I am studying cultural relics in the Forbidden City.

My thoughts on repairing cultural relics in the Forbidden City 1

After I returned to Beijing, I accidentally watched a documentary "I Repaired Cultural Relics in the Forbidden City", which was very touching. It seemed that my confused thoughts gradually sank and my heart gradually dispersed, making my mind broader and more inclusive. After all, when you see those who work in the Forbidden City, you will feel that every post in this world has a meaning of existence.

glazed tiles with red walls, birds and green leaves in a small courtyard, swaying branches and leaves in the wind, and picking natural fruits bred from the royal fertile soil. In the Forbidden City, the working environment seems isolated from the world, like crossing, keeping impetuousness out of the city wall.

Seeing this documentary, I suddenly envy these staff, and I can do something down-to-earth. However, we must also be able to withstand loneliness. I admire the young people who work in the Forbidden City and polish their minds to fit the years.

There are many ancient capitals, but only the capital is so charming. After experiencing storms, thunder and lightning, the existence of the Forbidden City sometimes feels like a miracle.

Looking back on the novels of several meters and kilobytes that I have read, I have brushed one book after another, crossing, fighting and sadomasochism. Nowadays, people ponder over the love and hate of the ancients, and the buried years have added a sense of mystery. Every time I read a book, I can't get back to God.

A friend, Ji Zai, especially likes the Forbidden City, and has also come to work in Beijing. Although overtime has occupied her life, fortunately, her feelings have never been erased.

There are two scenes in the discipline film that impress me deeply. One is that a staff member named Dong Ge rides a bicycle in front of the main hall that was closed on Monday. Another is that when the staff got up early to open the door, there was a cat standing in the courtyard, perhaps with royal blood.

apart from the settled character, the most important thing in the restoration of cultural relics is the application of professional knowledge, and even the integration of many disciplines. I really feel that I know too little. Although there is a specialization in the art, my major and the skills I have learned now are really a mess.

After reading the comments, many people talk about the craftsman spirit and associate it with Japan, which makes them feel ashamed.

although I don't know what I like and what I want to do, I should always find something I like at every stage.

I will watch it again when I am in a confused mood.

My thoughts on repairing cultural relics in the Forbidden City 2

"I Repair Cultural Relics in the Forbidden City" is a great contribution of CCTV documentary. Although this documentary failed to cause a topic when it was broadcast. However, after several months of "fermentation", this small-budget documentary with an investment of only 5, yuan per episode began to reverse, quickly became popular on the Internet, and attracted a large number of followers after the 198s and 199s. The academic word "repairing cultural relics", which is usually 18, miles away from the audience, has also become a cultural hot word, and the charm of craftsmanship and cultural self-confidence displayed in it have made this documentary score as high as 9.5 points on social networking sites. Then, why is the "I am repairing cultural relics in the Forbidden City" with strange bones so hot? Why triggered the collective * * * of society?

Explore the "small but beautiful" theme of the Forbidden City

In recent years, the theme of the Forbidden City has been enduring through visual packaging and precise theme positioning. From the Forbidden City in 25, the National Palace Museum in Taipei in 26, When the Forbidden City Meets the Louvre in 211, the Forbidden City 1 in 212, and I am repairing cultural relics in the Forbidden City, the Forbidden City has continuously conveyed through visual media a new image that they are more international and open in the process of facing the future and facing the world.

Last year coincided with the ninetieth anniversary of the establishment of the Palace Museum in Beijing. Instead of holding large-scale celebrations, the Palace Museum increased its opening area and exhibitions, such as the original exhibition of Cining Palace and the special exhibition of Shiqu Baodi. These tangible actions were used to celebrate the birthday of the museum, which condensed and represented 5, years of Chinese civilization. The broadcast of the documentary "I am repairing cultural relics in the Forbidden City" also echoes this theme to some extent.

"I am repairing cultural relics in the Forbidden City" is not huge, only three short episodes. According to the categories of restoration, bronze wares, palace clocks and watches, ceramics, woodwork, lacquerware, treasure inlay, weaving and embroidery, as well as the restoration, copying and copying of paintings and calligraphy. It sounds like a boring theme of repairing cultural relics, but it unexpectedly received a good applause. The mysterious "cultural relic doctor" in the Forbidden City has also become a genuine "online celebrity". With their unique skills, they are reduced to ordinary people. They look at and repair cultural relics every day. They will not only ridicule the characters in ancient paintings, but also meticulously make the tiny gears on clocks and watches fit together. In addition to professionalism, there is also a "cute" temperament.

Compared with previous documentaries about the Forbidden City, this documentary takes a new approach and observes the palace from a younger and more down-to-earth perspective. The cultural relic restorers in the red wall closet are doing the most expensive work in the world. From eight to five, I never work overtime, and I feed the wild cats at leisure. I have nothing to do, I have an apricot, and I have an errand to go to Shoukang Palace. When it closes on Monday, no one rides a bicycle in the Hall of Supreme Harmony Square.

After watching this documentary, the audience "Little Flying Fish" couldn't stop, and then it was repainted twice. She thinks this documentary has a charming temperament. "Making the boring thing of' repairing cultural relics' interesting and full, let us know about this business and tap the lovely side of the Forbidden City that is often overlooked."

The film critic Wang Ping praised the film after seeing it. He believes that this documentary abandons grand narrative and records the daily life of cultural relics restorers. "The action of' repairing cultural relics' just connects the ancient and the present, and conveys the dialogue between the ancients and the present, which is far more profound than ingenuity."

Interpret the charm of craftsmanship with modern aesthetics

How to tap the vitality of the Forbidden City with modern aesthetics? This is a question that Ye Jun, the post-8s director of I Repair Cultural Relics in the Forbidden City, has been thinking about.

Ye Jun, who participated in the production of the documentary The Forbidden City 1 in 212, set his sights on the special field of cultural relics restoration. "We did a lot of research when we made The Forbidden City 1, and at first we thought about making something called The Heart of the Forbidden City". From the biography of the forbidden city to today's "I am repairing cultural relics in the forbidden city", the creative team's wish to interpret traditional culture in a modern way is also on the paper.

"'telepathy' is definitely a more traditional literary expression, giving people the feeling of' ignorance'. However, Mr. Zhao Guangchao, the artistic and creative consultant of Forbidden City 1, had a set of children's books My Home is in the Forbidden City, and he made the Forbidden City look cute, which had a great influence on us, "Ye Jun said.

Ye Jun also admitted that the original intention of filming was to let his family understand his work. "I live in a big family, and my professional confusion is that I can't explain my work to my family. I wonder if I can do something to let them know what I do and make a documentary that young people can watch. "

Ye Jun succeeded, and this documentary successfully attracted the attention of young people. Those post-8s and post-9s young people pay attention to the exquisiteness and charm of China's traditional crafts, and even exclaim "an eye-opener". Those "cultural relics doctors" are deeply impressed by their own learning, demeanor, superb technology, precipitated heart and quiet and far-reaching mentality.

For example, Yang Zehua, the head of the painting and calligraphy restoration section of the Painting and Calligraphy Group of the Forbidden City, is a "middle-aged artist" who can play and sing with his guitar between restoration work. He admits that the restoration of cultural relics requires great concentration, and sometimes even ignores the existence of the film crew.

Min Junrong, head of the Lacquerware Group of the Cultural Protection Science and Technology Department of the Forbidden City, who specializes in the restoration of lacquerware, also specially learned to play the guqin in order to restore it. "When people talk about restoration in the Ming Dynasty, they think that if you want to repair a cultural relic, your level must reach its height. If it is not enough, it will definitely not work. So for us, the process of repairing cultural relics is also learning "; The master in charge of the lacquerware group said that in order to collect suitable lacquer, they would go to the suburbs of Beijing to cut the lacquer at night with the lacquer picker. Climb 6 sumac trees in one night to collect 8 liang of high-quality lacquer.

interestingly, the overall tone of the documentary is not boring, but it also truly records the interesting and life-like side of these masters. For example, a young female master likes to ride a bicycle on the square of the Hall of Supreme Harmony when the museum is closed on Monday, saying, "The last person who did this was Puyi." The restorers also tease cats and beat apricots, forming a kind of "contrast" with their usual rigorous and meticulous work.

Artisan's spiritual and cultural self-confidence

There are many places in the film that make many audiences admire and move. The inheritance of a cultural relic restoration throughout the film is more like a red rope, connecting the past, the present and the future, showing how the mysterious craftsmanship of the Forbidden City has been passed down step by step from generation to generation. When a female master told her about her career, the first thing her master said to her disciples was: Only by being patient can we do a good job in restoring cultural relics. This sentence has also become the "finishing touch" in the film.

Wang Jin, the court watch group, is the most popular among the audience. He faced a pair of bronze and gold-plated country music water clocks that Emperor Qianlong loved. It took eight months to repair it and wind it up. Finally, the clock in front of us was "alive": the chicken and duckling waved their wings, the swan twisted its posture, the ship sailed, the door under the tree opened, and the weaver girl inside was working, which made the audience dumbfounded.

The narration of the film says: "Modern China needs' artisan spirit'." This caused a lot of netizens to scream, "It turns out that there are still such people around us who really only do one thing all their lives."

Han Xiao, another director of the film, said that "artisan spirit" has many meanings. "First, there is awe and love, and there may be boredom in the middle, but in the end it becomes a real integration. It's awesome to only do one thing in one's life. Now many young people may not be able to do it. That's why young viewers will be hit at once and say,' Give my knee' or something. That kind of patience to do something in a hurry is too scarce now. "

"In the past, Japanese craftsmanship and German manufacturing always appeared around us. Unexpectedly, in our country, there is also a capital craftsman spirit, and they are our pride." Mr. Lu, a post-9 s student, said that this documentary touched his professional attitude when he was about to go to work.

It is not as unconstrained as qing wear's plays, nor as ups and downs as Empresses in the Palace. In "I am repairing cultural relics in the Forbidden City", a group of ordinary people who are doing unusual jobs walk in the Forbidden City. They have turned the Forbidden City from a witness and holder of deep history and culture into a working platform for the present people to display their fists and feelings. There is no talk about broadness, only down-to-earth, and do a good job with the sincerity of "craftsmen."

I was studying cultural relics in the Forbidden City. 3

I just watched the first episode, and I was very touched by such a peaceful film after reading it.

I have never liked these cultural relics, and I think they are hard and cold, but this view has changed after reading them. Hundreds of years have passed since each cultural relic was handed down. During these hundreds of years, their owners are constantly changing. They have witnessed the change of dynasties and the change of the world. What condenses on them are historical changes and ancient stories. Some experts who repair them have been apprentices in the Forbidden City since they were 16 years old, and now they are about to retire in their fifties, and they have dedicated their lives to these cultural relics.

There is an old master who repairs clocks. It may take a year to repair a large clock, but those moving and vivid clocks, after being repaired, only have the opportunity to show their exquisiteness to the audience when they are just on display, and then they lie quietly in the window without fear. The old master feels very sorry.

There is also a master who restored Tang Sancai. He said that there are still many things to do in life. The first thing after retirement is to change an off-road vehicle and go skydiving. I thought they should like something quiet when dealing with these old antiques every day, but I didn't expect what he wanted to do was quite crazy.

This craftsman spirit of doing one thing well all his life has been passed down, and the younger generation has a higher degree of education. Wearing Google Glass has continued their skills and spirit. When a graduate restorer who graduated from the Central Academy of Fine Arts rode his bicycle through the empty Forbidden City, the intersection of ancient and modern was even more touching.