Can the construction of art village give "homesickness" a place to live?

In the process of rapid urbanization in China, while people marvel at the rapid expansion of urban area and population, they lament the loss of rural elites and the decline of rural society, and lament that homesickness has no sustenance, which is often attributed to the population flow between urban and rural areas. Homesickness can also be used as "nostalgia, nostalgia, nostalgia", that is, to realize the irreversible past. It is precisely because of this "irreversibility" that nostalgia has become a yearning for what is missing today and a yearning for what cannot be achieved now.

The construction of art towns puts forward the possibility of finding homesickness, trying to awaken those forgotten and discarded things in an artistic way, combining them with modernity and extending them into the future. Therefore, the lifestyle and moral feelings closely related to people's life and production may be excavated and revived in the integration of art and reinterpreted in the new era.

However, when we need to wake up, the existing rural society is not the traditional state we imagined, not the idyllic peach blossom garden and utopia, but has a deeper connection with the outside world. . Then, when we are building an art town, does this action only come from the imagination of the "redeemer" of a foreign city?

Therefore, in the process of rural construction, we should try our best to understand the homesickness of villagers, rather than the "worry" of artists themselves, that is, to realize the coupling of local knowledge and foreign culture, and the combination of traditional wisdom and contemporary mind. In fact, there have been a number of architects in China who pay attention to humanistic care. From their own unique perspective, they seek a balance between architecture and nature, especially the life experience of residents.