Taking Li Qingzhao's ci as an example, this paper analyzes the relationship between her ci and her life experience. !

1) gentle and charming. As a lady of scholarly family, Li Qingzhao naturally knows more about book etiquette than ordinary women, and is superior in behavior cultivation. Even if a teenager is lively, naive and curious about things, she still can't get rid of the unique gentleness and charm of a girl. "Asked the shutter, but Haitang still. Do you know that?/You know what? Do you know that?/You know what? It should be green, fat, red and thin (Like a Dream). The protagonist, still drunk from last night, whispered to the maid who came to the shutter, asking and answering as usual. The careful protagonist is not satisfied with the answer, but the repetition of the two "do you know" is a small complaint and reminder to the maid. "It should be green, fat, red and thin" expresses his love for his flowers and plants, and shows the tenderness and delicacy of the heroine. "Kick the swing, get up and adjust your hands. Beside her, the thin Germany hung with crystal dew, and the sweat on her chest permeated with the thin silk robe. Seeing someone coming, socks shoveled away Jin Chai and left in shame. Looking back at the door, Wen Qingmei. " The details of "sliding, walking, leaning, turning back and stinking", together with slender hands, slim figure and gentle clothes, have shaped a light, lively, charming, shy and naive girl image. "Red lotus root fragrant residual jade long autumn. Solve Luo Shang lightly and go to Lan alone. " (A piece of plum) The "light solution" is consistent with the object of this gentle movement "Luo Shang", which shows the unique charm of women. In the fresh and natural artistic conception, we can imagine a rich lady, dressed lightly, beautifully, fashionably and appropriately, gently taking off her beautiful, soft, slender and elegant clothes beside a small lake full of lotus fragrance and being careful. That gesture and action are as beautiful as a fairy.

(2) Soft and delicate emotions. Li Qingzhao's rich and delicate transcendence over the thoughts and feelings of ordinary women is her important personality temperament, which also enables her to express her inner feelings incisively and vividly, making her ci full of fresh and natural exquisite beauty, which is one of the reasons why her ci has achieved high artistic attainments. For example, "it rained suddenly and the wind blew last night, so a deep sleep didn't consume wine." Ask the shutter man, Haitang is still there. Do you know that?/You know what? Do you know that?/You know what? It should be green, fat and thin. "This 33-character poem (like a dream order) is very rich in content, full of twists and turns: from drinking in a shower last night to waking up today, although I was still drunk and sleepy, I remembered that the flowers fell this morning in the storm last night and asked the maid how the Haitang was at home. The answer I heard was' return', but the careful hero corrected the maid's carelessness in questioning. Do you know that?/You know what? It should be green, fat and thin. " Although the length of the whole poem is small, it shows the protagonist's feelings of cherishing spring and flowers in twists and turns, showing the poet's superb artistic realm. Hanwu's poem "Lazy Rise" said: "It rained last night, but it is cold today. Is the begonia flower there? Look at the side shutter. " Although the content of this poem is similar to Li Qingzhao's ci, the delicate thoughts and feelings reflected are obviously far less than Li Qingzhao's ci. "Red lotus root fragrant residual jade long autumn. Gently untie Luo Shang and go to Lan alone. Who sent the brocade book? The word goose returns, and the moon is full of the west building. Flowers bloom and fall, and flowing water gurgles. One kind of lovesickness, two places of leisure. There is no way to eliminate this situation. You can only frown and take it to heart. " This is Li Qingzhao's work to express his homesickness. In the clear autumn, he was lonely and bored, so he went to Lanzhou alone and went out to play, in order to relieve his troubles. There is no choice but to touch the scene everywhere, reflecting infinite delicate feelings: the visual sigh of "red lotus root is fragrant" is that time passes and youth is easy to get old; Looking down at the flowing water in front of me, I feel that "water is infinite like sorrow"; Looking up at the sky, I miss the people who send books and love from afar; On the return trip, "the moon is full in the West Building", but it is difficult for people to reunite. It's really sad and painful everywhere. She couldn't help sighing: "I can't help but frown in this situation, but I take it to heart." Poetry shows the subtle inner emotional world of the protagonist layer by layer, giving people infinite soft and delicate beauty.

(3) The scenery is peaceful and quiet. Everything in Li Qingzhao's ci is based on the scenery seen, heard and felt around him, and blended with meticulous observation and profound emotional experience. Because she is a weak woman, she is particularly lonely in the second half of her life and always spends her time in a lonely environment, so all the scenery she sees is peaceful and quiet. Such as dew, flowers, lotus, phoenix tree, willow, boat, pavilion, moon, sunset, breeze, drizzle, white clouds, running water, swallows, geese and other soft, gentle and peaceful scenery in nature. For example, "the courtyard is windy and drizzling, and the heavy door must be closed." Fondling willow flowers to eat cold food, all kinds of nasty weather. Writing a poem is a leisurely taste. When you spend too much money, it's hard to get rid of a thousand worries. It was chilly in the spring for a few days upstairs, and curtains were hung on all sides. The jade fence was dry and careless. Dream Leng Xiang's new dream. Go to sleep and don't be sad. Clear dew and morning flow, new tung is introduced at the beginning, and how much spring comes. The sky is crisp and the smoke is rolling. Is it sunny today? "(Nian Nujiao) This word describes the lonely mood when the Cold Food Festival approaches, and the impression after waking up from a drunken dream, including the courtyard, oblique wind, drizzle, heavy doors, spoiled willows, beautiful flowers and Hong Fei, pointing out the leisurely taste and" thousands of worries "of the Cold Food Festival in annoying weather; In the following film, after writing a dream, the sun shines brightly and casually leans on the bar, which leads to the meaning of spring outing, shows its psychological changes of sadness and joy, and reflects its lonely mood. Writing about buildings, curtains, railings, dreams, dew, tung, smoke and other scenery, the language is shallow and affectionate, beautiful and beautiful, like nature itself.

(4) The ingenious use of spreading techniques and overlapping words. The beauty of tenderness in Li Qingzhao's ci is also fully reflected in the ingenious techniques and clever use of overlapping words, mainly in the description of scenery, especially the nuanced lyricism. In the description of scenery, or for all kinds of scenery, or for the details of scenery, the combination of dynamic and static highlights the characteristics of scenery. For example, "The sunset melts into gold, and the clouds merge. Where are people?" Dye willow smoke and play plum blossom flute. What do you know about spring? Is there no wind and rain when the weather is harmonious during the Lantern Festival? Come and meet each other, enjoy the BMW and thank the wine friends for their poems. Zhongzhou is in its prime, and the boudoir is full of leisure. Remember points three to five. Pave a green crown, draw golden snow willows, and compete with them. Now I am haggard, windy and frosty, and I dare not go out at night. It's better to listen to people laughing under the curtain. "(Music I've never met) In the lyrical description of the scenery in the last film, the scenery is horizontally arranged layer by layer, depicting the beautiful scenery in the spring sunset, which is consistent with the lively scene of the Lantern Festival below, and at the same time forms a sharp contrast with its own lonely situation. Beautiful scenery and sadness set each other off, ups and downs. In lyricism, it not only describes the appearance of the characters' emotions, but also pays attention to "dissecting" the characters' mental journey. From today to the past, from here to there, it twists and turns deeply, revealing the rich and complicated inner world of the characters to the fullest. For example, "Slow Sound" depicts the scenery and expresses emotions. It pushes infinite sadness forward with layers of narration, showing melancholy mood and turbulent state of mind, which is touching and touching. Another example is "Plum Branches and Plums" and "Remembering the flute on the Phoenix Terrace", both of which adopt the same lyrical technique, so that the feelings expressed are both true and moving.

The ingenious use of reduplicated words can be described as unprecedented and unprecedented, reaching a very high level. "Searching, empty, miserable. It's the hardest to stop breathing when it's warm and cold. Three glasses of light wine, how can you go against him? Guo Yan is very sad, but this is an old acquaintance. Yellow flowers were piled all over the floor, withered and damaged. Who can pick them now? Looking out the window, how can you be black alone! Indus is raining in Mao Mao, dripping at dusk. This time, what a sad sentence! " The first three sentences are connected by seven overlapping words, tracing the sad mood of the protagonist all day. In the cycle, it shows lingering sadness, myriad thoughts and heavy worries. "Searching" means that when you get up, you feel bored. When I lose something, I look around and want to find something to pin my emptiness and loneliness on. And "cold and clear" is the result of "looking for". Instead of getting nothing, I am surrounded by a lonely atmosphere and feel "sad and painful". Later poets all appreciated her creative use of reduplicated words, which were "really like a plate of jade beads, accomplished in one breath" and "eternal farewell". Another example is "Who planted banana trees in front of the window? Yin fills the atrium; Yin fills the heart, leaves warm the heart, relax and be affectionate. Sad pillow night rain, a little light rain; A little rain, I am worried about hurting northerners and I am not used to listening! " ("Adding Words and Picking Mulberry Seeds") Due to the grief of losing my husband and the infinite nostalgia for my hometown, when I witnessed the banana in the south, I naturally felt that "the leaves are warm and lingering." Sad and sleepless, the visual image during the day was postponed and turned into the auditory image at night, listening to the sound of rain hitting bananas, "a little rain." A little rain is also full of sadness. The clever use of these overlapping words, the sound of sobs, and the blood and tears of every word are sad and shocking. Such overlapping words are in "Point crimson lips?" It is widely used in many poems, such as A Swing and The Order of a Dream, and has achieved excellent artistic effects.

(5) Harmony of words. Paying attention to "musical beauty" is the traditional feature of China's ancient poetry and even the whole literature. Ci is a kind of poetry, which naturally has the commonness of musical beauty.

1. The combination of China's ancient poetry and music has a long tradition. In the pre-Qin era, the Book of Songs was combined with elegant music. In the Han, Wei, Southern and Northern Dynasties, the so-called "Yuefu" poems were the lyrics of the combination of Qing and Yue. Among them, some are combined with northern music, such as the "harmony song" of Han and Wei dynasties; Some of them are combined with southern music, such as Shang Qing Quci in the Southern Dynasties. The music related to Tang and Song Ci is mainly "Le Yan", also known as "feast". This kind of music is changeable, changeable and beautiful. It is difficult for a poem with neat sentence patterns to match this variety of tunes, and it is also difficult to coordinate, so the lyrics of long and short sentences came into being.

2. Ci is a new form of combining poetry with music. The new combination of ci and music is not only a new combination of long and short sentences and music, but also a new combination of ci and music. Both the Book of Songs and Yuefu poems have poems before music, while the words have music before poetry, that is, the lyrics are filled in according to the tune. The form of lyrics should obey the form of music: (1) The tone of words is named after songs, that is, after tunes, not according to the meaning of words. (2) Word segmentation according to music segments. "Parallel" is also called "edge". During the Tang and Song Dynasties, there was a song called Change. (3) The word Jun rhymes with music. ④ The word "da" is a sentence. (5) Choose a word sound according to the rising and falling words. Generally speaking, the harmony of ci follows the general principle of "harmony in big points, careful pronunciation in small points, flat tone in total, and urgent punishment of four tones" (General Theory of Ci in Tang and Song Dynasties).

3. Li Qingzhao's ci is full of sound and emotion and beautiful melody. The musical beauty of words is not only the effect of sound coordination, but also the harmony between "sound" and "emotion" and the beauty of melody. Poets in Song Dynasty tried to "sing love". There are more than 1000 kinds of words in Song Dynasty, and each tune has its own "sound and emotion". When filling words according to sound, he is good at choosing tunes suitable for expressing feelings and combining "sound and emotion" closely. For example, graceful words often use the lingering and resentful tone of "confession", "butterfly love flower", "Linjiang fairy son" and "Yulinling"; Bold words are often used in radical, bold, generous and sad tones such as Man Jianghong and He Xinlang.

The beauty of melody is mainly reflected in the harmony of rhythm and timbre, which is mainly caused by "pause", "tease" and rhyme between syllables. Word segmentation, rhyming and sentence making make the rhythm and rhythm of words more flexible and changeable, which has a complex aesthetic feeling that integrates length, even, scattered, chaotic, light, discontinuous, turbid and cadence. Li Qingzhao pointed out in On Ci: "Gai Shi is divided into squares, while Ci is divided into five tones, five tones, six rhythms and clear turbidity." For example, the "slow voice" in "Seeking Sound" is actually a tune, and the content below "Seeking Sound" is the lyrics. In order to express her infinite sadness in the situation of national destruction and displacement, the poet chose the melancholy tune "Slow Voice". "Slow voice" and "both rhyme and rhyme" express more harmonious feelings. In this first word, eight entering tones (qi, urgency, straightness, health, black, earth and virtue) dominate the whole article, with short luck and urgent tone. The whole article mostly uses words with teeth sounds and words with tongue sounds (the words with teeth sounds include: seeking, clearing, sadness, mourning, strangeness, time, most, interest, three, light, wine, how to be righteous and sad, yes, time, knowledge, accumulation, haggard, such as, who, keeping, wearing, window, self, and how. The words with tongue sounds are: difficult, light, enemy, him, land, heap, independence, success, harmony, arrival, dribs and drabs, ① it sounds like crying, deep and sad. In particular, eighteen overlapping words are used in the whole article, which not only sounds like "pouring pearls of all sizes into a plate of jade", but also shows the emptiness, boredom and extreme sadness of the poetess from the surface to the inside, achieving the beauty of sound and emotion. At the same time, four rhetorical sentences ("how to fight late and catch up", "who can pick now", "how to live alone" and "how to get a sad word") are used to express the poet's helpless sigh and depressed sadness, which makes the words full of changes. In a word, this poem can be called "the melody of words contributes to the harmonious beauty of music", and it is a masterpiece with both sound and emotion, which embodies the unique musical beauty of Li Qingzhao's words.

As a synonym of the Song Dynasty, Li Qingzhao experienced twists and turns, independent personality, strong personality, delicate feelings and high artistic attainments. The gentle beauty in her poems has touched the hearts of readers from generation to generation. Her superb artistic charm will attract countless Chinese and foreign literary lovers, and her works will be passed down forever in China.