What staff do you need to make a movie?

1. Producer: Responsible for the market research in the early stage of the film to see if the film market has prospects. If the answer is yes, then they will find their film group to invest in producers and related personnel and start choosing directors, scripts, actors, sponsors and so on.

2. Producer: Responsible for supervising the production process of the whole film and assisting the director to complete the filming with good quality and quantity as soon as possible.

3. Consultant: Provide necessary guidance and help for films with professional themes.

4. Director: Responsible for carving the characters in the script and using various shooting resources (props, venues, actors, etc. ) to interpret the script, make a movie and copy.

5. Deputy Director: He is both a director and a producer, and he is the director's right-hand man.

6, producer: mainly for the script, in order to keep the original script for the director's shooting work.

7. Actor: Interpret the content of the script according to the requirements of the director and the script.

8. Attendance (audience seated): Responsible for providing items needed for shooting, such as preparing props, selecting scenes, maintaining the order of the studio, and providing logistics services.

9. Set designer: responsible for setting up the studio according to the script and the director's requirements.

10, lighting engineer: arrange lighting effects according to the script and the director's requirements.

1 1. Stylist: Modeling the actors in the film according to the script and the requirements of the director.

12. Makeup artist: Make up the actors according to the script and the director's requirements, while considering the requirements of modeling.

13, post-processing: according to the director's requirements, edit the shots selected in the later stage and make special effects.

14, composing: arranging suitable music for the film.

15, editing: responsible for cutting unnecessary shots of the whole film.

16, film copy: After the master film is processed, the producer will find a professional film copy company to copy the sub-film and transport it to various film markets for listing or screening.

Extended data:

Film composition:

technology

Visual retention

"In ancient times, people found that a burning charcoal turned into a fire belt when it was waved." However, this visual phenomenon was associated with the invention of movies in the19th century.

1829, Joseph Prato, a famous Belgian physicist, stared at the strong sunlight for a long time in order to further examine the human eye's tolerance to light, resulting in blindness.

But he found that the shadow of the sun was deeply imprinted in his eyes, and he finally discovered the principle of "visual retention", that is, when the object in front of people is removed, the image reflected by the object on the retina will not disappear immediately, but will continue to stay for a short time. Experiments show that the retention time of images is generally 0. 1-0.4 seconds.

At the same time, the principle of "Faraday wheel" and the visual study of the rotation of the picture "magic disk" have been adopted in physics textbooks and physics laboratories in Europe. They showed human beings that the physiological function of human vision can combine a series of independent pictures into a continuous mobile video.

19 In 1930s, visual toys such as stunt wheels, walking wheels, rotating wheels, movable mirrors and stroboscope appeared one after another. Its basic principle is similar, that is, draw a series of images on a rotatable and movable video disc. When the video disc rotates, those unremarkable images move and come alive.

Since then, the Austrian combined the slide show with the movable video disc, so that the still picture was projected on the screen, and the movable slide show was made, forming the early animation.

However, in the 1960s, film theorists and educators raised new questions about "visual stagnation". They found that all the action phenomena on the screen were actually jumping and incoherent, but the audience realized that it was a unified and complete action sequence. This proves that what really works is not "visual retention" but "psychological recognition".

Shooting skill

Photography also originated in Europe in the19th century. 1839, Daguerre, a Frenchman, fixed the image permanently by chemical method according to the pinhole imaging principle in painting after the Renaissance, and "Daguerre Photography" came into being. 1872, photographer Edward Curtrich was the first to apply "photography" to continuous shooting.

In five years, he used many cameras to shoot a running horse continuously, which was successful in 1878. 1882, French men developed a "photographic gun" that can shoot continuously by using the intermittent principle of revolvers. Later, he invented the film continuous camera.

Finally, a camera began to use a group of cameras instead of curtains to shoot moving objects. In Europe, scientists and inventors from many countries have also developed different types of cameras.

Among them, Thomas Edison of the United States and his mechanic Dick invented the traction method of punching holes on both sides of the film in order to make the film move at the same interval in the camera, which solved the technical problem of mechanical transmission. The "photography" of "mobile photography" is completed.

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