What's the story of the party?

Ge You is the trademark of Feng's comedy and has become the leading actor. His words and deeds have long been branded with distinct marks, and there is a saying that I want to laugh as soon as I see him. I have always disagreed. Perhaps due to geographical limitations and aesthetic differences, I have always felt that Ge You is not suitable for the role of comedy.

In fact, the word comedy itself is open to question. If Feng's films need some elements of black humor, it can produce vivid and outstanding effects in Ge You's films. These effects come from Ge You's appearance and just right lines.

But when Ge You's performance completed the further optimization of Feng's film, it was labeled as a superficial evaluation, that is, "comedy".

"Comedy" is just a label, which can't fully represent Feng's films, but it has become the vane of Feng's films.

The first time I confronted Ge You, it was world without thieves. Although uncle Li's lines made me laugh, they also made me afraid of uncle Li. The character is too overcast, but he can command a group of thieves in a playful tone. Ge You's role this time, let me no longer use "words and deeds" to summarize him, but should say "one stroke and one style".

The difference between the two is that the former is too accustomed to a certain mode, while the latter restores the actor's skill.

Because of this, when I saw Li Di in the trailer of the banquet, I wanted to see it. The first time I saw Li Di, I was not afraid to say it was imposing! More luxurious than uncle Li.

I would say that Chen in Kangxi dynasty had the imposing manner of the emperor, while Chen in Hanwu emperor didn't feel like an emperor. This is just my family's opinion and my subjective thoughts, and I don't want to dwell too much on this issue.

It left the meaning conveyed by the background of the Five Dynasties and Ten Countries in The Banquet: Because it was one of the darkest and most chaotic periods in the ancient history of China, there was a struggling and distorted dynamic survival instinct between those in power and those in power, and they were interdependent.

The whole scene of the film is beautiful, especially the assassination of bamboo forest at the beginning. In any case, it cost a lot of money to pile up, creating a strong sense of space, several times stronger than the infinite unknown, and repeatedly looking down with a condescending lens. Not only the visual effect is good, but also it is most suitable for people who are wandering and depressed in the palace to express a safe position that can only be seen from a distance. It's just that there are too many shots hanging, which slightly causes eye discomfort.

The place where His Royal Highness often washes his hair is located in a hollow courtyard, and the light is concentrated on the stone bed (I don't know what to carve, just call it a stone bed). Personally, I don't think it is necessary to focus on the stone bed like Jesus on the cross.

The scene where the queen came to see the prince was not tense enough and had no aftertaste. My hypothesis is that the queen came over, dismissed the servant, brushed the prince's hair at will, walked around and picked up the mask. Zoom in and the mask is half a palm away from the prince. When the queen talked about the realm of performance, she put down her mask inch by inch until she finally covered the prince's face and the prince threw away his head. The queen's hand paused, and when she finally stood up and said the last sentence, she threw it into the running water of shampoo in a rage and added: You only deserve to soak the mask in water to rot. This line is similar to the original prince hiding in the water to avoid being chased.

It's a pity that the above words are purely my YY ... I like the scene when Emperor Li reached out at the crack of the door and the queen reached a tacit understanding and covered it with her hand.

Author: Manager Lala Noodle replied to this remark September 27, 2006 +07: 44.

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2 reply: the night banquet is mixed-there are many words, so if you have no patience, you don't have to read it.

Zhang Ziyi's performance is complicated, which is not a compliment. Most of Zhang Ziyi's performances in the film are typical. One raises an eyebrow, another pouts and another smiles, and he works hard. The expression of eye movement can't keep up with the change of expression, which is a bit artificial and some details are not handled well enough. I chose three places that I think are the best and most natural. First, when the young woman said that she dreamed of the prince every day, the queen simply asked her, second, when she asked the young woman if she had a backache, third, the last monologue. It is not an exaggeration to describe these three things with "phoenix eye, majestic". There are two scenes of young women. Is it really the interaction brought about by mutual appreciation between Zhang Ziyi and Zhou Xun?

The queen's character can basically be summed up in the words of a young woman: you love yourself the most. No matter who sits on the throne, she has the ability to recognize her position and further rely on favor and arrogance, so the queen's last monologue is not unreasonable. When Li Jue first ascended the throne, she despised her as an uncle, but she still maintained moral restraint. When Emperor Li threatened the prince's life, the queen lost the last line. At this point in the story, the queen is like the hint brought by the monologue at the beginning of the movie: she likes the prince.

However, when the prince really appeared in front of the queen, the queen said something that made me doubt, that is: the most important thing now, what the first emperor most wants to see is peace between you and me. The word "peace" also appeared later. She told the prince his responsibility as the true heir to the royal family. Then, she bowed down beside Li Jue, who really confirmed that Li Jue was the emperor. While paralyzing Emperor Li, the Queen kept cleverly reminding the Prince not to be impulsive, but hinted that she urged the Prince to take action.

In the sword dance practice between the prince and Yu, the queen helped the prince when he was in danger. The prince gave up and said, I'm dead. Emperor Li asked him why he died, and the queen replied that he regarded a life-and-death battle as an exercise. Li hit the nail on the head. Then a queen came to the stone bed and asked the prince why he could not give up. Let's not say that the form of the play is greater than the content, and the martial arts scene is the least, and don't take Zhang Ziyi's similar expression of concern to distinguish whether the prince is nervous or not. All these robbed the scenery of the previous conversations, causing the feeling of anticlimactic, and jumped into the scene before enjoying the next lines.

In my opinion, the queen is quite qualified for the position of "queen" on many occasions. Carve a flying dragon in the sky, kneel in court first, drink alcohol, etc. Otherwise, how can you please Emperor Li? But in that sword dance practice, the queen's answer, I think, just exposed her true thoughts. It is her style to choose a good wood to live in. When the first emperor was in power, the queen had nothing to threaten. The sudden death of the first emperor and the succession of emperor Li are unreasonable. The queen's tone was also deadlocked, but in the end she handed her hand to Li Di outside the door, because Li Di said: Jiangshan waits for no one.

Don't wait for anything. What if you don't stay? That's five generations and ten countries. Where does the Queen think the most important peace comes from? On the surface, it seems to be for the sake of the prince's life, but isn't it yourself who bears the brunt? Sword dancing is a kind of exercise. Due to the fierce eyes of the prince, Emperor Li acquiesced in the exchange of a real sword. If the prince died because he regarded the battle of life and death as an exercise, it is relative that Emperor Li regarded the exercise as a battle of life and death and won.

But in fact, the prince is not dead, which means that Li Jue will lose the battle of life and death as an exercise, and that is the last banquet. "Exactly" came from the queen, and Li Jue died because of the queen.

In the eyes of the queen, Li Di was unorthodox, and his brother had no confidence in usurping the throne. The prince's surname is different, and there is no demeanor of the first emperor. The first emperor approved the rod punishment, which shows that he is also ruthless. The veteran queen knows how to poison, but the prince won't poison. Then who will guarantee her safety? Jiangshan is here, she lives. Since neither side can do it, why not stay alone? Don't forget the smug expression on the queen's face when she got the queen's seal given by Li Di. After she let the Yin family save the prince, she decided to rebel against Li Jue, knowing that the prince was still alive, but she became more and more miserable. All her thoughts were reflected in the last monologue. Despite the ending of her death, the queen is very suitable to be an emperor.

Who killed the queen? I prefer her maid to linger. The queen always thinks highly of herself. When she was finally killed, she looked back and saw the veins stood out on her forehead, indicating that she was in extreme disbelief and anger. At this time, all the ladies-in-waiting filed away, and Shine should have left in it. What kind of mood would it be if all kinds of scheming were finally destroyed by an insignificant guy? You can imagine.

Author: Manager Lala Noodle replied to this remark September 27, 2006 +07: 45.

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3 reply: the night banquet is mixed-there are many words, so if you have no patience, you don't have to read it.

So does the queen have love? Yes, but she loves herself most. The queen is jealous of the young woman's love. In fact, she should be jealous of the young woman's clean and pure love. The love that the young woman got and paid was not counted, and even the prince finally noticed it. Zhou Xun's role as a lady is quite satisfactory, but personally, Zhou Xun at that time was different from Princess Taiping at that time. Her temperament and image can bear the demure of a young woman, but she lacks purity. After being forced away by the prince, I held the prince gently, and I felt a feeling greater than death in my heart.

The relationship between this young girl and her brother made me ... er, unexpected. When people had a premonition that they were going to die, they suddenly looked at Xiong Yin holding his sister from behind. It's good to have a soft scene, but it's too impatient, so they thought of Liu Ye's amazing hug in the infinite without virtue. It seems that hugging from behind works well, starting with the famous Titanic.

The center of Xiaogang Feng's films lies in people's hearts, with hints in the center, but the priorities are not clear when implementing them. Usually, people's hearts are full of complicated conflicts of interest. The conflicts in the play are all partial to the Queen. For example, they threaten to torture young women and let Xiong Yin pretend to be a local grandson to save the Prince, wandering between Li Di and the Prince. No wonder Xiaogang Feng said that the play depends on the Queen.

In contrast, the prince's scene is a little pale. In addition to being suppressed by Emperor Li, the role as a whole is fragmented, and there is only unproductive and unprofitable revenge. If it weren't for the restraint of the queen and the young lady, he would have been taken by Wei Lao to drink the northwest wind, and now he is still lying on the stone bed. However, Daniel Wu performed very well in this role. The prince can never get revenge alone. Gee, the queen knows how to use the Yin family. Why didn't he communicate with the Yin family as a prince? Wuyue didn't know the changes of the imperial court for three years, and he didn't know how to make friends with his cronies. But he has developed a set of skills to enter and leave the royal family freely, even thieves are not as good as him.

Perhaps the point of view different from others is: did the prince finally fall in love with the young woman? I don't think so. He has always liked the queen. Vietnamese songs describe the boating woman falling in love with the boating prince, so she is very happy with you. The young girl is really pitiful to the singer, right? Half and half. If a woman rowing a boat sings, she is pitiful. It's sad for young girls to sing. But the question is who wrote this song? Prince! Brought it back after escaping assassination. Who saw it? Poor prince, so the prince is very lonely. So what is the loneliness of the prince?

The young woman finally asked, Prince, are you still lonely? The prince choked and replied, you won't be lonely. Did this line touch you? At first glance, I really thought the prodigal son of the prince had returned. Not as good as Xiong Yin's sentence: My brother has you in his heart. Yes, the prince is certainly not lonely, because others have him in their hearts, completely. Unlike the queen, I love myself more than the prince, so the prince will be' happy with you, but you are not'.

In this film, the contradiction between people's heart and interests focuses on the Queen, while the ups and downs of others can't be taken into account, which leads to the view that Li Di's love for the Queen is too abrupt, which also determines that the sense of form of the banquet is greater than the content. The background of the Five Dynasties and Ten Kingdoms period mentioned earlier, that is, one of the darkest and chaotic periods in China's ancient history, both those in power and those in power have a struggling and distorted dynamic survival instinct, and they are interdependent. If the banquet reaches such a food chain state, I think it will be beautiful, at least the prince is really a prince.

I don't know if I noticed that when nine people cut themselves, there was a scene of rivers of blood. If I am not mistaken, it flowed to the helmet, and nine people cut themselves in the abdomen. How did it end up on the helmet? In addition, the camera also swept under the bridge, so my idea at that time was that there was someone under the bridge! I thought the prince had a chance to win the throne, but I didn't see it until the end. ...

Author: Manager Lala Noodle replied to this remark September 27, 2006 +07: 45.

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4 reply: the night banquet is mixed-there are many words, so if you have no patience, you don't have to read it.

Ge You's topic ended with Li Di. To be honest, I don't think the jokes mentioned in the media are funny. Whether it is the sentence "I am a big country, sincere, let's send a real prince", it may be awkward if it is just put forward, but it is a clever excuse in the background at that time, which blocked the queen's mouth and made her unable to attack. In the officialdom of the imperial court, Li Jue is superior to the queen, so when he ascended the throne, he can put pressure on the queen and ministers by "kneeling, kneeling". Another sentence, "You are the queen, you are the mother of the world, and you push the quilt when you sleep in the middle of the night." That's boudoir talk, don't listen to it if you are indecent. ...

It's just that Li Jue usurped the throne first and acted violently, not to mention the queen's authorities. Even I, a bystander, can't believe that Li Di really fell in love with the queen and died for it. In addition, the contradiction of Emperor Li is that in the face of the old minister's attack, Emperor Li confidently demanded "kneel down, kneel down", but in the end he suddenly repented when the prince's finger sword directly faced him. Emperor Li loves beauty, but he is not guilty of this throne. Otherwise, why kill that lovely nephew? Or is it because witnessing the heroic sacrifice of the young woman gave him a great shock and touched the true feelings of the world, and at the same time, he was disappointed that the queen actually wanted him to die, thinking that the imperial power is something that eats people's hearts and minds, so he risked his life to drink the wine that the queen respected? With all due respect, this is so fake!

If the throne is dignity, then where is the dignity of Emperor Li? Were they all trampled in the queen's poisoned wine? Where is the ambitious emperor? The characterization of Li Di in The Banquet is not reasonable enough. I think I like Li Di very much, without the last revelation from Li Di. As an emperor, a typical emperor of the Five Dynasties and Ten Kingdoms is qualified.

Although Li Di's lines are awkward, and some places are unnatural to switch between ancient and modern, they are better than what the queen said to the prince: a lonely singer who came out of something. When Ge You plays Liddy, his eyes are full of dramatic effects. However, in the depressing atmosphere of the whole film, Li Di's facial expression cannot be overstretched, but becomes an unconvincing point when he finally falls in love with the Queen.

Author: Manager Lala Noodle replied to this remark September 27, 2006 +07: 45.

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5 reply: the night banquet is mixed-there are many words, so if you have no patience, you don't have to read it.

Actually ... this movie really needs to be rated. ...

Author: manager of ramen noodle restaurant replied to this speech on September 27, 200617: 51.