Cai Ming thought Guo Da was shy, but later he knew that he had high blood pressure.

After thinking for a long time, Guo Da decided to quit the stage of the Spring Festival Gala.

The first person who knew Guo Da's thoughts was his partner Cai Ming.

He told Cai Ming, "My body is too big for me." He spoke with tears in his eyes, which made Cai Ming feel very sorry for his old brother.

So after the 20 10 Spring Festival Gala, everyone never saw the "vegetable pot" combination sketch on the stage of the Spring Festival Gala.

Quitting the stage of the Spring Festival Evening does not mean quitting the entertainment circle.

Today, Mr. Guo Da is still engaged in his favorite deductive career, and he has started his old line-drama.

His drama "White Deer Plain" with Pu Cunxin and Song Dandan has been recognized by the industry and caused great repercussions.

In 2020, in the audience's expectation, Guo Da also boarded the variety show "Ace to Ace" with Cai Ming.

In the program, Huang Zulin, who was against him, "taunted" Guo Da and brought a "small note" to the stage, which made Guo Da, who was on the variety show for the first time, somewhat caught off guard and embarrassed.

On the other hand, Cai Ming helped him, saying that "small note" was Guo Da's serious attitude.

Cai Ming's words won applause from the audience and made them admire Guo Da, an old artist.

Indeed, there are fewer and fewer serious and modest old artists like Guo Da.

Although we have left the stage of the Spring Festival Evening, Guo Da's classic sketches are enough for us to revisit.

Today, in his 60 s, he is still glowing in the art field.

Finally, I also wish Mr. Guo Da good health and a happy family in his future life. I hope we can see more excellent comedies by Mr. Guo Da!