Any ancient poem story

Material 1:

At the end of the Qin Dynasty, the world was in chaos, and all the heroes rose up. After years of fighting, Liu Bang came from behind, defeated Xiang Yu, and won the world. But within a few days, Wang Ying of Huainan rebelled, and the military strength was so strong that Liu Bang had to go out in person. On his way back to the court after victory, Liu Bang took a trip back to his hometown of Peixian County and spent more than ten days reminiscing and drinking with his old friends and neighbors. Once at a lively banquet, thinking of the safety of the world, Liu Bang sang sadly:

The strong wind is blowing and the clouds are flying,

Weijiahai is returning to his hometown.

The warriors are guarding all sides!

"The wind rises and the clouds fly" refers to the chaos in the world, and sometimes it also refers to touching the scene and hurting one's feelings.

(From "Han Shu O Gaodi Ji")

Material 2:

Gong Zizhen was a native of Renhe, Zhejiang (now Hangzhou) in the late Qianlong period of the Qing Dynasty. In Gong Zizhen's era, the Qing Dynasty began to decline rapidly, the rich and the poor were polarized, social problems arose, and crises were everywhere. Gong Zizhen advocated immigration and colonization of Xinjiang to develop the western region's economy and consolidate border defense ("Provincial Proposal for the Provincial Development of the Western Regions"); he wrote to Lin Zexu, hoping to ban opium. In the 19th year of Daoguang's reign, it was the eve of the outbreak of the Opium War. Because he offended the Minister of Military and Aircraft Mu Zhang'a, Gong Zizhen had to abandon his official position and leave Beijing to travel south.

When Gong Zizhen passed by Zhenjiang on her way south, she saw a sea of ??people on the street, which was very lively: people were carrying the Jade Emperor, the God of Wind, and the God of Thunder in devout worship. At this time, someone recognized Gong Zizhen. A Taoist priest immediately asked Gong Zizhen to write a memorial tribute, and Gong Zizhen wrote: "It is sad that Kyushu relies on wind and thunder for its anger, and thousands of horses come together to investigate. I urge God to cheer up and send talents in any way." (To the effect: China relies on wind and thunder.) It is really sad to see such a dead life. I hope God will revive us and give us useful talents instead of sticking to routine.) "Eclectic" means not limited to one standard or method.

(From "Miscellaneous Poems of Jihai")

Material 3:

After a long period of hard work and a large number of good ministers and ministers such as Yao Chong, Song Jing, etc. With the help of Emperor Xuanzong of the Tang Dynasty, Li Longji created a 30-year-long prosperous Kaiyuan era - the world was peaceful, the people were happy and prosperous, and people from all directions came to the dynasty. However, after entering the Tianbao period, Emperor Xuanzong of the Tang Dynasty began to settle for pleasure, ignore government affairs, and re-appoint treacherous ministers such as Li Linfu and Yang Guozhong. At the same time, because he was eager to achieve great success, he was keen on the policy of expanding territory and resorting to militarism. The Tang Dynasty set up military envoys in the border areas. , garrisoning heavy troops. Later, the number of Jiedushi envoys and border garrisons continued to increase. By the first year of Tianbao, the number of Jiedu envoys had increased to 10, and the military strength had increased to 490,000. The huge military strength consumed a lot of financial and material resources of the country, and there was hidden unrest in the society.

When Du Fu saw the new recruits heading to the front line with "no trace of Xianyang Bridge in the dust", his parents and wives "holding their clothes and stamping their feet to stop crying", he was deeply worried about the fate of the country. He wrote:

When you draw a bow, you should use a strong one, and when you use an arrow, you should use a long one;

To shoot a man, shoot a horse first, and to capture a thief, capture the king first.

There is a limit to killing people, and all countries have their own borders.

If you can control the invasion of the mausoleum, how can you kill more?

However, because he speaks softly, no one listens to him. A few years later, the "Anshi Rebellion" broke out, the Tang Dynasty almost collapsed, and the Tang Dynasty began to decline.

"To capture the thief first, capture the king" means that when doing something, you must first grasp the key.

(From the sixth chapter of "Former Journey out of the Fortress")

Material 4:

In the 13th year of Jian'an of Emperor Xian of the Han Dynasty, Sun Quan and Liu Bei joined forces and used fire attack in Chibi. Defeated the powerful Cao Cao and established the situation of the Three Kingdoms. More than six hundred years later, Du Mu of the Tang Dynasty walked around this ancient battlefield and could no longer feel the tension of the approaching war. The poet lamented that time has taken a toll on people, and wrote this poem "Red Cliff":

The broken halberd sinks into the sand, but the iron is not sold,

I will recognize my past dynasty.

Dongfeng did not agree with Zhou Lang,

Tongquechun sold well to Erqiao.

"Sink in the sand" describes a disastrous failure.

(From Du Mu's "Red Cliff")

Material 5:

Lu You (1125-1210 AD), a patriotic poet of the Southern Song Dynasty. Because of his insistence on resisting the Jin Dynasty, Lu You was attacked many times by the Zhuhe faction. In 1166 AD, the forty-two-year-old Lu You was dismissed from office. With no way to serve his country, Lu You returned to his hometown of Shanyin (now Shaoxing, Zhejiang) with full of grief and indignation. He shut himself up at home and studied all day long, often sitting alone until late at night with a green lantern.

In April of the next year, drums and flutes were played everywhere in the countryside, preparing for the Spring Society (the day of worshiping the God of the Earth), and there was a joyful atmosphere. Lu You suddenly wanted to see the Western Mountains twenty miles away. So he set out with his walking stick. As we walked, the mountain road gradually became winding. After walking for more than an hour, the crowds gradually became sparse. When he climbed up a slope and looked around, he saw mountains and rivers ahead, and the road was cut off. It seemed that he could no longer move forward. Lu You was very interested and refused to look back. He walked dozens of steps along the hillside and turned the corner of the mountain. Suddenly, not far ahead, an empty valley appeared. A small village was hidden among the green willows and red flowers (the willows are dark and the flowers are bright), as if The legendary peach blossom garden. Lu You was very happy and walked into this small village. The simple-dressed and innocent villagers entertained the guest with wax wine they brewed.

With this unforgettable experience and feeling, Lu You cheered up again. Wrote "Visiting Shanxi Village":

Moxiao's farmhouse wax wine is muddy,

In good years, there are enough chickens and dolphins for visitors.

There is no way out despite the mountains and rivers.

There is another village with hidden flowers and bright flowers.

The flutes and drums follow the Spring Society,

The clothes and hats are simple and ancient.

From now on, if you are allowed to take advantage of the moonlight,

I will knock on the door all the time and night with my stick.

"There will be a bright future" means that things that have been in a stalemate suddenly turn for the better.

(From Lu You's poem "Visiting Shanxi Village")

Material 6:

Liu Yuxi (772-842) was a poet in the mid-Tang Dynasty. Because he was implicated in Wang Shuwen's "Yongzhen Reform", he was demoted to Langzhou (Changzhou, Hunan) as Sima in 805 AD. Nine years later, Liu Yuxi, who was in his forties, was recalled to Chang'an. I heard that the thousands of peach blossoms in Xuandu Temple were blooming beautifully, so I went to watch them with my friends, and wrote a poem "Visiting Xuandu Temple": "When the red dust of the purple road blows in the face, everyone wants to see the flowers return." All the peach trees in Xuandu were planted after Liu Lang left. "Because of this poem, he was demoted to Bozhou (Zunyi, Guizhou) as governor, and later changed to Lianzhou (Lianxian, Guangdong), and then transferred to Kui. (Yinkui)zhou (Fengjie, Sichuan) and Hezhou (Hexian, Anhui) were later dismissed. Fourteen years later, Liu Yuxi was recalled to Chang'an again. The bustle of Xuandu Temple back then is gone: thousands of peach blossoms are gone, only a few clumps of cauliflower on the moss are swaying in the spring breeze.

The poet was very emotional and wrote another poem "Revisiting Xuandu Temple": "The hundred-acre courtyard is half covered with moss, and the peach blossoms are all gone and the cauliflowers are blooming. Where do the Taoist priests who grow peach go? Liu Lang, who once visited me, is here now. Come!"

"Qiandu Liulang" means that people come and go.

Material 7:

Qian Kang and Qi Ji were both monks in the Tang Dynasty. When Qi Ji was at Daolin Temple in western Hunan, Qian Kang went to visit him. The disciple said: "The people who associate with my master are all poets. Please compose a quatrain as a reminder." Qian Kang said:

The red dust on the other side is as busy as fire, but when the mountains are cold, the mountains are cold. Like ice.

The boy making tea stopped asking and reported that there was a monk in front of the door.

The main idea of ??the poem:

The people in the mortal world on the other side are very busy,

The people in front of the mountain temple are cold and cold.

Tea-making boy, please don’t make things difficult for me anymore.

Just say that the person visiting the door is a poor monk.

Qi Ji was overjoyed after hearing this and treated Qian Kang as a distinguished guest every day.

People derive the idiom "watching the fire from across the river" from this, which means watching others busy across the river. It is a metaphor for not helping others in distress and watching the excitement on the sidelines. It means something else entirely.

(From "The Sequel to the Poems of the Tang Dynasty" by Sun Tao of the Qing Dynasty)

Material 8:

Lu You was born in the weak and poor Southern Song Dynasty, and his lifelong ambition was to Restore the Central Plains. However, due to the strong power of the Zonghe faction at that time, Lu You was squeezed out. When he was thirty years old, he was expelled from the Ministry of Rites examination and was dismissed from office at the age of forty-two. At the age of forty-six, Lu You entered Shu and served as the general magistrate of Kuizhou (today's Fengjie, Sichuan). A year later, at the request of Wang Yanzhi, the Xuanfu envoy of Sichuan, he joined the imperial court to handle military affairs. This made Lu You very excited, because the Xuanfu envoy of Sichuan was stationed in Nanzheng. (today's Hanzhong, Shaanxi Province) was the front line against the Jin Dynasty; Wang Yan was the leader of the anti-Japanese war faction. Lu You actively devoted himself to military life and traveled all over the Nanzheng front line to provide suggestions for the Northern Expedition. But a few months later, Wang Yan was recalled, the shogunate was dissolved, and Lu You was transferred back to Chengdu to serve as an idle council officer. This was really unbearable for Lu You, who dreamed of "fighting with iron horses". "The poem reads:

Nothing can be achieved when riding a horse. I live upright, but I am worried about being invaded by guests.

The pale face and white hair have entered the state of decline, and the yellow curls and green lights are empty and painstaking.

General idea:

I went out on horseback but didn’t know where to go.

When I came back, I sat in the house and felt homesick.

The face is haggard, the hair is graying, and the physical strength is declining.

Only yellow curls and green lanterns make people forget their worries.

"Yellow scroll and green lamp" ancient books are written on yellow paper, and the oil lamp emits cyan light. Describes the lonely life of reading late at night.

(From Lu You's "Jiannan Poems o Kechou (Excerpt)")

I don't know if you want this kind of right, so I'll send it to you first

Reference materials:/edu2004/editor_2004/zhongkao/050509/050509_194876.html